Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Family in the iliad
The Power in a name- The Iliad Books XI-XIII Analysis The themes: the power of a name, guest-friendship, glory, and honor appear in books six through eight of The Iliad. These themes are important to consider in relation to each other. Glory elevates honor, meaning that same actions that help one obtain glory can also yield honor to the person, or the person’s family. A name carries the glory and honor of the bearer in a record that extends beyond the life of the individual. In the next generation, the name reminds the community of the legacy left by previous generations. In this way, the level of glory and honor obtained by one family member can apply to the entire family. Therefore pursuing glory and honor is not solely a selfish pursuit, …show more content…
Hector comes to Troy to shame Paris for abstaining from the war he started and find s him vainly admiring himself and polishing his weapons. His behavior lowers the level of respect the other Trojans have for him, which leads to dishonor. As they rejoin the battle, Hector makes this point clear to Paris. Although he is a strong fighter, the other Trojans exchange hurtful words about Paris for starting the war and not doing his part in the battle. Paris has already dishonored himself by breaking an oath. Now he brings more dishonors upon himself by fighting half-heartedly. It hurts Hector to see Paris in such a state of dishonor, “It breaks my heart/to hear what the Trojans say about you (IX, …show more content…
There are still families that are respected because of their legacy. For instance, the Kennedy’s were already a prominent family in society before John F Kennedy became president. Other prominent family names include Hilton, Gates, Booth, and Pinckney because of the histories and wealth associated with these families. This way, people are still born with a certain level of honor and prestige based on the family name they carry. Even on a local level, families carry reputations of having certain traits. Before meeting a Falls, one may expect to encounter a calm, reserved, intelligent person because those are traits associated with the Falls name. On a personal level, a person’s name still holds keys to a story. Public records are kept on everyone. A skilled researcher could uncover a person 's past simply by researching a name because that name carries a story. Anything a person does, whether good or bad, is associated with a name. Sometimes people to form opinions on someone based on a person’s name because the name alone tells a story. Modern cultures may view names casually, but they still carry power
Simone Weil’s essay “The Iliad: or Poem of Force” places importance on human interaction, the grounding, empathic, human relations which are rare, fleeting, and necessary. She claims Force to be a governing factor in all human interaction, and the ‘thingness’, which force prescribes to humans, as a dangerous, uncontrollable factor of human existence. In order to overcome force, one must direct all their attention towards recognizing others suffering. In her other essay, “Attention and Will,” Weil discusses religious attention as the most important. She claims that one must practice a passive attention to God in order to reach a divinity beyond reality itself which holds truth.
Homer’s Iliad is ripe with a variety of social structures. The passage where Diomedes meets Glaucus in battle shows the reader how a variety of these structures interact, and how the Argives value them in relation to each other. There are times when the characters fight for glory, there are times when they strive to earn riches, but above all else, they respect xenia. Xenia is the ancient Greek concept of hospitality, and it is evoked any time a guest visits a host. The Achaeans respect it above all else, and failure to adhere to its strict customs could lead to the forfeiture of countless souls. By the end of the story, xenia has overpowered money, battle, and glory, cementing its place as the most powerful force in all of Homer’s Ancient
The ideas of fate, honor, and shame, are common themes in many works of art that shape many aspects of culture and the people in those societies. Both ancient Greek and Japanese cultures were based around ideas of fate, honor, and shame. While not necessarily placing the same emphasis on each of the ideas, their importance is shown in works from each culture. The Greek epic, The Iliad, places an large importance on fate, while placing less emphasis honor and shame, while Chusingura, a Japanese film, displays the opposite, placing a large amount of emphasis on honor and shame, yet little on fate.
Throughout the Iliad, heroic characters make decisions based on a specific set of principles, which are referred to as the “code of honor.” The heroic code that Homer presents to readers is easy to recognize because the heroic code is the cause for many of the events that take place, but many of the characters have different perceptions of how highly the code should be regarded. Hector, the greatest of the Trojan warriors, begins the poem as a model for a hero. His dedication and firm belief in the code of honor is described many times throughout the course of the Iliad. As a reward for heroic traits in battle, prizes were sometimes awarded to victors of war. In Book 1 Achilles receives Chryseis as a prize and a symbol of honor. Heroism had its rewards and its setbacks which ultimately was the backbone of the Illiad in the case of Achilles prize. Hector, arguably the greatest Trojan warrior or even the bravest of the Homeric heroes is very fierce and fights for what he believes is his destiny. In book VI Hector expresses his bravery when Andromache pleads with Hector not to fight when Hector says, “But I would die of shame to face the men of Troy and the Trojan woman trailing their long robes if I would shrink from battle now, a coward. Nor does the sprit urge me on that way. I’ve learned it all too well. To stand up bravely, always to fight in the front ranks of Trojan soldiers, winning my father great glory, glory for myself” (VI, 387).
"Andromache, dear one, why so desperate? Why so much grief for me? No man will hurl me down to Death, against my fate. And fate? No one alive has ever escaped it, neither brave man nor coward, I tell you it 's born with us the day that we are born. So please go home and tend to your own tasks, the distaff and the loom, and keep the women working hard as well. As for the fighting, men will see to that, all who were born in Troy but I most of all" (Homer 6. 579-589). These particular lines demonstrate Hectors ' loyalty to his family and how far he is willing to go for his family. He is willing to die for his family but before he does, he starts to ensure that his family remains safe. Family seems to a driving factor in Hectors ' life, which could be viewed as a negative thing. For him to drop everything in the world for his family, even risk his life for them could stab him in the back if he let it. For example, if his wife was in grave peril and he had to choose between the lives of his people during a war or her life, he would choose her life but a smart leader would choose the lives of his
The relationships between parents and their sons in the Iliad are not relationships we expect to see in today’s society. The Iliad portrays the relationships between fathers and sons as something more than just physical and emotional. It is based on pride and respect for one another. The expectations of their son are more so to pass on their fathers reputable name and to follow in their father’s footsteps of being noble warriors. These relationships are the driving forces in the Iliad, making each son in the Iliad identifiable first by their father’s name. An outcome of the father–son relationships is ancestral loyalty among the characters which play a prominent role in war. Therefore, not only does the Iliad share a major war story, but the strong relationships among fathers and sons, ancestral loyalty among characters, and relationships between mothers and sons.
Given his strong familial bonds, it is ironic that Hector’s first real introduction involves him harshly berating his brother, Paris, for his unworthiness on the field of battle. He angrily proclaims that it would have been better had his sibling never been born or had been killed young (3.39-40). Despite this, one must understand that this outburst was likely due to frustration at the long war incited by Paris’ kidnapping of Helen and his subsequent unwillingness to fight in his own war. It is important to note that despite his anger at his brother’s actions, Hektor nevertheless leads the charge against those that would attack his home and family despite seeming to understand that Paris was in the wrong in his actions (3.46-51). Because of his own strong sense of duty, it is likely that he is unable to tolerate the absence of responsibility in others, especially in those related to him, who he most likely feels also have a duty to Troy given their noble positions. Despite his brother’s shortcomings, Hektor feels th...
Hector value of duty towards his country is demonstrated through his grave attitude towards Paris’ lack of duty, as he stated “how wrong it is, this anger you keep smoldering in your heart! Look, you people dying around the city…and all for you” (6.485-488). Furthermore, the absence of the importance of duty in the character of Paris is demonstrates through his priorities, shown in the text when he confides in Hector that “it’s not so much from anger or outrage at our people that I keep to my rooms so long. I only wanted to plunge myself into grief” (6.397-399). This line demonstrates that the highest priority to Paris is simply himself, his comforts and desires rather than the safety of his city as he “wanted to plunge himself in grief,” considering his desires before the needs of the people. Therefore, this conflict unmistakably reveals the differences between these two brothers, the different priorities and ideals which they possess, mainly Hector’s understanding that his duty is to his city and people, whereas Paris believes that his duty is to pleasing his desires before the needs of his
than the times of today. Back then, the most important aspect of life for a
Throughout the Iliad, Homer portraits the extent to which honor plays a role in the lives of Greeks and the manner in which they are willing to sacrifice in order to reach their goals. The Iliad is set during the Trojan War, a particularly long and bloody war, fought not over boundary disagreements, and not over political conflicts, and not to protect the nation. Rather, it was a war fought to defend the personal honor. The possession of women was important to a man’s standing and honor. Paris’ theft of Helen struck a huge blow to the honor of Menelaus and becomes the initial cause of the Trojan War. Consequently, Menelaus, the Spartan ruler, called upon his brother Agamemnon to gather the Greek forces to launch the war against Paris demanding the return of Helen and reinstating the honor for the king. The war lasted for ten years and cost innumerable Greeks’ lives and brought incurable pain upon their families. To Greek heroes, honor is more important than their life as much as that life would be meaningless without it, and they even willingly sacrifice their lives in order...
Hector insults Paris in front of all of Troy. Paris is deeply ashamed and decides to fight the duel. Troy rejoices because if Paris defeats Menelaos, it would be a tremendous victory for Troy, however, if Paris is defeated, Helen is returned and therefore a truce would be reached and the war would be over.
The world that Homer shows in the Iliad is a violent one, where war is not only a means of gaining wealth, but also the arena in which a man demonstrates his worth. The Greek army gathered in front of the walls of Troy exhibits the weaknesses and strengths of the Homeric world. Greece is not one nation, and the army of Greeks mirrors this. It is a collection of small city-states with a common culture and a common language, capable of coming together for a great enterprise, but also capable of being driven apart by petty squabbling. The common culture is based on acceptance of characteristics seen as virtuous: xeineia, or hospitality; agathos, the successful warrior; oikos, which means from noble birth; keleos, glory; pine, honor, which is a central motif throughout the Iliad; and finally, the ultimate virtue of arête, which stands for goodness or excellence and encompasses the other virtues. For Homer, a good man must be of noble family, strong, brave in battle, and wealthy. Earthly possessions show that a man has initiative and has the esteem of others. But the most important qualification to be considered a good man is honor, because honor is gained, not born into.
It does not seem to be rooted in his own belief that his brother Paris' actions are worthy of defense, or that Helen is a prize absolutely worth fighting for. In fact, although he feels fraternal affection for his brother, he reviles Paris several times for his selfishness and womanizing that has brought such grief to Troy. To Hecuba, he says "A great curse Olympian Zeus let live and grow in him [Paris], for Troy and high-hearted Priam and all his sons." (VI.334-5) He is angry at Paris, not only for the taking of Helen, but for his hiding from battle, allowing the other men of Troy to die for the trophy that Paris keeps in his bed. "You'd be the first to lash out at another -- anywhere -- you saw hanging back from this, this hateful war. Up with you -- before all Troy is torched to a cinder here and now!" he berates Paris (VI.389-90). And later, in the heat of battle, he cries again: "Paris, appalling Paris! Our prince of beauty -- mad for women, you lure them all to ruin!" (XIII.888-9)
Homer's Iliad is commonly understood as an epic about the Trojan War, but its meaning goes deeper than that. The Iliad is not only a story of the evolution of Achilleus' persona, but at times it is an anti-war epic as well. The final book proposes many questions to the reader. Why not end with the killing of Hektor? Most stories of war conclude with the triumphant victory of good over evil, but in the Iliad, the final thoughts are inclined to the mourning of the defeated Hektor, which accentuates the fact that good has not triumphed over evil, but simply Achilleus triumphed over Hektor. Ending with the mourning of Hektor also brings to center stage for the first time the human side of war and the harsh aftermath of it. We see that war not only brings great glory, but also much suffering and anguish. Homer puts his anti-war views on display.
The Iliad, by Homer, tells a part of the tale of the conquest of Troy by the Greeks. In the Greek army there are many prominent figures. These important Greeks have distinct personalities. This paper hopes to demonstrate that certain famous Greeks each get some form of comeuppance based on their respective bad character traits and actions. In essence, this paper will show that justice is served against the Greeks for their actions.