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Sexualization of women in rap music
Hip hop's effect on popular culture
Hip hop's effect on popular culture
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Hip Hop’s Greatest Controversy: Notorious B.I.G. vs. Tupac Hip Hop started in the South Bronx, New York City in the 1970’s. Hip Hop as a music and culture started when block parties became popular, particular among African-American youths who reside in Bronx. Deejays would play popular songs on turntables at that time and start to break or “scratching” in between playing songs to create their own beats. Hip Hop served as a voice for the inner city youths were from a low-income families. The culture would reflect their way of life. As the years of Hip Hop progressed, a new form of Hip Hop was introduced that was called “gangster rap”, which rapped about the hyper-masculinity and violence. The biggest controversy in the Hip Hop world took place between The Notorious B.I.G. and Tupac Shakur. Both artists took lyrical jabs at each other until their untimely death. The documentary, Hip-Hop: Beyond Beats and Rhymes, was produced, written, and directed by Byron Hurt and was released in 2007 by PBS. Mr. Hurt is an American activist, lecturer, and a graduate of Northeastern University where he played American football as a quarterback. The documentary provides details about sexuality; violence, homophobia and hyper-masculinity in Hip Hop culture. Hurt, a long time hip-hop lover, the more he learned, the more the lyrics, violence and sexism became more unexpected to him, and this influenced him to make the documentary Hip-Hop: Beyond Beats and Rhymes. My interviewee, Chantal Jones, is a longtime admirer and lover of Hip-Hop. We have the same passion and love for music. I have known Chantel for close to three years. She is 18 years old and she is from the St. Vincent and the Grenadians, but has lived in the states for over ... ... middle of paper ... ...ed the same fate as Tupac. What we can draw from hyper-masculinity and violence in Hip Hop is that its hyper-masculinity is a downfall for black males from across the global the characteristic of hyper-masculinity that “the belief that violence is manly” is immoral to the community to think that this way to carry yourself to be a man in the hears of your listeners we need music the uplift our people. Works Cited Hip-Hop: Beyond Beats and Rhymes. Dir. Byron Hurt. Perf. Chuck D. and Jadakiss God Bless the Child Productions. 2006. Flim. Johns, Lindsay. "Hypermasculinity and the Black Male." Hypermasculinity and the Black Male. N.p., n.d. Web. 02 May 2014. Jones, Chantel. Phone interview. 9 April 2014. Shakur, Tupac (Ft. Outlawz) – Hit 'Em Up." Rap Genius. N.p., n.d. Web. 21 Apr. 2014. The Notorious B.I.G. – Who Shot Ya?" Rap Genius. N.p., n.d. Web. 21 Apr. 2014.
Throughout the years Tupac tended to participate in the arts, landing seven movie roles. While Shakur had been producing things professionally since 1987, his career hadn’t truly taken off until the early 90’s when he debuted in Digital Underground's "Same Song" from the soundtrack to the 1991 film “Nothing but Trouble.” Up until the day Tupac died, he was going head first into the game. Shakur was always working hard and doing what he loved. Biggie, on the other hand, was from the Clinton Hill section of the Brooklyn borough of New York City, New York. He was nicknamed “Big” because he was overweight from the time he was ten years old. Wallace had been rapping since his early teen years and continued his passion all throughout his life. While he was always excelled in school, he dropped out of school at the age of seventeen. Biggie started dealing drugs at the age of twelve and continued his criminal life until the end. The Notorious B.I.G. was arrested on several occasions. A few examples are that he was arrested in 1989 for weapons charges, 1990 for violation of probation, and in 1991 for dealing Crack Cocaine. On August
Kohavy, Daniella. "KevinNottingham.com The Underground Hip Hop Authority | Hip Hop Music, Videos & Reviews." KevinNottinghamcom. N.p., 15 Nov. 2011. Web. 19 Apr. 2014.
Perry, Imani. 2004. Prophets of the hood: politics and poetics in hip hop. Durham: Duke University Press.
Tupac Shakur was one of the most influential music artist of the 20th Century. “Murda, Murda, Murda, and Kill, Kill, Kill…” these are they lyrics to one of the songs written by Tupac Shakur. Amidst all the controversy surrounding his personal life, this artist has managed to overcome all obstacles and spread his hope/hate message to a surprisingly receptive audience. Tupac’s music is borrowed from the styles of early rap and hip-hop yet its appeal rested in Tupac himself. His persona of “Thug Poet” opened up a portal into the new genre of “Gangsta Rap.” This new style of music revolutionized the music industry and allowed several new artists to break through in Tupac’s creation, Gangsta Rap, such as; G-unit, Eminem, and many others.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
To say it lightly, Stanley Crouch does not like the hip-hop genre of music. The dreadlocks, the clothing style, and the "vulgar": gold chains are just a few things he does not approve of at all. (Crouch, 1 ) It astounds him to see how far African-American music has fallen since the days of the Motown. Stanley was quoted as saying this about rap, "It is rudeness, vulgarity, and pornography disguised as ‘keeping it real.'" (Crouch, 1) He also went on to say the hip-hop music genre has the worst impact of all music genres on our culture today. (Crouch, 2) Crouch believes one does not need much talent to become a successful rapper unlike the jazz greats he listens to all the time.
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
In 1995, Notorious B.I.G released the song “Who Shot Ya.” Tupac interpreted this as a mocking of the previous shooting. Tupac later retaliated with the song “Hit Em Up” where he claimed to have sex with B.IG’s wife. In “Hit Em Up,” Tupac directly calls out Notorious B.I.G for his song, “Who Shot Ya” and told him how his men couldn’t finish the job. He also goes on to say that he’s on a different level from B.I.G and that he shouldn’t be making threats because he rides with killers. (Daniel
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
The hip-hop community has been greatly influenced by the Black Arts Era. Both groups have addressed social, political issue as well as giving voice to the emotional discord of the black man. These groups push the boundaries using words meant to inflame the black man and shock the Caucasians.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
However, just this year a song by Miley Cyrus sparked a “twerking” outbreak, and there simply is no denying the impact it had on teenagers throughout the entire country. The problem, though, is that hip-hop music promotes things far worse than the provocative dancing that was advocated in Cyrus’s song. Others argue that culture is not actually being affected by the music, and it is actually the opposite. They claim that the lyrics in hip-hop music are poetry of the streets, and it embodies black victimhood in the ghetto. However, if we accept this, we are accepting the fact that the “ghetto life” is so hopeless that an explosion of violence is justified. By encouraging rappers that promote this type of behavior we are deeming the behavior acceptable just because the “ghetto life” is tough. However, rape and murder should never be seen as acceptable, and nor should the advocacy of it
Hip hop is a subculture and global movement that started in the South Bronx, New York City during the late 1970s. In a post-civil rights era, where deindustrialization dominated, where racism and discrimination still existed, hip hop gave discriminated youths a chance to voice their opinions, and address their struggles in America. It created jobs for African-Americans and has forever transformed America’s politics and culture. Since then, it has only spread worldwide. The culture of hip hop has made its way to other countries such as Germany, South Korea, Australia, Africa, etc., becoming a global phenomenon. The issue, however, is that hip hop is often misunderstood, and seen only as the stereotypes society and mainstream hip hop perpetuates.
Rap Genius. N.p., n.d. Web. The Web. The Web. 01 May 2014.