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The themes of emily dickinson poems
Emily Dickinson as 19th century American poet
The themes of emily dickinson poems
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Elizabeth D’Angelo
5/19/15
7th Grade English
Mr. Leonard
Emily Dickinson
Emily Dickinson was one of the most influential writers in American History. Emily was a renowned 19th century poet, who voiced her feelings and shed light on various aspects of her life. Although her poetry was mostly private, her works are very public today. The themes of Emily Dickinson’s poetry was influenced greatly by what she experienced throughout her life, beginning at an early age.
Emily Elizabeth Dickinson was born in Amherst, Massachusetts in the family homestead, on December 10, 1830. Emily Dickinson was the middle child of Edward and Emily Norcross Dickinson. Her grandfather, father, and brother were lawyers. Her father wanted his children well-educated, and he followed their progress even while away on business. Emily Dickinson's grandfather, Samuel Dickinson, was one of the founders of Amherst College. When Emily was seven, her father wrote home, reminding his children to “keep school, and learn, so as to tell me, when I come home, how many new things you have learned.” (The Emily Dickinson Museum) On September 7, 1840, Emily and her sister Lavinia started school at Amherst Academy, a former boys' school that was open to females just two years earlier. She graduated from
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Amherst Academy in 1847. The next year she attended Mount Holyoke Female Seminary at South Hadley, but because of health problems, she did not return. As a youth, Emily exhibited a social flare, having lots of female friends and even evidence of a marriage proposal from George H. Gould, a graduate from Amherst College. In her formative years, she experienced deaths of friends and relatives, which prompted questions about death and immortality. Emily and her family encountered financial hardships, and they were forced to live as tenants on their homestead. As Emily grew older, she retreated to a solitary life coming in contact with only her sister, brother, and his wife. Emily's only contact with the outside world was through letters. Emily had an exceptional education for a girl in the 19th century, although it was common for girls in Amherst. In Emily’s adult life she lived a life of almost complete isolation, but kept much correspondents and read a lot. She appreciated the poetry of Robert and Elizabeth Barrett Browning as well as John Keats. She did not like the poetry of her contemporary, Walt Whitman, but ironically, they both are hailed as founders of the unique poetic voice. She was not publically recognized during her lifetime. She sent five early poems to friends in letters or as valentines, and one of them was published anonymously without her permission in the Springfield Republican. After, in 1858 she apparently convinced herself she had a “talent” for writing, she sent her works into a publisher. After Dickinson begged her friend Samuel Bowles, editor of the Republican, to submit poems and letters into the paper for 4 years, he published two poems, both anonymously: "I taste a liquor never brewed" and "Safe in their Alabaster Chambers." In 1862, Dickinson turned to the literary critic Thomas Wentworth Higginson for critiques on her poems. She had known him only through his essays in the Atlantic Monthly, but in time he became her friend. Between 1858 and 1866 Dickinson wrote more than 1,100 poems full of aphorisms, paradoxes, off rhymes, and eccentric grammar. Few are more than 16 lines long, composed in meters based on English hymnology. The major subjects of her poems were love and separation, death, nature, and God—but most of them were about love. Her conciseness, brevity, and wit are tightly packed in her poetry. In one of her poems, she describes her strategies this way; “Tell all the Truth but tell it slant//Success in Circuit Lies.” This might well stand as a working definition for Emily’s beauty. Emily’s poetry is classified as coming from the Realistic Era and at the end of the Romantic Period. Her poetry on themes of nature cause her to be identified with Romanticism. Emily often included nature in her poetry. This is interpreted as her rebelling against the Puritan ideals. Puritans believed nature to be the realm of the devil. Emily had a disdain for this type of thinking. Dickinson’s writings of the harsh realities of life earned her the title of a poet of the realistic era. In Poem 216, Emily writes in metaphoric language of the Puritan ways. She discloses that Puritans keep their distance from people to the extent that hinders them from living a full existence. She goes as far as describing them as “walking dead”. Emily even makes fun of the Puritans’ thrifty ways as they are reluctant to spend money but will do so on their tombstones. She scoffs at not being permitted to enjoy the riches in this life. Many of her poems deal with death or dying, but this is simply a metaphor to express how bleak life has come to be in the present. Dickinson appeals that unless change occurs, people will continue to live a dead, dreary life, lacking in passion and failing to embrace life and to revel in its joys. Emily’s writing is a wake-up call for social change. It is for this very reason that she is cataloged as a poet of the the realistic era. In the last 2 decades of her life Emily wrote less than 50 poems a year because of eye trouble and increase of responsibility to her household. Emily’s father died in 1874, and a year later her mother suffered a stroke that left her an paralyzed until her death. There was little time for poetry. Her mother died in 1882. Emily's health declined terribly after a stroke in 1884, and on May 15, 1886, she died of nephritis, which is a kidney disorder. “I’m a nobody” is a poem that she wrote before she died. I’m Nobody! Who are you? Are you – Nobody – too? Then there’s a pair of us! Don’t tell! they’d banish us – you know! How dreary – to be – Somebody! How public – like a Frog – To tell one’s name – the livelong June – To an admiring Bog! This poem opens with Emily saying that she is a “nobody.” Then, she gives us a chance to open up about who we are and if we are a “nobody.” She assumes that the answer is yes and goes on to say that we are a pair of nobodies.
She uses an exclamation point to show just how excited she is that there is someone that is just like her. Dickinson then shows how sad a crowd of somebodies can be, while encouraging the reader to keep this a secret (“Don’t tell!”) because otherwise, the speaker and her readers would lose their ability to stand apart from the crowd. Then she shows that it is good to be a nobody because “somebodies” are dreary. She goes on to say that somebodies are pitiful and compares them to a
bog. Ironically, although Emily Elizabeth Dickinson lived a very private life choosing whom and how much of her life she disclosed to the outside world. She now lives in a very public realm through her books, letters, and poems, speaking of nature and many realistic themes that are relevant today. Emily Dickinson will forever be considered one of American history’s influential poets. Work Cited “Poets.Org.” Poets.org. Academy of American Poets, n.d. Web. 18 May 2015. “Bio.Com.” Bio.com. A&E Networks Television, n.d. Web. 18 May 2015. “Biography Of Emily Dickinson.” Biography of Emily Dickinson. N.p., n.d. Web. 19 May 2015. Dickinson, Emily. Selected Poems of Emily Dickinson. New York: Modern Library, 1924. Print. “Emily Dickinson.” History Net Where History Comes Alive World US History Online RSS. N.p., n.d. Web. 18 May 2015. “Emily Dickinson.” Poetry Foundation. Poetry Foundation, n.d. Web. 18 May 2015. “Emily Dickinson: Her Childhood And Youth (1830-1855) | Emily Dickinson Museum.” Emily Dickinson: Her Childhood and Youth (1830-1855) | Emily Dickinson Museum. N.p., n.d. Web. 18 May 2015. PoemHunter.com: Poems - Quotes - Poetry. “PoemHunter.Com: Poems - Quotes - Poetry.” Poemhunter.com. N.p., n.d. Web. 19 May 2015. “Poetry.Org.Uk Website.” poetry.org.uk website. N.p., n.d. Web. 19 May 2015.
Emily Dickinson is a famous English poet. Born in the 1800’s, she began writing poetry about death to describe feelings. Poetic techniques such as imagery and personification feature in one of her most famous poems, “Because I Could not Stop for Death”.
Emily Dickinson’s response to the Civil War was once discounted as nonexistent, but in the last few decades her works have been added to the Civil War canon. The previous belief that Dickinson’s poetry was not influenced by the Civil War is preposterous given that her most successful years as a poet coincided with the Civil War. Like any American during the war, she too experienced loss when a person from her childhood had been killed in a battle, and she kept her correspondence with Thomas Wentworth Higginson throughout the war. No American was left unscathed; the war had influenced the country in many different ways – political, personal, and literary. This is why it would be the most logical to assume Dickinson had written about the Civil
“Although Emily Dickinson is known as one of America’s best and most beloved poets, her extraordinary talent was not recognized until after her death” (Kort 1). Dickinson was born on December 10, 1830, in Amherst, Massachusetts, where she spent most of her life with her younger sister, older brother, semi-invalid mother, and domineering father in the house that her prominent family owned. As a child, she was curious and was considered a bright student and a voracious reader. She graduated from Amherst Academy in 1847, and attended a female seminary for a year, which she quitted as she considered that “’I [she] am [was] standing alone in rebellion [against becoming an ‘established Christian’].’” (Kort 1) and was homesick. Afterwards, she excluded herself from having a social life, as she took most of the house’s domestic responsibilities, and began writing; she only left Massachusetts once. During the rest of her life, she wrote prolifically by retreating to her room as soon as she could. Her works were influenced ...
Emily Dickinson is a well-known poet known for her unique poems. Some famous works of hers include: I taste
On December 10, 1830, in a town called Amherst, Massachusetts, Emily Dickinson was born (poets.org). Family and friends would come to know her as a loving individual, but to the rest of the world she would become one of the best known poets from the 19th century. Writing over 1,800 poems in all; however, few have been published. Many of her poems are used today to connect with everyday life. Taking a look at her family life will help you understand how she was able to write so many poems and also some of the major influences in life (“Emily Dickinson”).
Dickinson, on the other hand, was a free-style writer. She was carefree of how her writings do not include any type of meter or structure. She did not use standard punctuation. Instead, she referred to the use of dashes, unsystematic capitalization, and broken meter. It is not clear as to why she chose such a unique style of writing, but it worked for her. She was not concerned with correctness but with structure that would include considerate features. In “Defrauded I a Butterfly,” Dickinson left little room for meter or style used from European models in her time being it only consisted on two lines. Also, in “I’m Nobody! Who Are You?” the reader may recognize that the she did not use a traditional rhyme scheme that would usually be able to identify in poetry. She used AABC instead of the more noticeable and most often used ABAB or a more rare scheme ABCB.
When Dickinson was a child she attended school in Massachusetts, but became very homesick because she missed her home so much. “Around 1850 is the time when Dickinson started to write poems, she
In Dickinson, ‘’Who are you?’’ shows she is proud of being a nobody and not being in the "crowd". She explains this when she says, “Are you – nobody – too? Then there’s a pair of us! Don’t tell the story, don’t tell!
Emily Dickinson grew up in Amherst, Massachusetts in the nineteenth century. As a child she was brought up into the Puritan way of life. She was born on December 10, 1830 and died fifty-six years later. Emily lived isolated in the house she was born in; except for the short time she attended Amherst Academy and Holyoke Female Seminary. Emily Dickinson never married and lived on the reliance of her father. Dickinson was close to her sister Lavinia and her brother Austin her whole life. Most of her family were members of the church, but Emily never wished to become one. Her closest friend was her sister-in-law Susan. Susan was Emily's personal critic; as long as Emily was writing she asked Susan to look her poems over.
Although she lived a seemingly secluded life, Emily Dickinson's many encounters with death influenced many of her poems and letters. Perhaps one of the most ground breaking and inventive poets in American history, Dickinson has become as well known for her bizarre and eccentric life as for her incredible poems and letters. Numbering over 1,700, her poems highlight the many moments in a 19th century New England woman's life, including the deaths of some of her most beloved friends and family, most of which occurred in a short period of time (Introduction, Paragraph 2).
Dickinson was unique and the “exception” in creating a private relationship with her self and her soul. In “Emily Dickinson and Popular Culture”, David S. Reynolds, a new historicism critic, wrote that it 's no surprise that the majority of Dickinson 's poetry was produced between 1858-1866, “It was a period of extreme consciousness about proliferation of varied women 's role in American culture.” It was a time where women were actively searching for more “literary” ways of self expression” (Reynolds 25). Dickinson was able to express her ideas and beliefs as a woman, something that was scandalous during this time period.
Breaking news revealing the truth about Emily Dickinson’s life has recently been uncovered. For the past hundred-plus years literary historians believed Dickinson to be a plain and quiet type of person who did not communicate with the public for most of her life. Her romanticism poetry drew attention from fellow literary legends. After corresponding with the well-known Thomas Wentworth Higginson, who showed interest in her work but advised her not to publish it, she became defiant to publish any of her work.
Emily Dickinson, who achieved more fame after her death, is said to be one of the greatest American poets of all time. Dickinson communicated through letters and notes and according to Amy Paulson Herstek, author of “Emily Dickinson: Solitary and Celebrated Poet,” “Writing was the way she kept in touch with the world” (15). Dickinson’s style is unique and although unconventional, it led to extraordinary works of literature. Dickinson lived her life in solitude, but in her solitude she was free to read, write and think which led to her nonconformity and strong sense of individualism. Suzanne Juhasz, a biographer of Dickinson, sums up most critics’ idea of Dickinson ideally: “Emily Dickinson is at once the most intimate of poets, and the most guarded. The most self-sufficient, and the neediest. The proudest, and the most vulnerable. These contradictions, which we as her readers encounter repeatedly in her poems, are understandable, not paradoxical, for they result from the tension between the life to which she was born and the one to which she aspired” (1). Dickinson poured her heart and soul into over 1,700
Opaque, suggestive language raises more interpretive questions than it answers in Emily Dickinson’s poetry. This style, found in so many of her poems, allows for thought provoking, powerful pieces of literature. Ambiguity also makes it difficult for the reader to pin down precise meanings. While the “great pain” referred to in 341 could be about a wide variety of things, it most likely alludes to the pain of losing someone whether that be by death or through the loss of a friendship or lover. The first three words seem fairly straightforward, whereas the following “formal feeling” kicks the brain in gear. Could she be referring to the people at funerals who attempt to suppress their emotions. Considering funerals are generally a step in the process of death that would make sense.
Many of her poems were a reaction to the rejection of many publishers and other literary critics. This particular poem’s character comes from Dickinson’s reaction to Ralph Waldo Emerson’s statement that “poets are thus liberating gods.” Here she is challenging the established literati by questioning popular Emersonian views. In particular, this poem is a reaction to Emerson’s belief that “the poet is the sayer, the namer, and represents beauty.” Basically, it is a reaction to the idea that the poet is the creator of beautiful words, liberating the common people by giving them words they would not have access to.