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World war 1 trench warfare essay
World war 1 trench warfare essay
World war 1 trench warfare essay
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The film “Slaughter in the Trenches” shows us a big part of how terrible the World War 1 was. Men, who signed up to serve in the war, were signing up for their death. Thousands of men fought in the war, but only few hundred survived. Many of these men who did survive, became pieces of evidence of the warfare to show the world what a war does to people. The film introduces us to the trench warfare and does a great job of portraying the war, the lives of the men, and the countries that participated in it. The German, French and British were all in the involved in this warfare. The British had to help France because without their help, France would have never survived. The war was a big mess but it was clear who the enemy was. The film does imply that Germany was the enemy by the expert historians in the film. Expert historians in the film are subjective towards the Germans. They seem to be in favor of the British and the French. Malcolm …show more content…
It includes letters from soldiers of both sides of the war, participant interviewees, and expert historians. This helps make the film seem to be a reliable source of the historical event. The letters adds a great touch to the film because it allows the viewer to feel sympathy for the men and gives us a real account of how the men felt. The men kept diaries and journals of what actually happened which creates the film to be a historical reliable source. The participant interviews also help make the film more a reliable source because then interviewees are old men who went through the war. These men give us a small part of what it was like to be in the war. These men had suffered a great deal and help make the film more reliable. The expert historians are the ones that create bias in the film. This removes the how credible the film could be because of the bias. Overall, including more that one piece of evidence helps the film be a trustworthy piece of historical
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
The novel All Quiet On the Western Front by Erich Maria Remarque, the poem, “In Flanders Field,” by John McCrae and the film, Gallipoli, Demonstrates how war makes men feel unimportant and, forces soldiers to make hard decisions that no one should half to make. In war people were forced to fight for their lives. Men were forced to kill one another to get their opinion across to the opposing sides. When men went home to their families they were too scared to say what had happened to them in the war. Many people had a glorified thought about how war is, Soldiers didn't tell them what had truly happened to them.
the Germans for the first time in the war. The Battle of Britain was a
World War One or “The War To End All Wars” was one of the most devastating events in the history of humankind. When looking back at such a gruesome war it is understandable that we might dwell on the key battles and tactics, which are often summarized by statistics on death tolls. However, we often forget that statistics create an illusion that warps our perception of death. As Stalin put it “One death is a tragedy, a million deaths is just a statistic”. In the novel “The Wars” by Timothy Findley, the author draws away from traditional war stories by showing a true appreciation for life that truly touches the reader on a human and emotional level. Timothy Findley narrows in something anyone can relate to: a loving mother worried about her son risking his life in a war. This mother in the “The Wars” is Mrs. Ross, who represents the home front while her son, Robert Ross, fights for the British in World War One. As the book progresses and Robert gets further into the death trap known as the “Great War”, Mrs. Ross becomes increasingly obsessive and connected to her son as his fate becomes more clear.
"First World War.com - Feature Articles - Life in the Trenches." First World War.com - A Multimedia History of World War One. N.p., n.d. Web. 3 Mar. 2011. .
"Feature Articles - Life in the Trenches." Firstworldwar.com. First World War, n.d. Web. 05 Apr.
“How nice- to feel nothing, and still get full credit for being alive” (Vonnegut 181).
Brutality and carnage of all quiet on the western front Throughout the novel “All Quiet on the Western Front” brutality and carnage is shown as a major theme. Throughout WWI, many soldiers died and the main characters closest friends. Brutality and carnage is seen throughout the novel through characters death,traumatizing events and the post traumatic stress that the soldiers suffered with themselves. Throughout the novel characters deaths happened frequently. Most of the characters that died in the novel were very close to paul.
In conclusion, while books, photos, movies and other historical documentation can portray information or a message about wartime events, they will never be able to produce the feelings of those that were personally involved in wars have experienced. Yet, it is incorrect to criticize these writers. The information they reveal is still very important historical information. Even if a reader or viewer of this media cannot feel exactly the same emotions as those involved, they still often experience an emotional connection to the events being depicted. This is important, not only for the historical knowledge gained about wars, but also to understand the nature and futility of their occurrence.
Whenever one reads or hears about World War I or World War II, you hear of the struggles and triumphs of the British, Americans or any of the other Allies. And they always speak of the evil and menacing German army. However, All Quiet on the Western Front gives the reader some insight and a look at a group of young German friends who are fighting in World War I. “This story is neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped its shells, were destroyed by the war.....” The soldiers of this war felt they were neither heroes nor did they know what they were fighting for. These soldiers were pulled from the innocence of their childhood, and thrown into a world of rage. Yet somehow they still managed to have heart and faith in man kind and could not look the opponent in the eye and kill him. For he was man too, he too had a wife and children at home, he too was pulled out of his home to fight for a cause he didn't understand.
...oung American men had to endure from the time that they had joined back in their boot camp days, and the brutality of war that showed them no mercy. To me the importance of the movie was to show what truly went on over in Vietnam through the eyes of a soldiers eyes of what happened, as the film created a very disturbing yet a real picture of The Vietnam War.
In document thirteen, we encounter a letter written by a young English soldier fighting the Germans from the woods. He starts his letter by explaining how once again he was forced to be out in the trenches for forty-eight consecutive hours. The letter, addressed to his parents, illustrates how devastating it can be for a young man out at war. When he asked for time alone they told him to take a group of men with him and after a bit of difficulty they finally let him go off on his own. While he is out on a stroll he comes across a German trench and kills an officer, he does the same thing the next day. By the end of the letter he simply defines the experience as awful.
portrayal of the horrors of the War. This is an anti war story and it
Terrence Malick’s The Thin Red Line (1998) is a film that examines the Guadalcanal Battle of World War II, looking past the physical results of the violence, in order to uncover the deeper truths and ramifications of war. The film conveys themes and ideologies that are somewhat uncommon to war films, especially WW II films. In this dark, surreal, journey, Malick takes us inside the minds of soldiers experiencing this battle to capture a remote pacific island from the Japanese. We do not hear or see gruff, hardened soldiers, anxious to die for their country. In fact, there are no heroes in The Thin Red Line. There are only regular men, scared of fighting and scared of dying, who have been thrown into a situation that will forever change their lives. The fighting is not suspenseful or glorious just brutal. Using an ideological approach to the study of film, this paper will examine The Thin Red Line’s messages about the truths of war, and how it challenges our society’s stereotypical view of war as a valiant undertaking where brave men fighting for good battle the evil of the enemy. Consequently, the ideologies that are uncovered will then be used to look at The Thin Red Line as a war film, and how it fits and does not fit into the genre.
There is an intellectual discussion over the accuracy of war films and whether or not these should focus more on telling the truth or decorating it a little. Indeed, the narrative of war films has change throughout the years because the purpose of such films has evolved, especially those representing the World War II years and the aftermath. At the time of war, films were employed with diverse objectives for example to urge the public to support the war, to narrate the latest events, or to rebuild the image of the heroes. Most of the times the perspectives of films could vary depending on the country the film was produced in or which side of the story was being narrated. The plot of most war films might not be real, but they were necessary