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Roman architecture comparative analysis
Roman architecture comparative analysis
Roman architecture comparative analysis
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Religion’s impact wasn’t only apparent in the conquest and culture of the middle ages, religion heavily influenced the architecture. The architecture of the middle ages may have had influences from Rome and its buildings and structures, but as stated by LK Alchin in “Medieval Architecture”,”Architecture during the Medieval times of the Middle Ages saw many innovative changes from the Romanesque style of architecture to the Gothic style of architecture,”This means that a majority of innovations happened during the middle ages and were influenced by religion or Rome. The most famous buildings of the time all were affiliated with religion in some way or another.
Early architecture of the middle ages was a continuation of Roman architecture.
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This style is the most prominent style of the middle ages because of its use in holy buildings and castles. It was a more “pointy” style because it used pointed arches and columns. It is known as Gothic for no real reason, but it was first called the French style. The invention of the flying buttress paved the way for the use of stained glass and wider window openings. It also lead the way for decorative architecture such as gargoyles. The Gothic style is called perpendicular due to the use of straight lines in the buildings. As the middle ages moved forward Gothic churches started being …show more content…
The church became the focal point in every Medieval city by being the tallest (in most cases) and the most prominent building. The church was a large influence on the more decorative parts of architecture. The stained glass of churches and buildings almost always featured depictions of religious events or actions. The flying buttress opened a new door for both architects and churches during the Gothic architectural era. The flying buttress allowed windows and doors to get wider and bigger and it allowed the church to be stronger under attack while weighing
This carried on in to the 18th century where more and more people dabbled in the gothic style with out a full understanding of how gothic architecture worked as a structural system. They confused stages of the gothic period, which were later defined by Thomas Rickman in is writing, and also used Classical forms such as pilaster and venetian windows. Many interiors were of a classical form a layout and some times other style were thrown in. Some gothic forms were even used on the exterior of building where they didn’t perform the function they were meant to. This shows how little the architects of the 18th century studied the mediaeval and how little they understood it.
This work is typical for this era because the architectural style Gothic is known for its height being tall and made from stone and tall flying buttress...
The European Gothic Architecture covers an extended period of time that begins in the 12th century up to the 16th century; this was the golden period for this style of Architecture. The term Gothic comes from the Goths or Gothic people, a group of East Germanic tribes, which were tribes of barbarians and vandals that sack Rome during the 5th century. This term was later applied ...
The term “gothic” comes from the name of the Germanic tribes “the Goths”, who were seen as barbarians, uncivilized, savage human beings. Later, the term was used to describe an architectural style that appeared in the Twelfth Century in Western Europe , and also to illustrate a new type of novel issued in Romanticism, in the second part of the Eighteenth Century.
The principle behind the Gothic style was to reach greater interior heights. However, “medieval churches had solid stone vaults (the structure that supports the ceiling or roof). These were extremely heavy structures and tended to push the walls outward, which could lead to the collapse of the building. In turn, walls had to be heavy and thick enough to bear the weight of the stone vaults,” (“Gothic Art and Architecture”). Thus, the taller buildings such a churches would be more expensive to build and look bulky and ungainly, which doesn’t quite fit the style the clergy were aiming for. In response to this problem, master masons of the medieval period developed the iconic ribbed vault. This newly developed ribbed vault had several interesting characteristics. A ribbed vault was the conjunction of two or more barrel vaults. The vault itself was a collection of stone ribs traversing the vaulted ceiling and transporting the weight onto the ribs themselves. Also, instead of the traditional round arches, pointed arches were used. This gave the ceiling of Gothic buildings a light and more versatile look (Martindale). Not only did these ribbed vaults bring a (somewhat) unique look to cathedrals, they also served an incredibly vital part in the architectural design of Gothic structures. The Gothic structures’ “new arrangement significantly reduced the weight (and thus the outward thrust) of the ceiling vault,” which reduced the constant danger of collapse and cracking for the thick Romanesque walls when they tried to reach taller heights (“Gothic Architecture”). The ribs also “transmitted [weight] along a distinct stone rib, rather than along a continuous wall edge, and could be channeled from the rib to other supports, such as vertical piers or flying buttresses, which eliminated the need for solid, thick walls,” (“Gothic
In the end of the 12th century and the start of the 13th century the Gothic and Naturalism movement was moving across Europe. Originally a derogatory term Gothic was used to describe the art of Northern Europe. Despite the resistance to the abandonment of traditional architecture the beauty of stained glass and flamboyant architecture of the gothic style quickly gained popularity. The churches were built by the common people and for the common people. Stained glass was used to depict biblical passages in an intriguing way for those who were illiterate which at the time was a large part of the population. Cathedrals were beacons that could be seen for miles with their pointed spires and from the country side they appeared to be the center of
The term “Gothic” was coined by Italian Renaissance writers who blamed what they considered to be the non-classical ugliness of the art and architecture of the time, to the northern tribes of Germanic barbarians known as Goths. Baron Wolfgang van Schreck’s ancestors had invaded the Roman Empire and destroyed what was considered to be the “true” art of the time; walls that were much too high and thick, arches that were too steeply pointed. The Gothic school of architecture, which included flying buttresses, rib vaulting, pointed arches and the presence of gargoyles on the inside and outside of the building. At the end of the 18th century the term Gothic switched meanings, from “medieval” to “macabre”, through the intervention of a man named Horace Walpole (1717-1797). He was the son of the famous politician Sir Robert Walpole, Horace was a well-known writer and dilettante who gradually transformed his villa, Strawberry Hill, into the most famous Gothic building of age. With this the now cliché image of a Gothic castle is now an accurate representation of the non-classical ugliness of the time period itself.
The church in the Middle Ages was a place that all people, regardless of class, could belong to. As a source of unity, its influence on art and architecture was great during this time. As society drew away from the feudal system of the Romanesque period, a new spirit of human individualism began to take hold; alas, the birth of Gothic. Here, the Church became a place where humanity became more acceptable, alas becoming the ideal place to visual such new ideals. The beauty and elegance of Gothic architecture is depicted most in the great cathedrals of the 12th, 13th and 14th centuries—St. Denis, Notre Dame, Chartres, Salisbury, Durham, Amiens, and more. The experience of looking at one of the great gothic cathedrals is to look up towards God. Indeed, most Gothic structures emphasize the vertical, drawing one’s eyes upwards toward the heavens with the awesomeness of God. These cathedrals were built with towering spires, pointed arches and flying buttresses giving impressions of harmony and luminosity. One of the major accomplishments of the 12th and 13th centuries was to develop the engineering mastery of the ribbed vault, pointed arch and flying buttress to create a great cathedral that is at once taller, lighter, wider, and more elegant than the ones before. Even though the pointed arch could support more weight than its predecessors, there was still the problem of finding a way to support the heavy masonry ceiling vaults over wide spans. In order to support the outward thrust of barrel vaults, vertical support walls have to be very thick and heavy. What makes possible the extensive use of ribbed vaulting and pointed arches to “open” and “lighten” the walls and space of the cathedral is the flying buttress—“an arched bridge above the aisle roof that extends from the upper nave wall, where the lateral thrust of the main vault is greatest, down to a solid pier.”
This style of architecture first emerged in northern France around 1140. It started with the construction of great churches in Paris and evolved to more greater height, light, and volume. Later on, they used gothic architecture for secular buildings like castles, palaces, bridges, city walls, and gates. In England, two highly important buildings: Canterbury Cathedral and Westminster Abbey were created using Gothic architecture.
Their purpose is to redirect weight from the roof of a building to the ground. In Romanesque architecture, regular buttresses consisted of exceptionally thick walls that sat parallel to the structure, in direct contact. Structures built using this type of architecture were modest in size because of the limitations of the rounded arch, and due to the fact that thick, cumbersome buttresses could not be continuously built on top of one another. Another innovation of the Gothic period was the development of the flying buttress. This style of buttress is favourable to that of the standard buttress because it allows for structures to be built much higher than previously possible.
There was a greater intensity occurring in piety and literature. The Gothic style embodies this new urban society. Romanesque and Gothic shared similar characteristics, but Gothic architecture was a greater departure from its previous predecessor. The Romanesque architecture style, which occurred during the late 11th century to the middle 12th century, literally means “roman-like” architecture. The Romans, who were inspired by the Etruscans, used barreled and groined vaulting.
Cathedrals had a floor plan shaped like a cross. The head of the church pointed east towards the holy city of Jerusalem. The transept, running north and south, represented the cross-bar of the cross. The foot of the cross, at the west end, provided the entrance to the church and personal salvation. The interior of a gothic cathedral gave the worshipper the impression of light and height, with slender columns framing large tall windows and reaching up to support a ribbed stone roof. The exterior was encrusted with statues, bobbly pinnacles, and the open fretwork (interlaced decorative design carved in low relief on a solid background) of flying buttresses. As the worshipper entered the portal, which was the
Architecture made a great deal of changes and developments during the Middle Ages. This involved the types of architecture, the styles and the people who influenced or improved the constructions. It also affected and influenced medieval society and the modern world too.
Another difference separating the two were that Romanesque style buildings had limited light whereas Gothic cathedrals were flooded with natural light. The architectural reason for this was due to the walls being made primarily out of stained glass. This was now achievable with the Gothic design because of the flying buttresses that supported the walls from the outside of the building. Thus making the three most defining characteristics of the Gothic style, that differ it from Romanesque to be the ribbed vault, the flying buttress and the pointed arch.
There were two main types of architecture during the middle ages, the Romanesque style and the Gothic style. The Romanesque period took place approximately between 1096 and 1270 (the eleventh and twelfth centuries) and the Gothic period took place approximately between 1150 and 1450 (the thirteenth through the fifteenth centuries) (Bersson 383). Evidence of both styles of architecture emerged throughout Europe. The political landscape had changed and the Christian church provided a measure of unity throughout the centuries of this medieval era (Stalley 13).