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Modern war on drugs
Modern war on drugs
Reflection essay on the war of drugs
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The Impact of Hip Hop on Drugs: Research Proposal Drugs have been a part of America’s society since the 1800s, and since then people have become more aware of its effects. It was not until 1914 when the first federal drug policy was passed, the Harrison Narcotics Act, which enforced the production of marijuana, cocaine, heroin, and morphine (Opium Throughout History). However, what people know as “The War On Drugs” was declared in 1971 by President Richard Nixon to combat drug abuse in the United States (Thirty Years of…). Those that opposed the war state the significant problems that have been created as a result of drug criminalization. One of the most notable examples are the disproportionate rates of arrest on African American drug dealers. On the other hand, those that support the war argue from morals, stating that drug abuse is morally wrong, and can damage American values. Furthermore, others believe that criminalizing drugs can target smugglers and dealers which can fix the root of the problem (The United States...). Although the early stages of the war on drugs were before the infancy of hip-hop, the role of the war will create a …show more content…
I will also consult sources that are in support and against the issue as well as compare mainly modern hip-hop songs to analyze how the war on drugs affected the song’s lyrics, style, and audience. In addition to these resources, the research will also take other issues into account, such as incarceration and the creation of a permanent underclass known as the “casualties of war” consisting of “all poor or lower-income people” (Blumenson and Nilson). As a result, the research will provide a point of view on the effects of the war on drugs on hip-hop and the minority community, and what was the aftermath of the long
In one of the chapters, ‘Where Did Our Love Go?’ the author reveals how blacks in America use the music to express their anger and commitment to emerge as great people in an unfair community. Most songs are written to educate the society on the negative effects of racism. They encourage the society to love one another and embrace unity. The human nature is founded through a social platform where philosophers claim that people were created to love one another and live with peace and unity. Through this book, it is clear that the blacks in the hip-hop generation are money minded. However, this is expected in a world where the economy is tough. The author claims that the youth are the people who are majorly affected by racism. Many of them have been arrested for pity mistakes which are magnified in the courts due to the impression that the society has on the black people. They engage in dirty activities like drug dealings that that put them on the wrong side of the
The War on Drugs is believed to help with many problems in today’s society such as realizing the rise of crime rates and the uprooting of violent offenders and drug kingpin. Michelle Alexander explains that the War on Drugs is a new way to control society much like how Jim Crow did after the Civil War. There are many misconceptions about the War on Drugs; commonly people believe that it’s helping society with getting rid of those who are dangerous to the general public. The War on Drugs is similar to Jim Crow by hiding the real intention behind Mass Incarceration of people of color. The War on Drugs is used to take away rights of those who get incarcerated. When they plead guilty, they will lose their right to vote and have to check application
Rap started as a social movement during the mid-1970’s, once the 80’s arrived it started expanding dramatically, and became popular among white suburban youth. During the late 1980s and early 1990s rap became overtly political with its messages, which expanded its popularity further. Unfortunately, political rap lost its popularity in the mid-1990s; regardless of this artists and their voices have been marginalized because of corporate control. Although there does not seem to be a direct connection between rap music and its whitening, the author claims that it is not coincidental. Despite the political messages within the genre, rap has been viewed through a racist
“The Hip Hop Wars What We Talk About - And Why It Matters” by Tricia Rose explores what hip hop has done to society in recent years and what people think it has caused. Though it has become one of the most commercially successful genres in mainstream music Tricia Rose explains that the topics in hip hop music have narrowed. Commercial hip hop mainly consist of black gangstas, thugs, pimps, and hoes. In the book she looks into the different points of views of people who think whether hip hop invokes violence or if it reflects life in a black ghetto and if it slows down advancement for African Americans in US. The author goes back and forth with the opinion of the mass on hip hop, she says people view hip hop as a music like heavy metal which people associate with violence but she refutes most of these points by showing the positives of hip hop.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Hip-hop began in the undergrounds in Bronx New York in the early 1970s and has gradually grown to become mainstream music. According to Lori Selke a professional writer for Global post, “hip-hop is the term that refers to more than just a musical genre; it includes culture, dance, art, and even fashion” (Selke). Since it originated in the 1970’s, hip-hop has had profound influence on society, and has grown into the lives of listeners worldwide; hip-hop’s influential power is astonishing. Within the last decade, hip-hop artist like Jay-Z, Nas, and Young Jeezy helped to increase voting in the 2008 presidential campaign by informing a hip hop audience consisting of a majority of African Americans on soon to be 44th President of the United States, by using their voice and lyrics as their tool to encouraging people to stand up for a change by voting. According to Emmett Price in his book Hip Hop Culture (2006), “in the early years prior to the rise of recorded rap music via Sugar Hill Gang’s controversial “Rapper’s Delight” (1979) hip-hop was a growing culture driven by self-determination, a love for life, and a desire to have fun [through entertaining fans and expressing themself].” (Price) Although artists today accomplish the same things, the focus of the lyrics has changed consisting of “extolling violence, drug and alcohol use, and detailing sexual exploits” (Selke). If one were to observe the most popular music from artist in the 80’s until now, they would notice a definitive change in its overall message. If hip-hop continues on its current route it will become a musical genre known solely for its references to sex, drugs, and violence.
It is also very important for people to know about this topic because the issue is not only about drugs but also the growth of inequality between the rich and poor, black and white, upper class and lower class in this country. The war of drugs deals with issues about why they were passed through congress and if there were motives that deals connect directly to black communities. The issues where brought about in Dan Baum book entitled “Smoke and Mirrors” where John Erlichmann, the chief domestic affair advisor talk about how the Drug War fever has been escalated and manipulated from its modest beginnings at the start of the Nixon administration and clarifies the various interests which that escalation has served. He talks about the Drug War on “blacks” and “hippies” but politicians could not say that so had to say the War on “heroin” and “Marijuana”. He also said that “We knew drugs were not the health problem we were making it out to be, but there were political benefits to be gained." This shows that there is more to the war of drugs that the government is letting on.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
References to illegal drugs use in rap music jumped sixfold in the two decades since 1979. Previously, rap music was more likely to depict dangers
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
The drug use behavior for teenagers has become a main problem today in the relation with hip-hop music. Although hip-hop culture do not directly effect on teenager’s performance in academic, many of them have been reported by creating trouble in the society. In the article, Taste clusters of music and drugs: evidence from three analytic levels, it describes that the hip hop culture has led teenagers to adopt with the relationship of substances use. The author determines that hip-hop culture can share a common affinity for marijuana use. The research discovers that USA has found the evidence by tying hip-hop with particular drug use. From the literature research demonstrate in Kubrin’s content analysis (2005:375-72006), some hip-hop music provides an “interpretive resource” for feelings of injustice. Therefore, the researchers believes that the clustering of hip-hop has high expectancy of drug use more than generally. The research’s result shows that the level of individual-level survey data or self-reported with drug use with hip-hop listeners have 28 percent for marijuana, 65 percent for alcohol, and 46 percent for cigarettes. Therefore, the research finds significantly higher use with marijuana and other substances by the musical preferences on hip-hop music. The researchers conclude that musical preference of hip-hop by youths