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More handpicked essays just for you.
Summary of black feminist thought
Limitations for black feminism
Racial conflict in the south and west
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Recommended: Summary of black feminist thought
My initial impressions of Home Girls: A Black Feminist Anthology by Barbara Smith was just shocked. I was shocked to see how many similarities that I was able to draw between my life and Smith’s. Smith’s family fled Georgia and moved to Cleveland to escape the racial tensions of the south. When I was young (round two years old) my family had moved from Nigeria to America to escape economic struggles and in pursuit of education. Similarly, while Smith and her sister were raised with a southern upbringing and emphasis on home being Georgia, I was raised with a Nigerian upbringing and emphasis on home being Nigeria—a concept that I couldn’t comprehend until my first trip home in 2009-2010. I lived in an poor community in Baltimore, like Smith
The black women’s interaction with her oppressive environment during Revolutionary period or the antebellum America was the only way of her survival. Playing her role, and being part of her community that is not always pleasant takes a lot of courage, and optimism for better tomorrow. The autonomy of a slave women still existed even if most of her natural rights were taken. As opposed to her counterparts
The way that the author used personal diary entries in her book to illustrate the way that abolitionism affected the women’s lives was extremely effective and helpful in giving a more well-rounded and in-depth understanding of the event. Instead of making it very impersonal and formulaic, as many history books do, the reader got a peek into what these women really thought and how they felt. Therefore bringing out emotion in the reader. Also, this book covers all different types of women, i.e. racial, geographic, and social status differences.
Hunter begins her analysis by integrating the experiences of African-American women workers into the broader examination of political and economic conditions in the New South. According to Hunter, the period between 1877 and 1915 is critical to understanding the social transformations in most southern cities and complicating this transformation are the issues of race, class, and gender. The examination of the lives of black domestic workers reveals the complexity of their struggles to keep their autonomy with white employers and city officials. For example, African-American women built institutions and frequently quit their jobs in response to the attempts by southern whites to control their labor and mobility. Hunter carefully situates these individual tactics of resistance in the New South capitalist development and attempts by whites to curtail the political and social freedoms of emancipated slaves.
The award-winning book of poems, Brown Girl Dreaming, by Jacqueline Woodson, is an eye-opening story. Told in first person with memories from the author’s own life, it depicts the differences between South Carolina and New York City in the 1960s as understood by a child. The book begins in Ohio, but soon progresses to South Carolina where the author spends a considerable amount of her childhood. She and her older siblings, Hope and Odella (Dell), spend much of their pupilage with their grandparents and absorb the southern way of life before their mother (and new baby brother) whisk them away to New York, where there were more opportunities for people of color in the ‘60s. The conflict here is really more of an internal one, where Jacqueline struggles with the fact that it’s dangerous to be a part of the change, but she can’t subdue the fact that she wants to. She also wrestles with the issue of where she belongs, “The city is settling around me….(but) my eyes fill up with the missing of everything and everyone I’ve ever known” (Woodson 184). The conflict is never explicitly resolved, but the author makes it clear towards the end
Throughout chapter one of Fun Home, Alison Bechdel portrays artifice and art as two very similar but distinct things; both overlapping and making it hard to differentiate between what is what. Art, in her view, is the truth, and a skill that has to be mastered. On the other hand, artifice contains partial, or full, amounts of falsehood; it covers up the truth in some way but contains art in itself. Artifice can be, like art, something mastered, but can also be a coping mechanism to cover up something good or bad. Bechdel turns both art and artifice into a very interlinked, combined, version of the two forms. When truth and falsehood are combined, after awhile, it becomes a challenge to distinguish between the two; evidently true to herself.
On Being Young-A Woman-and Colored an essay by Marita Bonner addresses what it means to be black women in a world of white privilege. Bonner reflects about a time when she was younger, how simple her life was, but as she grows older she is forced to work hard to live a life better than those around her. Ultimately, she is a woman living with the roles that women of all colors have been constrained to. Critics, within the last 20 years, believe that Marita Bonners’ essay primarily focuses on the double consciousness ; while others believe that she is focusing on gender , class , “economic hardships, and discrimination” . I argue that Bonner is writing her essay about the historical context of oppression forcing women into intersectional oppression by explaining the naturality of racial discrimination between black and white, how time and money equate to the American Dream, and lastly how gender discrimination silences women, specifically black women.
In the first chapter of Fun Home: A Family Tragicomic, a graphic novel by Alison Bechdel, the author uses an intriguing combination of pictures and words to draw her readers through the story with many surprising twists and turns similar to the way a carnival fun house lures in curious adventurers . As the author first introduces her father to the story, one would believe him to be a loving and engaging father. However, once Bechdel begins comparing their playful exchange with the “Icarian Games” (pg. 379) and noting his distraction to the game because of his concern with
The Author of this book (On our own terms: race, class, and gender in the lives of African American Women) Leith Mullings seeks to explore the modern and historical lives of African American women on the issues of race, class and gender. Mullings does this in a very analytical way using a collection of essays written and collected over a twenty five year period. The author’s systematic format best explains her point of view. The book explores issues such as family, work and health comparing and contrasting between white and black women as well as between men and women of both races.
Alison Bechdel uses her graphic memoir, Fun home, to explore her relationship with her father. She uses the book as a tool to reflect on her life and the affect her father had on her. She discovers how her fathers closeted sexuality affected her childhood and her transition into adulthood. His death left a powerful mark and left her searching for answers. She clearly states this when she says, “it’s true that he didn’t kill himself until I was nearly twenty. But his absence resonated retroactively, echoing back through all the time I knew him.” (23). This feeling drove her to look back on their relationship and find what binds her so strongly to a man she never understood.
In the books Where the Girls are and Coming of Age in Mississippi, the authors portray how they questioned their place within the American society, and how they found their voice to seek opportunities for themselves and others. The childhoods of Douglas and Moody are major factors in these women’s lives and character development. It is through these experiences that they formed their views of the world and learned to understand the world’s view of women. Douglas and Moody had very different experiences for they grew up in different decades, social and economic classes, and races. It is these differences that cause them to have different reactions. Susan Douglass in Where the Girls are and Anne Moody in Coming of Age in Mississippi have different critiques of American society and solutions, because of the differences of what they were exposed to.
To the modern white women who grew up in comfort and did not have to work until she graduated from high school, the life of Anne Moody reads as shocking, and almost too bad to be true. Indeed, white women of the modern age have grown accustomed to a certain standard of living that lies lightyears away from the experience of growing up black in the rural south. Anne Moody mystifies the reader in her gripping and beautifully written memoir, Coming of Age in Mississippi, while paralleling her own life to the evolution of the Civil Rights movement. This is done throughout major turning points in the author’s life, and a detailed explanation of what had to be endured in the name of equality.
Barbara Morrison, an educated woman who grew up in a nuclear family home, their home included “[her] parents and children living in one household” (Moore& Asay, 2013). They lived in Roland Park in Baltimore Maryland. Living the “Average” lifestyle in her parents’ home she felt as if she were an outsider. Morrison decided to go to Western Maryland and pursue her collegiate education. She could not take the racism that went on in 1970 and decided to uproot her life for the better. Worcester, Massachusetts is where Morrison’s life would further take its course, she finally felt at home in this city. Morrison met her closest friend Jill who would also be an important benefactor in Barbra’s life; the first thing that she explained to Morrison was “The vast majority of people on welfare were white and lived in rural areas, not inner cities” (Morrison,2011).Morrison did not understand this until she was faced with the reality of poverty. In order to survive she needed to bring in resources, which are “anything identified to meet an existing or future need” (Moore& Asay, 2013).In Morrison’s case ...
The sewing circle is a matrifocal space of political and social engagement that serves as Hopkins’ fictionalization of the black women’s club movement (Patterson 72). Here, the women of Contending Forces gather together to raise money, discuss political concerns, and forge social coalitions. A blackboard occupies a central space in the parlor of Ma Smith’s boardinghouse, and upon it each woman has contributed some news or raised a concern pertaining to the community. The gathering and discussion of these women makes the circle fertile ground for Hopkins’ linking of race, class, and gender concerns through the figure of the New Negro Woman. This space, filled with female voices and domestic tasks, features several versions of womanhood. And like other communal spaces, Hopkins argues for the collaboration of each woman figure and the value of all expressions of womanhood when united under the collective goal of racial uplift. Mrs. Willis and Mrs. Smith represent alternative approaches to motherhood—Ma Smith offers space but cedes the intellectual energy to the younger women, while Mrs. Willis figures more as a race mother that influences and directs the path of racial progress. Mrs. Willis is also a foil to Sappho in this scene as a
In Harriet Jacobs Incidents in the Life of a Slave Girl, the author subjects the reader to a dystopian slave narrative based on a true story of a woman’s struggle for self-identity, self-preservation and freedom. This non-fictional personal account chronicles the journey of Harriet Jacobs (1813-1897) life of servitude and degradation in the state of North Carolina to the shackle-free promise land of liberty in the North. The reoccurring theme throughout that I strive to exploit is how the women’s sphere, known as the Cult of True Womanhood (Domesticity), is a corrupt concept that is full of white bias and privilege that has been compromised by the harsh oppression of slavery’s racial barrier. Women and the female race are falling for man’s
In Karen Russell’s short story St. Lucy’s Home for Girls Raised by Wolves Claudette, the main character, and other teenagers are being raised in a home where they learn how to adapt to human society. Some girls accomplish this task while other girls fail. The wolf girl Claudette truly is conformed and successfully adapts to human society. Claudette proves this by her relationship with her other sisters along with her relationship with herself.