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The glass menagerie as a tragedy
The glass menagerie critical essay
The glass menagerie as a tragedy
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In The Glass Menagerie by Tennessee Williams Amanda’s actions make it clear to the reader that she is an over domineering character. When it came to her children, she would constantly be putting them down and making them feel as if they’re inferior and couldn’t do anything right lead to them being innovation to what their future can open up to. Amanda would always make her children’s decisions for them, not allowing them to be independent for their age. Lastly, has demonstrated that she is irresponsible and puts all her responsibility as a mother to her son Tom. Ultimately Amanda only cared about herself rather than her children. One of Amanda’s strongest characteristics is being domineering. She focuses mainly on their defaults and errors rather than focusing on how to be supportive and properly guide them as a mother. Any achievement her children would accomplish Laura wouldn’t recognize how skilled and their positive traits they can overcome. Amanda was being pessimistic about Laura’s future when Laura dropped business school and planned her future without hesitating to ask her but instantly assumed she was going to end up being an old maid. She didn’t think about any possibilities her daughter can become successful on her own, but instead she fails to recognize that both Laura and Tom can have a second chance to succeed on what their own plans for themselves can become if their mother wasn’t so over controlling. If someone weren’t doing something by choice like Laura it would be difficult and hopeless especially if he was always coerced into doing it. If Amanda’s decisions weren’t concurred the way she wanted it she would always be upset because her children wouldn’t stick to what she had told them to do and wouldn’t be ... ... middle of paper ... ...d intentions for Laura and Tom, she tried to go all about everything in the wrong way. Being a good mother isn’t always about loving your children. But having to encourage them for the best for themselves, their happiness comes first, working hard to maintain them, and letting them follow their dreams. Amanda didn’t possessed in neither of these qualities as a good mother. Amanda was just an old woman wanting to be in a young women’s body, she obviously wasn’t successful in her life so she was lost in her past and what she could have been. She was an irresponsible mother who didn’t let her children to make their own choices in their lives. The best way to describe Amanda is Domineering, to summarize it all up, Amanda Wingfeild was not such a good mother, expecting to much. Not just accepting her children for who they were and loving them for being all they could be.
To start, Amanda Wingfield displays different characteristics from Troy. Amanda lives with her son and daughter who are in their 20’s and are supposed to be starting their lives. Amanda wants Laura to succeed in life and be a remarkable wife to one of her future gentleman callers. When Amanda discovers Laura has stopped going to her typewriting class, Amanda realizes her dreams of Laura succeeding are flickering away, “My hopes and ambitions for you”(Williams 14). Through this quote Williams incorporates heartache into Amanda’s voice depicting her ambition for Laura to succeed. She also feels, “So weak I could barely keep on my feet!”(Williams 14). These two quotes illustrate that Laura’s own being is extremely important to Amanda and to an extent, acts as if Laura’s failure is her own failure. This sense of care that Amanda shows is essential to help Laura make something of herself and appears to the reader as a deep aspiration of Amanda’s conscious. While Troy only cares for Cory because , “It is my job...cause it’s my duty”(Wilson 38). Another way Amanda wants Laura to be blissful is through her efforts in trying to get Laura a gentleman c...
In contrast to Joy, the other Wes’ mom Mary played a much weaker parent’s role. This is primarily due to the fact that Mary did not finish college and became pregnant at a very young age. She was her children's sole provider but was not ma...
Amanda Wingfield is mother of Tom and Laura. She is a middle-aged southern belle whose husband has abandoned her. She spends her time reminiscing about the past and nagging her children. Amanda is completely dependent on her son Tom for finical security and holds him fully responsible for her daughter Laura's future. Amanda is obsessed with her past as she constantly reminds Tom and Laura of that " one Sunday afternoon in Blue Mountain when she once received seventeen gentlemen callers" (pg.32). The reader cannot even be sure that this actually happened. However, it is clear that despite its possible falsity, Amanda has come to believe it. Amanda also refuses to acknowledge that her daughter Laura is crippled and refers to her handicap as " a little defect-hardly noticeable" (pg.45). Only for brief moments does she ever admit that her daughter is crippled and then she resorts back into to her world of denial and delusion. Amanda puts the weight of Laura's success in life on her son Tom's shoulders. When Tom finally finds a man to come over to the house for diner and meet Laura, Amanda blows the situation way out of proportion. She believes that this gentlemen caller, Jim, is going to be the man to rescue Laura. When in fact neither herself nor Laura has even met this man Jim yet. She tries to explain to Laura how to entertain a gentleman caller; she says-talking about her past " They knew how to entertain their gentlemen callers. It wasn't enough for a girl to be possessed of a pretty face and a graceful figure although I wasn't slighted in either respect.
The Glass Menagerie, written by Tennessee Williams in 1944, tells a tale of a young man imprisoned by his family. Following in the footsteps of his father, Tom Wingfield is deeply unhappy and eventually leaves his mother and sister behind so he may pursue his own ambitions. Throughout the play, the reader or audience is shown several reasons why Tom, a brother to Laura and son to Amanda, is unhappy and wishes to leave his family. However, the last scene describes Tom’s breaking point in which he leaves for the last time. Amanda tells Tom to “go to the moon,” because he is a “selfish dreamer.” (7. Amanda and Tom) The reasonings for Tom’s departure are due to his mother’s constant nagging, hatred for
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
Amanda's reality check comes from another dreamer, her son, Tom who is totally annoyed by Amanda's nagging and domineering, he thinks that everything will be better if he can just get away. Amanda and her family go on living their fantasy lives.
Laura's mother and brother shared some of her fragile tendencies. Amanda, Laura's mother, continually lives in the past. Her reflection of her teenage years continually haunts Laura. To the point where she forces her to see a "Gentleman Caller" it is then that Tom reminds his mother not to "expect to much of Laura" she is unlike other girls. But Laura's mother has not allowed herself nor the rest of the family to see Laura as different from other girls. Amanda continually lives in the past when she was young a pretty and lived on the plantation. Laura must feel she can never live up to her mothers expectations. Her mother continually reminds her of her differences throughout the play.
Her low self-esteem makes it difficult for Laura to interact in society causing her to be more comfortable living in her imagination. John takes note of his sister diffident personality and tries to make Amanda understand, "[…]in the eyes of others-strangers-she 's terribly shy and lives in a world of her own and those things make her seem a little peculiar to people outside the house"(Williams 47). Being so self conscious about her disability, Laura allowed herself to become distant from the world around her. Laura creates this distance by escaping “[...] into a world of glass and music. Her father 's old phonograph records provide her with escape that the unfamiliar new tunes can 't provide”(). Laura finds comfort in what she is familiar with which is why she flees into her world of imagination and memory. When Laura is unable to deal with real life issues and duties she seeks tranquility in her delicate glass figurines and the remains of her father before he choose to elude the
mother Amanda and here two children Tom and Laura. Amanda has a life that is
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
...something she discovered was useless. They both put emphasis on something that had brought them nothing but pain and suffering and it is this entrapment that makes Amanda and Willy most unlikable. Rather than learning from their mistakes and teaching their children to avoid making the same ones, Amanda and Willy lead their children down the same path to failure, a path that Amanda found to have a dead end, a path to which Willy found no end at all.
In almost every family, the sons will look to their father as a role model and a hero, which in this case Biff does, but Happy does not. It is in the father’s best interest to use this opportunity to give these qualities and allow his sons to become responsible individuals. The relationship between mother and daughter in William’s play is a big one. Essentially, Amanda wishes that her daughter, Laura, were exactly like her. The problem is that this could not be further from reality.
At first glance, Amanda Wingfield from Tennessee Williams’s The Glass Menagerie seems like a selfish women stuck in her past. In some ways this observation is correct; however, she is much more than that. Her kind and caring nature, and her insatiable love for her children has been overshadowed by her brash and insensitive dialogue. Her character is extremely complex and each one her actions reveals more of her overwhelming personality. Amanda loves her children and tries her best to make sure they do not follow in her path to downfall. Unfortunately, while she is trying to push her children toward her ideals of success; she is also pushing them away. Amanda Wingfield is a kind women stuck the wrong place and time; she
Amanda Wingfield (mother) is the most unrealistic of all the characters. She clings desperately to the past as she repeatedly relives the memories of receivin...
“The children have been a wonderful gift to me, and I’m thankful to have once again seen our world through their eyes. They restore my faith in the family’s future” (Anderson, 176). Her children were her world; everything she did was for them. She tried her best to be the perfect mother.