Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Honor in othello
Honour in Henry IV Honor is one of those concepts that is seldom defined. One’s reputation is based on his or her honor, integrity, honesty, and purity. William Shakespeare’s Henry IV is a one of his many plays that deal with the varying ideas of honor, as well as issues of courage, loyalty, and ambition, interposing examples of dishonor, weakness, and the deceitful plots among both the drunkards and noblemen. Shakespeare utilizes suggestive metaphors to create illusions, imagery, and to reinforce the different views of the major issues people were faced with in his time and in ours. His plays often focus on the imagery, either on some obvious important symbol, or some image pattern that recurs throughout the work. Readers are then pushed and pulled through different conceptions and actions of the word, so much so, it gets to the point where it becomes clear that one of the key motifs of the play is an ironic exploration of what that word really means. Falstaff begs explanation, “What is honor? A word. What is in that word “honor”?”, just as the readers do during the course of the play (5.1.133-134). King Henry IV begins the play with a speech of how worn out he is from fighting. The King is relieved that the “civil butchery” has come to an end and he can now sit comfortably in his role as the defender of Christendom and of England, “Forthwith a power of English shall we levy, Whose arms were molded in their mother’s womb To chase these pagans in those holy fields Over whose acres walked those blessèd feet Which fourteen hundred years ago were nailed. For our advantage on the bitter cross”(1.1.22-27). Although he’s ceremonial in his presentation of himself, liable to stand on formalities, h... ... middle of paper ... ...cription of honorable behavior? Shakespeare has given a number of distinct definitions of what honor is and how people have the choice to act and react honorably or not. To some, being honorable means you are “into the good thoughts of the world”, which is as true as the sea “being governed” by the “noble and chaste mistress of the moon” (1.3.182 & 1.2.28-29). However, it could be that the “fat-witted” Falstaff had it right when he said, “the better part of valor discretion”? (5.4.119-120). Honor might be best defined, that, it is whatever feels right to each individual inside and not what one can boast of. There is no honor in bragging and no honor in proving oneself to others, because you then leave the decision up to the judges, defeating the whole point. Shakespeare realizes this and that is why he gives no clear definition of honor. Honor is one’s own perception.
Shakespeare’s ‘King Henry IV Part I’ centres on a core theme of the conflict between order and disorder. Such conflict is brought to light by the use of many vehicles, including Hal’s inner conflict, the country’s political and social conflict, the conflict between the court world and the tavern world, and the conflicting moral values of characters from each of these worlds. This juxtaposition of certain values exists on many levels, and so is both a strikingly present and an underlying theme throughout the play. Through characterization Shakespeare explores moral conflict, and passage three is a prime example of Falstaff’s enduring moral disorder. By this stage in the play Hal has ‘reformed’, moved away from his former mentor Falstaff and become a good and honourable prince.
“Honor is the value of a person in his or her own eyes. Honor is a claim to worth along with social acknowledgement of worth.” (Malina 31) This phrase tells us that honor was extremely important to the ancient people. Honor is a value that was present during many occasions in the play. This value can be seen in Oedipus. He promised the citizens of Thebes that he would find the murderer of Laius and free the lands from the plague. The murderer was to be exiled from Thebes. Oedipus later found out that he himself was the murderer. Even though he was king, he honored the punishment and exiled himself from Thebes. The New Testament states that honor in women meant positive shame. Positive shame is the sensitivity of one 's own reputation. A shameless person is considered a dishonorable woman. Women have to be ashamed and remain shy to avoid human contacts that might expose her to dishonor. (Malina 50) This value can be seen in Jocasta. She feels ashamed when she finds out that her husband Oedipus turned out to be her son. In order to remain honorable, her shame led her to commit
Prince Hal’s destiny is shaped for him by many forces: his association with the ne'er-do-well Falstaff, the expectations of his father, King Henry IV, and the constant comparison between himself and Hotspur. All three of these forces create in Hal a sense of honor that is an integral part of his education as the ideal king, and throughout the action of Henry IV, Part I, Hal is gaining a knowledge of honor that will shape him into the King that he will become. However, it seems that Hal ultimately chooses one form on honor over the other, although he must compare the honor of Falstaff and the conceptual honor of a chivalric hero before he comes to a final conclusion.
Honor is a trait few possess in the modern world. Cyrano de Bergerac, a play by Edmond Rostand set in France during the sixteen hundreds, discusses honor in it’s truest form. But honor is not simply a code or a way to describe a man, there are characteristics that make a honorable individual. The main character, Cyrano, lives what many in his city would call an honorable life. Rostand uses this character to explore what characteristics make a man of honor. Some of the prominent traits the author presents as honorable are possessing controlled wit, bravery on and off the battlefield, and the ability to love unceasingly.
In the play Henry V written by Shakespeare. Henry was presented as the ideal Christian king. His mercy, wisdom, and other characteristics demonstrated the behavior of a Christian king. Yet at the same time he is shown to be man like any other. The way he behaves in his past is just like an ordinary man. But in Henry’s own mind he describes himself as “the mirror of all Christian kings” and also a “true lover of the holly church.
What is honor? Honor coins an individual’s nature. A principle that exists on the purpose of perception, a martyr willing to conform and accomplish. In the case of Shakespeare's play, The Tragedy of Julius Caesar, Brutus was the most honorable of men. A brother to Caesar, but a father to Rome, he persist and perish for the future of his child. The idea of ignorance, and the belief of a false faith, turns this noble man toward a vulgar grave, with virtuous notions.
Honor can be defined by how one holds them in the public eye. Others may say that honor is how you live your life when none can see your actions. However defined honor can play major roles in how a person will act in a given situation. The Crucible by Arthur Miller has excellent examples of how honor can manipulate people’s decisions in times of importance. John proctor holds his moral standpoint and does not falter into the temptations of selfishness, while Elizabeth would describe honor as how a person lives their lives. Some can even describe honor as what is most important in life; family. Giles believed that his life was the ultimate object he could sacrifice to maintain his family’s happiness. However honor can be defined, one thing is certain; Everyone has some degree of honor in their lives.
With so many words making up the content of plays, it is difficult for one, single word to make much of an impact. However, the word ‘honor’ does just that in the play Titus Andronicus. Honor means different things to different people, and this is quite evident in the tragedy that is Titus Andronicus. The definition of honor has changed throughout the history of man. The character for which the play is named, Titus, puts his honor and the honor of Rome before anything else. In the play, honor is used as justification for wrongful actions. There are murders that happen in the name of honor. Honor is also lost by some and taken from others. Although small in size, the word honor plays a large role in Titus Andronicus.
Throughout the history of the world, honor has been an important part of life. In literature, as well, honor plays an important role in many plots and the development of almost any character. Shakespeare’s play Much Ado About Nothing is no exception. In this comedy about love and marriage, honor is revealed as the primary reason for many of the actions taken by several different characters. When Claudio breaks off his wedding with Hero, he does it because he believes she is not chastised as she claims to be and in being such, she would dishonor him as well as her father if the marriage were to proceed as planned. The play is an accurate depiction of the honor code and the different standards for men and women of the time in regards to honor and chastity.
At the start of the play, the reader sees that Prince Hal has been acting in a manner which has disappointed his father. The King compares Hotspur to Hal, saying that Hotspur is ìA son who is the theme of honour's tongue,î and that ìriot and dishonour stain the brow of [Hal] (I.i.3).î He even wishes that the two were switched: ìThen would I have his Harry, and he mine (I.i.3).î The King obviously does not approve of Hal's actions, and believes that, if Hal does not change his ways, he will be a poor successor to the throne.
Honor is something men and women have fought for century after century. Even now, thousands of American and British men are fighting in Iraq, near to where the Trojan War was to have taken place. These men fight for the greater good. They fight for those in Iraq who are unable to fight for or otherwise defend themselves. They fight for honor. The characters in the Iliad are motivated by their own form of honor, or arete, known similarly as the Homeric Code. And it is because of this code that the Trojan War began. The characters in this story are shown to possess arete, but some have different ideas as to how vastly and to what rate it should be respected. And because of this, many a man’s honor is disturbed.
middle of paper ... ... In conclusion, the character of Henry dominates the play throughout. overshadowing the other characters in the story. He is a religious man, reinforced.
In Shakespeare's Henry IV Part One, the characters' many different conceptions of honor govern how they respond to situations. Each character's conception of honor has a great impact on the character's standing after the play. For instance, Falstaff survived because he dishonorably faked his own death, and his untrue claim that he was the one who killed Hotspur may get him a title and land. On the other hand, Hotspur lies dead after losing a duel for honor. Hotspur, who is in many ways the ideal man by the standards of his time, is killed by his lust for honor. In creating Hotspur, Shakespeare has created a variation on the tragic hero of other works: the stubborn tragic hero, who, dying for his fault of honor, does not at last understand his weakness.
Truth is a commodity that is often taken for granted in human interaction. Belief in the integrity of others is necessary for healthy, trusting relationships. A presumption of integrity allows individuals to live their lives free from paranoia, however, if not taken in moderation, this same presumption can make it easy for individuals to be taken advantage of. In William Shakespeare’s “King Lear,” the dangers of such presumptions are made clear, as they allow for Edmund, the bastard son of the Earl of Gloucester, to manipulate his way from being one of the least powerful characters in the court to being the most powerful one. This rise of treachery and deceit in Edmund contrasts the banishment of honesty and truth in Cordelia. Taken together,
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Jean E. Howard, Katharine Eisaman Maus, and Andrew Gurr. The Norton Shakespeare. Second ed. New York: W.W. Norton, 1997. Print.