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Colonial era in china
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Exoticism and Chinoiserie were a form of luxury. The style of a certain art piece, furniture or fashion suggested a person's social class. Chinese export had an influence on European style and played a role in British social cultural identity. Chinoiserie contributed in the England and Britain's economy. It also played a role in art history with its naturalistic patterns. Europe desired the cultural aspect of Asia by adopting some of the Chinese art and incorporating it into theirs. Chinoiserie is an example of influence colonization between Europe and Asia because they combined both cultures to create art work and change their economy. Robe a la Francaise is a painted silk gown made in the 18th century. The artist is unknown but the dresses
desire for the opulence of the Chinese silks, gold, perfumes, and other high end products. The
The painting named Portrait of Mrs. Chinnery is an artwork by Elisabeth-Louise Vigee LeBrun produced in the year 1803. It is oil on canvas rectangular painting measuring 36 by 28 inches (91.5 by 71 cent meters). Its subject is Mrs. Chinnery, wife to William. Details on her life are scarce although her maiden name is reported. She was a widely known pianist and a popular hostess in one of the buildings that many of the British rich and noble people liked to frequent. She had three children: George, Caroline and Walter. In this painting, the lady is presented sitting in a relaxed manner while reading a book which is claimed to be about the French fashion of which she was an enthusiast. The subject’s body is facing to the right of the painting, the direction in which she holds the book. She, however, is facing directly in front, in reference to the portrait, with her gaze slightly to the right. Her left arm is hidden below the book, away from view in the painting, while her right arm rests between the pages of the book, probably near the middle of the book, as if to prevent it from closing. She is wearing a red dress, with short sleeves and a V shape in the chest area. She has two necklaces hanging from her neck. She has a red bund round her head, probably to hold her hair off her face. She has gold colored hair hanging freely down her neck and back. In the forehead, the hair is parted in such a way as to form an inverted V. She can be inferred to be wearing a red lipstick, with her face tilted slightly to the left. She does not seem to be smiling; her left eye is open wider than the left eye as if she is winking with the lips closed tightly together. Part of the thigh region can be seen but the legs are hidden off the painting. She ...
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
1200CE. The Tang Dynasty Tales and The Diary of Lady Murasaki helped surface the Chinese
During 660-1200 CE the time of Tang dynasty and Song dynasty, these Chinese civilization began to spread out to other areas around the civilization. Some was influence by them and some adopted their ideas and culture. Korea, Vietnam, Japan were the three civilization that were influence by China. Chinese had a really big impact on all of these three cultures.
European Imperialism of China and Japan Imperialism is the practice by which powerful nations or peoples seek to extend and maintain control or influence over weaker nations or peoples. By the 1800’s, the Western powers had advantages in this process. They led the world in technological advances, giving them dominance when conquering other countries. The European Imperialists made attempts to conquer China and Japan.
This dress features trimming with a silk polychrome fly fringe. It compares to the size of an adolescent. It is quite small in size and has sharp angles among the waist, hips, and shoulder areas. The structure of the gown is what some may consider traditional. While the front of the dress has a dip near the chest area the back has a long cape that extends to the ground. The fabric is rather thick and matte. There is various pleating that adorns the ends of the sleeves, the cape, and the hips. At the front of the gown there is cross-hatching in the stitching at the waist. The gown features one main fabric with various colors and patterns. The fabric has a light blue background with cream-colored leaf shapes. There are also olive-green leafs and maroon (white) flowers printed on the
Women in this period wore dresses, formally known as gowns, or skirts for daily activities and formal occasions. The gowns of the sixteenth century are considered the most beautiful gowns of any era (Pendergast & Pendergast 469). The styles changed from year to year, but the basic style of a tight-fitting upper body and a full skirt that reached one’s ankles remained (Hanson). Females of the lower class wore less tight undergarments because they ...
“The Grafin von Scholfeld with her Daughter” is oil on canvas art piece painted in 1793. It is a painting of a woman holding her daughter on her lap, the woman being “The Grafin von Schonfeld.” The woman is dressed in clothing that is from the upper class or a royalty stature in the late 1700’s. The clothing looks rich in material and sleek like silk in the colors of wine and a rich green. She has a covering on her head that looks like an extravagant scarf that drapes over her shoulder on one side, also made of the same silky material used for her dress. The woman has pale skin, reddish brown hair, bluish eyes, and rosy cheeks. Her eyes look very real and penetrating when you examine the painting. The daughter is about the age of 5 or 6 years old. Her arms are around her mother’s neck and legs draped across her mother’s lap. The daughter is wearing a white fluid dress that looks thin in material with a red sash around her midsection. The daughter has the same reddish brown hair and rosy cheeks. The mothers and daughters eyes are equally as big in size, while the child’s eyes seem also very real and youthful.
European interest in Eastern art was first stimulated by trade in the 16th and 17th centuries. By the 19th century with the arrival of the railroad and steamship, lands that were previously unknown to westerners became accessible. Interior Decoration and Decorative arts were associated with romantic fantasies of opulence and "barbaric splendor". Other influences were a result of England's massive control over lands in the Pacific, India, China, and Africa. By mid 19th century, many eastern forms of design and ornamental motifs made its way into the European Decorative
Comparison of American and Chinese Cultures Cultural differences are apparent from one group of people to another. Culture is based on many things that are passed on from one generation to the next. Most of the time, people take for granted their language, beliefs, and values. When it comes to the cultural differences of people, there is no right or wrong. People should be aware of others culture and respect the differences that exist between them.
During the Age of Exploration, early orientalism started to take shape in fashion. Since, the East has remained an inspiration and influence to Western culture. In spite of this, oriental dress does not symbolise cultural flexibility and acceptance, but rather imperialism. It is a metaphor whereby the West establishes a dominant role over the East by studying and reproducing oriental culture. As Edward W. Said put it, “Imperialism consolidated the mixture of cultures and identities on a global scale. But its worst and most paradoxical gift was to allow people to believe that they were only, mainly exclusively…Oriental” . Moreover, this essay will explore the tumultuous relationship between the East and the West, as well as discuss the impact and progress of Orientalism in fashion.
Haute couture can be referenced back as early as the 1700s. Rose Bertin, the French fashion designer to Queen Marie Antoinette, can be credited for bringing fashion and haute couture to French culture. French leadership in European fashion continued into the 18th century when influence was sourced from art, architecture, music, and fashions of the French court at Versailles were imitated across Europe. Visitors to Paris brought back clothing that was then copied by local dressmakers. Stylish women also ordered fashion dolls dressed in the latest Parisian fashion to serve as models.
Philip J. Ivanhoe. Confucian moral self cultivation. New York : P. Lang, vol. 3, 1993.
The Great Proletarian Cultural Revolution, beginning as a campaign targeted at removing Chairman Mao Zedong's political opponents, was a time when practically every aspect of Chinese society was in pandemonium. From 1966 through 1969, Mao encouraged revolutionary committees, including the red guards, to take power from the Chinese Communist party authorities of the state. The Red Guards, the majority being young adults, rose up against their teachers, parents, and neighbors. Following Mao and his ideas, The Red Guard's main goal was to eliminate all remnants of the old culture in China. They were the 'frontline implementers' who produced havoc, used bloody force, punished supposed 'counter revolutionists', and overthrew government officials, all in order to support their 'beloved leader'.