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The patriot essay
The patriot compared to history
"the patriot" essay review
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Movies, as one of the greatest product of the 2nd Industrial Revolution, are a brand new form of media for entertainment. Directors, as the architects of movies, are the ones to blame when movies come out bad and the ones to praise when movies come out good. Not only do they need to design a fascinating story, use devices to push forward the plot, and make characters as vivid as possible to the audience, but they also need to consider the contemporary ideology and political correctness in order to film a movie that’s not too widely divergent to the thinking at the time. History movies are more or less different than the regular ones in that directors sometimes have to choose whether to sacrifice the authenticity of the history to …show more content…
The New World is a typical history movie in which the history was not twisted enough so that the movie became boring. The director focused so much on the actual events happened in Jamestown and everything happened to Pocahontas and John Smith that he missed the part where movies have to be entertaining so that people wouldn’t fall asleep during the process. He filmed it almost like a documentary. Me personally, if he just gives the audience a tiny bit of romantic relationship between Pocahontas and Smith, the movie would go as smooth as smooth can get. But no. Malick was so obsessed with sticking to the history that he never noticed the movie was not entertaining at all. The Patriot, on the other hand, exemplifies the history movies that twisted too much history. Benjamin Martin is a South Carolina plantation owner who set free all of his slaves before the Revolutionary War, which was impossible to happen in the actual history. A pacifist who opposed the Revolutionary War but shifted position right after his second son was mercilessly killed by a British officer Tavington, and he single-handedly slaughtered twenty-some red coats. After the death of his first son, he suddenly fought the war not for revenge but for a higher cause -- democracy and freedom. It appeared like he single-handedly won the Revolutionary War, making the audience wonder Washington who, while we can not even find a man named Benjamin Martin at that time because Emmerich decides to just make him up out of other characters in the actual history and combines them into one epic hero called Benjamin Martin. The entertainment was awesome. I mean, who doesn’t like a superhero figure fights the villains and finally gets justice for all? The war scenes, the fighting actions were just damn perfect and addictive. However, unlike Malick who twisted so little history, Emmerich focused so much on entertainment that
Benjamin Franklin, one of the Founding Fathers to the United States, was not a patriot but a mere loyalist to England before the dissolution between England and the colonies occurred. Sheila L. Skemp's The Making of a Patriot explores how Benjamin Franklin tried to stay loyal to the crown while taking interest in the colonies perception and their own representation in Parliament. While Ms. Skemp alludes to Franklin's loyalty, her main illustration is how the attack by Alexander Wedderburn during the Privy Council led to Franklin's disillusionment with the British crown and the greater interest in making the Thirteen Colonies their own nation. Her analysis of Franklin's history in Parliament and what occurred on the night that the council convened proves the change behind Franklin's beliefs and what lead to his involvement in the Declaration of Independence and the American Revolution. Benjamin Franklin was the colonial agent representing Massachusetts in Parliament in Britain.
Society tends to associate propaganda films with issues such as Nazi Germany and their film messages for their country; however, it is also possible for small independent companies, groups of like-minded people and individuals to use the media of film to incorporate messages for our society (The Independent, 2010). These messages are often in relation to changes that individuals should make in order to improve the standards by which they live their lives and changes to everyday habits that will benefit the individual, the individual’s family, a group of individuals or even a single person (Barnhisel and Turner, 2010).
There are many adaptations and interpretations on how the English arrived to the Americas and established their colonies. The 2005 film “New World”, written and directed by Terrance Malick, is a film based off the English settlers and how they settled in the Americas in 1607, and the forbidden relationship between John Smith and Pocahontas. Although the film highly exaggerates on some scenes in order to make the history seem more interesting, the film still holds most historical accuracy and is an enjoyable film.
The Revolutionary war, sparked by the colonist’s anger towards taxation without representation, was a conflict between the United States and its mother country Great Britain. This event had been considered the most significant event in the American history. It separated the thirteen colonies from the tyrannical ruling of King George. The revolutionary war was not a big war, “The military conflict was, by the standards of later wars, a relatively modest one. Battle deaths on the American side totaled fewer than 5,000”1. However, the war proved that the thirteen colonies were capable of defeating the powerful Great Britain. Over the years there were many Hollywood films made based on the revolutionary war, 1776, Revolution, Johnny Tremain, and The Patriot. But, no movie has stirred up as much controversy as the Mel Gibbson movie The Patriot. The patriot is very entertaining but it is historically inaccurate. Too much Hollywood “spices” was added to the movie for viewing pleasures.
Movies don’t always portait characters correctly. For the most part, the characters will have important details in their life taken out for the sake of entertainment. The Patriot, while an amazing movie, did have a few major inaccuracies. Benjamin Martin, William Tavington, and Jean Villeneuve were all based off of real people from the war. While they were portrait pretty accurately, there were some major differences between the movie and real life.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
Thompson, Kristin , and David Bordwell. Film History : An Introduction. 3 ed. New York:
The Patriot begins in March 1776, with a messenger from the Continental Mail Service delivering a stack of letters to Benjamin Martin. The most urgent letter was from the Speaker of the Assembly. Everyone who was old enough knew what this meant. Benjamin’s sons thought war was glorious and were excited by the letter. Benjamin, who was a veteran of the French and Indian war, was not. He learned the hard way how gruesome war was, and didn’t want to have anything to do with it, nor his family. His oldest son Gabriel scared him the most. Gabriel wanted to join the war, and was old enough to do it. The note was an invitation to a meeting in Charles Town where the colonies would decide whether they’d join the cause or not. Benjamin and family left for Charles Town to stay with their aunt Charlotte on their mother’s side. Benjamin and Charlotte had a spark between them, but Benjamin was not yet over his wife. At the meeting, an argument over why the colonies should all unite was in full strength.
The Patriot is a movie based on the American Revolutionary War (1775-1783), the war fought between Great Britain and the thirteen colonies of the North American continent. In this war on American soil the colonists fought for independence from Europe and King George III’s criticized rule. The Patriot takes on this topic through the character Benjamin Martin, played by actor Mel Gibson, who is based on the Revolutionary War militia leader Francis “The Swamp Fox” Marion. The movie also features a few battles actually fought in the war and weapons used in the war. Although the movie displays actual events, people, and objects that occurred and existed during the war, there are historical points changed to satisfy the audience of the theater.
The Patriot is a fictional story directed by Roland Emmerich, based on the true events of the American Revolution. Set in colonial South Carolina in the year 1776, the story of a war hero attempting to escape the haunting memories of the French-Indian War is put in a difficult position and is torn between protecting his family and defending his country. Benjamin Martin, played by Mel Gibson, is a widowed man with seven children living a peaceful life at a plantation, who would do absolutely anything to protect his children. When the decision to enlist in the newly formed Continental Army is approached in court, Benjamin says that he absolutely will not fight, and when speaking to Col. Harry Burwell in court he says “this war will be fought not on the frontier or on some distant battlefield. But amongst us, among our homes.” He knows that many innocent people will die, and the safety of his children will be disrupted, so therefore he does not cast a vote. When questioned about his principles, he responds saying that he is a parent, and therefore does not have the luxury of principles; once again confirming that family is the most important aspect of life to him. On the other hand, his oldest son Gabriel, played by Heath Ledger, is the complete opposite; he is extremely eager to enlist in the newly formed Continental Army, and he feels as though it is his duty to enlist and fight for freedom and independence, therefore, against his father’s orders, he enlists immediately. As the war moves forward, Gabriel is seen injured, and along with other wounded militia men, they rest at Benjamin’s home. Colonel William Tavington, played by Jason Isaacs, along with other British soldiers become aware of this and take many militia men as prisone...
Films are necessary in our time period because the human eye can articulate the message intended through sight allowing visual imagination to occur. In the book, world 2 by Max Brooks, he creates a character by the name Roy Elliot who was a former movie director. Roy Elliot manages to make a movie titled “Victory at Avalon: The Battle of the Five Colleges” and some how it goes viral. Similarly, Frank Capra’s film, “Why we Fight” expresses a sense of understanding the meaning of wars. Films do not inevitably portray truth because they display what the film director views as important and beneficial for people to know.
...ctual roles, or adding in exciting events that revise the storyline. These changes are beneficial to producers because they engage a large audience and generate massive profits. In contrast, they do not always have a positive effect on viewers. Although they are entertaining which is an important aspect of theatre culture, they also are often misguiding. Many spectators take movies at face value, without considering that they may not exactly qualify as primary source material. Even when an historical event is fabricated to teach or enhance a moral message, it still doesn’t compensate for bending the truth. Moviegoer’s may have a positive experience and gain some skewed historical perspective, perhaps better than what they knew before the movie, but they loose out on the truth and therefore, a genuine understanding of the historical event, and its significance.
America has come a long way with how people are treated as opposed to how things use to be not so long ago. In the film American History X (1998) we see how some parts of America were not adjusting to change in their towns which resulted in violent outbreaks and many deaths. Although throughout the movie we see the main character, Derek Vinyard (Edward Norton) that at the beginning of the film is in a “white power” gang and later transforms as a character to protect his brother and the rest of his family from being hurt and corrupted by the racist world that they were living in.
Overall, the film isn’t half as epic as Emmerich’s previous. blockbusters or half as entertaining. The dialogues are about as interesting as watching paint dry and the bland characters have about as much depth as a puddle in the street! The storyline isn’t exactly. deep, introspective stuff, either.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...