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Analysis of the fall of the house of usher by poe
Literary analysis of poe fall of the house of usher
Elements of gothic literature
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Writing to Compare In Edgar Allan Poe’s “The Fall Of The House Of Usher” and Julio Cortazar’s “House Taken Over,” the settings are similar because both of the stories have a dark settings and environments that correlate to the elements gothic literature. However, in Poe’s story, the setting is older and more darker because of the words describing usher’s house and the environment. In contrast, Cortazar’s setting is newer and has less medieval architecture. Gothic literature is a unique literary genre that contained dark elements such as bleak or remote settings, a gloomy, melancholy, or eerie mood, old architecture, and plots that involve weird or violent events and supernatural occurrences. Edgar Allen Poe’s “The Fall of The House of …show more content…
This genre shocks and surprises readers by having elements such as recognizable characters who feel and act in customary ways, realistic settings, fantastic events , and an unimpressed narrative tone that presents fantastic events as logical parts of life. Julio Cortazar’s “House Taken Over” is a quality piece of Magical Realism because Cortazar described a realistic character reaction, by writing; “when I heard something in the library or the dining room. The sound came through muted and indistinct, a chair being knocked over onto the carpet… a second later I heard it at the end of the passage which led from those two rooms toward the door.” (pg 39). This sentence from “House Taken Over” represents Magical Realism because because it shows a normal human reaction, by writing what the character experienced and what type of feeling they had afterwards. Therefore, “House Taken Over” is a quality piece of Magical Realism because it contains recognizable characters who feel, act, and react in customary ways. For example the sentence provided on page 39. The story also includes other elements such as realistic settings and fantastic events that correlate to Magical
When comparing the stories “The Fall of the House of Usher” written by Edgar Allen Poe and “The House Taken Over” by Julio Cortazar. The setting in both are in a creepy, big house with a gothic style to it, which makes it more creepy. Both of the authors were a dark and demented type. Both in their stories have a big, empty house with a few people in them, with either kids that are living alone or with grandparents. Also both stories have a sense of having something under their sleeve to hit us with.
Gothic texts are typically characterized by a horrifying and haunting mood, in a world of isolation and despair. Most stories also include some type of supernatural events and/or superstitious aspects. Specifically, vampires, villains, heroes and heroines, and mysterious architecture are standard in a gothic text. Depending upon the author, a gothic text can also take on violent and grotesque attributes. As an overall outlook, “gothic literature is an outlet for the ancient fears of humanity in an age of reason” (Sacred-Texts). Following closely to this type of literature, Edgar Allan Poe uses a gloomy setting, isolation, and supernatural occurrences throughout “The Fall of the House of Usher”.
Key Elements of Gothic Literature Jasmine Giles People enjoy reading gothic literature due to its heart rate exciting nature. Without having to engage with any real danger, it is common for the reader to feel anxiety and impaitence when reading gothic fiction. In order for the reader to feel these emotions, the author uses certain elements, such as a gloomy setting and old-fashioned dialoge. In the stories “The Black Cat” and “The Tell Tale Heart”, by elgar allen poe, and “The Landlady”, by Roland Dahl, there are many similarites that remanticize the idea of horror and mystery. Some elements, however, bring out the disbolical horror of gothic literature: the setting, characterization, and the motif of suspense.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
...story telling traditions. All storytellers are children of the ones, which came before them and stand on the shoulders of those who have told the tales in the past. Marquez and Anaya did not hesitate to make liberal use of magical realism, both as a way to create tension in their stories and to contact the deeper hearing of their audience. Magical realism was just another tool in their literary boxes, to be used with skill and discretion for the greater benefit of the tale being told. It worked well for the cantadora, sitting in the doorway weaving her basket as she wove her tale and it works equally well today as we pause from our lives, quiet our souls, and prepare to listen as the story unfolds.
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt UP, 2004. 24 Sept. 2012. Web. 15 Mar. 2014. 21
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
An essential difference, then, between realism and magical realism involves the intentionality implicit in the conventions of the two modes…realism intends its version of the world as a singular version, as an objective (hence ...
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
First, Toni Morrison used the concept of magical realism in Beloved to describe the conflict between Sethe and her dead daughter Beloved, who basically came back from the dead to haunt her. The quote, “124 was spiteful. Full of a baby's venom. The women in the house knew it and so did the children. For years
the elements of a gothic novel as it is not set in a remote place or a
Edgar Allen Poe was an English short-story writer whose work reflects the traditional Gothic conventions of the time that subverted the ambivalence of the grotesque and arabesque. Through thematic conventions of the Gothic genre, literary devices and his own auteur, Edgar Allan Poe’s texts are considered sublime examples of Gothic fiction. The Gothic genre within Poe’s work such as The Tell-Tale Heart, The Black Cat, and The Raven, arouse the pervasive nature of the dark side of individualism and the resulting encroachment of insanity. Gothic tales are dominated by fear and terror and explore the themes of death and decay. The Gothic crosses boundaries into the realm of the unknown, arousing extremes of emotion through the catalyst of disassociation and subversion of presence. Gothic literature utilises themes of the supernatural to create a brooding setting and an atmosphere of fear.
In order to see how Magical Realism is found in this treatment, one must first consider at least one of the identifying marks of Magical Realism. Among the characteristics that identify Magical Realism is the feeling of transcendence that the reader has while reading a Magical Realist text (Simpkins 150). During transcendence, a reader senses something that is beyond the real world. At the same time, however, the reader still feels as if he or she were rooted in the world (Sandner 52). After the reader undergoes transcendence, then he or she should have a different outlook on life.
A work of Gothic Literature is one that contains at least some of the following qualities: a serious tone; ruins, a castle, or a dark, melancholy setting; scenes involving dungeons, underground passages, crypts, basements or attics; shadows, a beam of moonlight in the blackness, a flickering candle, or the only source of light failing; extreme landscapes, like rugged mountains, thick forests, or icy wastes; omens and ancestral curses; magic and/or the supernatural; a villain-hero or villain who loses the self or self-control; a curious heroine with a tendency to faint and a need to be rescued-frequently; a hero whose true identity is revealed by the end of the novel; and horrifying (or terrifying) events or the threat of such happenings. Poe's work includes many of these aspects of Gothic works.
Obviously the most concise definition of magical realism is that it is the combination of magical and real elements. The magical elements that exist in works of magical realism are; superstitions, exaggerations, dreams that come true, universal humor and the coincidence of bizarre events. All of these Elements are present within Chronicle of a Death Foretold.