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Albert Camus "the stranger" as an existentialist novel
The conditions of existence in the stranger by albert camus
The stranger albert camus existentialism
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Jean Grenier indirectly influenced Camus’s life after he persuaded Camus to join the Communist party in 1935 (Gay-Crosier). In the party, Camus directed the Maison de la Culture, which was an organization that introduced major metropolitan artists to the public and promoted indigenous Mediterranean art and civilization, and formed the Theatre du Travail (Labor Theater), a theater group for which Camus wrote and acted. Eventually, though, Camus was expelled from the Communist party due to his ideological differences.
After his expulsion from the party (from 1938 to the outbreak of World War I) Albert Camus worked as a journalist for the Alger Republicain, an aggressive opposition paper in Algeria. There Camus was responsible for the city
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After his banishment Camus went through a period of artistic and intellectual maturation, which can be seen in his A Happy Death, Betwixt & Between, and Nuptials . Hints of the simplistic narrative style found in The Stranger come from the occupational style of journalism (Camus began work on The Stranger during his time at the Republicain) as well as from Hemingway’s journalistic style (Moser). These traces of this specific style also convey the sense of immediacy that Camus’s philosophy is founded …show more content…
In the novel we can recognize Camus’s preoccupation with the nature of being and his rejection of reason and order in the universe ("The Stranger"). Even more evident in The Stranger are the parallels between the main character Meursault and Camus himself. Meursault has a sense of world and morality unlike anyone in his society and is therefore distanced from everyone because he has realized that life itself is meaningless. He understands that life is what one makes of it while being aware of life and death (the two certainties). Camus argued that realizing that life is meaningless allows one to uphold traditional human values because they safeguard one’s life and lead to utmost
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
Albert Camus was born in Mondovi, Algeria. He was the second son to Lucien and Catherine Camus. Camus suffered from Tuberculosis and he was sent to live with his aunt and uncle. There his uncle, Gustave, was able to educate him and add drive of curiosity to his nephew. As his writing career be gain to grow Camus moved to France in 1938. Where he in 1942 at the age of 29 Camus he wrote his famous book, The Stranger. Connections between the protagonist, Meursault, and Camus can be seen because of small similar details between both of the main characters and authors lives.
Meursault and Daru are both “strangers” because they are not able to understand the other characters, which are each indirectly associated with an aspect of society. Camus uses the actions and words of seemingly unimportant characters to allude to the shortcomings of society. In both texts the protagonists view the other characters in the story from an outsider view, allowing for a new perspective in which society and its problems can be assessed. By making the protagonists detached from society, the underlying issues within society can be explored from an objective viewpoint.
From “The Stranger” we can see that Albert Camus to express his strong disproval the French colonists’ brutal behavior through Meursault’s monologue. In reality, Albert Camus is actually more like a supporter of peace. He dose not advocate for either French colonists or Algerian natives if their activities become violent. What Albert Camus advocates is that a peaceful truce between French and Algeria.
I, Albert Camus, am a famous French author who wrote The Stranger in 1942. I was born in Algeria, and my experiences there have deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy of the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
In an interesting New York Times article that was published in 1946, only four years after the publication of The Stranger, Charles Poore was able to recognize the new movement in literature that Camus was introducing. Poore writes, “The post-war generation here has not yet formed its ranks to express itself and harass its touchy elders…While most European countries had not yet experienced any literary shakeups in the post-World War II period, France was booming with edgy and unique movements” (Poore). It may come as a surprise to many modern day Americans that France was actually the place of origin for post-war literary movements that would later encourage protest and dissent in the US over issues such as Vietnam. As this shows, Camus was able to impact readers on a world wide scale and literally start a movement with his profound
Camus was plagued with sadness and futility his entire life. “A philosophy degree at the University of Algiers” (Bio.com, 2014) allowed him to become educated in the way he viewed social issues. Camus was an educated man who was very well-spoken, so much so that he was awarded a Nobel Peace Prize for his literary
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.