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T.s. eliot poetry influences
George eliot
T.s. eliot poetry influences
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To start the chapter off, Brooks takes a look at the life of a well known author by the name of George Eliot to the rest of the world. as George Eliot woman by the name Mary Anne Evans. A famous author known to the world as George Eliot. To begin, Brooks starts with the background and upbringing of George Eliot. She was born in Warwickshire England back in 1819. Eliot was brought up by her father--a self made successful carpenter--along with her unaffectionate mother. Due to the lack of affection brought on by her mother, Eliot developed this fear of abandonment and grew into this need for validation. In her late teens, Brooks describes her to be this religious nut; she threw herself into this deep devotion towards religious practices and ideals. This lead her to create this facade where she tried to lead this life of martyrdom and surrender. This however wouldn’t last for long. Brooks describes that Eliot was this intelligent woman who had this strong lust for life who couldn’t be contained by religious principles for long. …show more content…
She was greatly influenced by Charles Hennell book An Inquiry Concerning the Origin of Christianity. His book went over the idea that Jesus wasn’t divine, but rather a “noble minded reformer and sage, martyred by crafty priest and brutal soldiers.” Over time, Eliot would find like-minded individuals who believed some of the same ideas she had on Christianity. To be more specific, it was more on the notion that things such as miracles and other unexplainable events in the Bible were more of a mix of fiction in history. Because of her absence within the church, it would lead to a rupture with her remaining loved ones--more specifically her
The most obvious stylistic device used by Eliot is that of personification. She uses this device to create two people from her thoughts on old and new leisure. The fist person is New Leisure, who we can infer to be part of the growth of industry in the 19th century. He is eager and interested in science, politics, and philosophy. He reads exciting novels and leads a hurried life, attempting to do many things at once. Such characteristics help us to create an image of New Leisure as Eliot sees him.
Paris, Bernard J. Experiments in Life: George Eliot's Quest for Values. Detroit: Wayne State University Press, 1965.
She believed that: "1.One can feel one's salvation and is filled with the spirit of God after conversion. 2.One needn't be learned in the Bible or in the Puritan writers in order to be saved. 3.The ministers are all under the covenant of works, except John Cotton, who is under the covenant of grace.4. Inner light is the guarantee of salvation.5. All responsibility for salvation is placed on Christ. 6.Every person has the ear of God if only he or she would ask for it, and listen to the answer. 7.Indian slavery is wrong - people of all skin colors are of one blood. 8.Sunday shouldn't be set aside as the Lord's Day because every day is the Lord's day. 9.Christians will have new bodies when they get to heaven.10.Predestination is unfounded.11.Prayers should not be memorized, but inspired by love for God, waiting on Him.12.Holy Spirit dwells within each Christian like a personal union.
Despite the similarities between these two poems, Corso and Eliot shared little in common. Corso spent much of his early life between foster parents and prison, the latter being where he was introduced to poetry. Now credited as a key member of the “Beat Generation”, a group of poets who were opposed to social conformity and the traditional forms of poetry, Corso typically wrote poetry “on serious philosophical issues” (Olson 53). On the other hand Eliot’s upbringing was more traditional where he attended Harvard and went on to become a figure of immense influence in the literary world. Eliot’s first major poetic publication: The Love Song of J. Alfred Prufrock bares many resemblances to Corso’s postmodern poem Marriage, a poem written to criticize the philosophical issues associated with marriage.
Thomas Stearns Eliot was born in St. Louis, Missouri of New England descent, on Sept. 26, 1888. He entered Harvard University in 1906, completed his courses in three years and earned a master's degree the next year. After a year at the Sorbonne in Paris, he returned to Harvard. Further study led him to Merton College, Oxford, and he decided to stay in England. He worked first as a teacher and then in Lloyd's Bank until 1925. Then he joined the London publishing firm of Faber and Gwyer, becoming director when the firm became Faber and Faber in 1929. Eliot won the Nobel prize for literature in 1948 and other major literary awards.
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark his journey as he struggles with a rational fear of being rejected by a woman. Which gives the reader sympathy to Prufrock, as he lives within his own personal
During T. S. Eliot’s time many of his contemporaries including himself were in the custom of alluding to classic works of poetry. They incorporated references to notable texts like Dante. Eliot especially is a main perpetrator of alluding. Eliot has the ability create a picture for the reader and provide historical context to his works. A contemporary of Eliot, Pound, once said you should try to “be influenced by as many great artists as [they] can” (Pound 95). Eliot is following what Pound said by incorporating allusions in his works.
Alienation is a common theme that consistently runs throughout TS Eliot’s poetry. Eliot knew how alienation felt first hand through his experience of being born in Missouri and later moving to Boston to go to college. He described himself as feeling like a New Englander in the Southwest, and a South westerner in New England (Bush, TS Eliot’s Life and Career). Knowing this feeling made it easy for him to write many poems concerning this idea such as Rhapsody on a Windy Night.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that Prufrock lives in.
Love of Life and Fear of Death in the Works of T.S. Eliot and Yulisa Amadu Maddy
In order to understand T.S. Eliot’s poem, Choruses from “The Rock,” one must first understand Eliot’s views on contemporary theology and spirituality. He felt as if people were moving away from the Church and were losing their religion in favor of more secular worship. The following passage from Eliot’s poem can summarize his entire argument that he makes in Choruses from “The Rock”.
Both Browning and Eliot seek to improve upon the nature of the dramatic monologue. Browning emphasizes structure and a separation between the poet and the character which is reiterated by Eliot’s poem. Browning’s influence on Eliot can be seen by the form and structure of “The Love Song of J. Alfred Prufrock” adding working intrinsically with the theme and subject of the work. However, Eliot deviates slightly from Browning by the portrayal of his characters, and the amount of information that he is willing to share with the reader. The intended message of Browning’s poem is much more apparent than Eliot’s who creates an open ended poem that can be interpreted differently by each reader.
Feminist critics point out that female writers achieved success due to their ability to conform to a world of patriarchal literature. George Eliot did so by conforming to society through the use of her pen name, Marian Evans. Booker argues that “women…lack the typical masculine castration anxiety and can therefore be comfortable with generosity and anonymity” (92). Both George Eliot and Dorothea Brooke seek to live a life of passion, yet “neither…can see a way to realize this desire directly” (Edwards 627). The issue of female identity comes into question as Dorothea searches for a solut...
T.S. Eliot was a poet, dramatist and he was also a literary critic. “The Love Song of J. Alfred Prufrock” and “The...
Faced with a world lacking variety, viewpoints, vibrancy, and virtue- a world without life- a fearful and insecure T.S. Eliot found himself the only one who realized all of civilization had been reduced to a single stereotype. Eliot (1888-1965) grew up as an outsider. Born with a double hernia, he was always distinguished from his peers, but translated his disability into a love of nature. He developed a respect for religion as well as an importance for the well-being of others from his grandfather at a young age, which reflected in his poetry later in life. After studying literature and philosophy at Harvard, Eliot took a trip to Paris, absorbing their vivid culture and art. After, he moved on to Oxford and married Vivien Haigh-Wood. Her compulsivity brought an immense amount of stress into his life, resulting in their abrupt separation. A series of writing-related jobs led Eliot to a career in banking and temporarily putting aside his poetry, but the publication of “The Waste Land” brought him a position at the publishing house of Faber and Gwyer. His next poem, called “The Hollow Men” reflected the same tone of desolation and grief as “The Waste Land.” Soon after, he made a momentous shift to Anglicanism that heavily influenced the rest of his work in a positive manner. Eliot went on to marry Valerie Fletcher, whom he was with until the end of his life, and win a Nobel Prize in literature. T.S. Eliot articulates his vast dissatisfaction with the intellectual desolation of society through narrators that share his firm cultural beliefs and quest to reinvigorate a barren civilization in order to overcome his own uncertainties and inspire a revolution of thought.