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A view from the bridge
Arthur Miller's dramatic techniques in a view from the bridge
Millers dramatic techniques view from a bridge
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In this essay I will describe the way in which Miller hints at the tragedy in the beginning of the play ‘A View from the Bridge’. Miller gives us lots of clues in the opening section to try and get the audience thinking. He wants us to think about how the main character dies not what happened in the end because everyone knows that in a tragedy the main character dies. Miller uses a range of devices e.g. uses of plot devices, the structure foreshadowing o put an impact on the audience understanding of the play.
One reason why we know that this story will lead to a tragic ending is because of a character Alfieri, who is a lawyer and a chorus. He had a speech in the beginning as a chorus and in this speech he tells us a lot about the play. We can tell he is a chorus-figure because he directly spoke to the audience. So, if Alfieri is a chorus then we know that the play belongs to a Greek-tragedy. We know that in a tragedy that the main hero or heroine dies, they die because of their own action and deed, and their death is unstoppable so, we therefore know that in this play the character will die. Alfieri also tells us about the two justice systems, one the American justice and the Sicilian justice. From this I guessed that these two very opposite justice systems will clash. The people who go to America from Sicily will find it difficult as we know that the two laws are totally different. I see this when Alfieri states ‘I no longer keep a pistol in my filing cabinet’. This means that people are following and getting used to the American law rather than Sicilian law where you have to do crimes like killing people, trading in illegal things i.e. drugs, alcohols etc. Alfieri had to use his pistol to protect himself and other people fro...
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...e foreshadowing. For example when Eddie told the story of ‘Vinnie Bolzano’ who grassed on his own family and then he was humiliated because he broke the Sicilian law which was not to tell on your own family and he was never seen again. This also tells us that Sicilian law was very tough and violent; if you break the law then you could die. This story foreshadows what might happen to Eddie and this story makes us sure of it because the audience would think why else would they mention this in the play unless it is something related to Eddie. In the end we actually see this happening to Eddie. Also, there is a dramatic irony on what Eddie said to Catherine about not telling anyone that immigrants were living in his house, but later he himself told this to the immigration officer. For Eddie, his feelings for Catherine were stronger than the belief of Sicilian justice.
Miller presents the character of John Proctor in an important way to show two sides to his character. These qualities make him have the most important role in ‘The Crucible.’ The key events that show him in this way is when the audience find out about the affair, how he tries to defend his wife, his confession in court and his hanging for the sake of others. Through the events in The Crucible, Miller then portrays John Proctor’s character with tension and suspense. This then makes the audience question whether or not he is a good man.
“I believe that the common man is as apt a subject for tragedy in its highest sense as kings were” ( Tragedy and the Common Man). Arthur Miller follows his Millerian conventions of tragedy in the writing of The Crucible. Often literature uses tragedy to display a depressing theme represented by the tragic hero.
Within A View from the Bridge and Ethan Frome the main protagonists are tragic figures. The origin of a tragedy comes from Greece, where the basis of the idea was a drama in which the protagonist is overcome by some superior force or extreme circumstance; this usually resulted in either disaster or death. As is true to most Greek tragedies the ending of the shown before the downfall itself. Most victims of tragedy were written to be of a high stature such as royalty, yet both Ethan Frome and Eddie Carbone were ordinary men who found themselves in extraordinary circumstances. Arthur Miller said in his famous essay ""Tragedy of the Common Man", Arthur Miller states, "I believe that the common man is as apt a subject for tragedy in the highest sense that kings were."₅ In both texts, both Ethan Frome and Eddie Carbone reactions are determined by themselves as a character with the external factors acting as a catalyst to initiate their downfall.
d his wife creating tension not only by the change of space on stage, but also by adapting to a much slower dialogue with pauses. Through acting out various scenes from ‘The Crucible’, I have learnt that by ending each act with a cliff-hanger it is human nature which makes one feel like they must know more and what happens next. By forming each act as a story in itself, Miller heightens the atmosphere of mass hysteria due to this ongoing use of tension and climaxes. Miller succeeds in keeping the audience’s interest flowing despite this way of a different story in each act by using subplots, for example, the rivalry between Giles Corey and Thomas Putnam.
Nine critical approaches are utilized when analyzing a piece of literature in order to appeal to a variety of critics. Arthur Miller’s play The Crucible can be interpreted from numerous approaches, but one lens that is unmistakable throughout is the psychological criticism. From a psychological standpoint, one gains access to the mindset of both the author and the characters within. In addition to this, the reader also acquires a greater understanding of the motivations, behaviors, and mental state that each character possesses. Through psychological criticism, one can obtain information on a character’s motivation, the likelihood of their actions, and which behaviors are consciously made.
Murray, Edward. “The Thematic Structure in Death of a Salesman.” Readings on Arthur Miller: Death of a Salesman. San Diego: Greenhaven Press Inc., 1999.
The story 'A View From The Bridge', is set in the 1940's in Red hook
Through the use of dialogue, stage directions which enable us to envisage the scene on stage and characterisation we can see how dramatic tension is created by Miller. These aspects are to be explored for each act.
Rodolfo, "I'm not a baby, I know a lot more than people think I know."
doesn't want her to grow up and as she develops into a woman he wants
The dramatic impact of a play is enhanced when the audience understands all the different aspects of the main characters. It helps them become more involved and at the same time gives the author the chance to display some dramatic irony. Miller uses stage actions to that end in the first chosen scene of "The Crucible". In this scene Tituba’s inner conflict and Hale’s resolution is clearly expressed through the stage actions. Tituba first denies having seen ...
“Miller tries both to offer a disclaimer about the imaginative aspects of his work, and to claim a higher level of veracity for the play’s authority.” (133)
In Arthur Miller’s essay, Tragedy and the Common Man, Miller creates a distinction from classical tragedies by creating a modern tragedy. Aristotle’s classic tragedy is, “an imitation of an action that is serious and complete in the mode of action and is not narrated. It effects pity and fear which is called catharsis. It has a beginning, middle, and end and its function is to tell of such things that might happen in the future- to express the universal” (Aristotle). To produce the feelings of either pity or fear, reversal, which is, “the change from one state of affairs to its exact opposite” (Aristotle), and recognition, which is, “the change from ignorance to knowledge, on the part of those who are marked for good fortune or bad” (Aristotle) must both ...
He opens the play with a very exposing account of what life used to be
The play was set in the nineteen fifties so Eddie would be told by me