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Impact of hip hop
Hip hop's impact on America
Essay on hip hop and politics
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Hip hop is often criticized for moving away from its roots, becoming detached from its socially and politically conscious beginnings. Modern hip hop is dismissed as being sexualized, drug-induced, and violence promoting. While this view may hold true at times, many ignore the political and social activism by those in the world of hip hop. Greg Tates essay How #BlackLivesMatter Changed Hip-Hop and R&B in 2015, the book chapter Hip Hop, Food Justice, and Environmental Justice by Nocella II et al., and Tricia’s Rose’s book The Hip Hop Wars, provide examples of hip hop social and political activism. Hip hop political activism has been reignited by the #BlackLivesMatter movement. Rappers being used as a middle man for communicating complaints of …show more content…
Hip hop’s positive political and social contributions are also supported by those who don’t create the music. The work of “Journalists , bloggers, activists, teachers, students…suggests that there is a diverse, invested, and significant group of people who are part of hip hop but willing to challenge and revision it” (Rose, 246). Those who work with and listen to hip hop are not innocent bystanders, and have the view that they have responsibility to keep its morals and messages in check. Popular music review sources like Rolling Stone or Pitchfork may be promoting music by writing about it on their respective sites, but they also play an important role in criticizing its problematic content. Music blogs spark discussions on social media platforms by creating articles that make people think about what they are listening to. Without the guidance of these discussions, some listeners may have offensive content go over their heads, or even normalize it to them through repeated listens. When journalists write articles about controversial music, they owe it to the public to break down the lyrics and actions of the artist who create it. People like journalists who create content about hip hop actively shape how society views the genre, and what positive things can come from it. Many discussions about race in today’s society arise from conversations about the lyrics or actions of hip hop artists. Without the analysis of the music by non-artists, the messages from the artists may get marginalized by only being heard by a core fan group. Instead, anyone who has access to articles about the music can join in on the conversation, learning from and using the lessons from them. Outside sources allow the dialogue of hip hop to crossover racial and social
Hip Hop’s according to James McBride article “Hip Hop Planet” is a singular and different form of music that brings with it a message that only those who pay close attention to it understand it. Many who dislike this form of music would state that it is one “without melody, sensibility, instruments, verse, or harmony and doesn’t even seem to be music” (McBride, pg. 1). Though Hip Hop has proven why it deserves to be called music. In going into depth on its values and origins one understands why it is so popular among young people and why it has kept on evolving among the years instead of dying. Many of Hip Hop values that make it unique and different from other forms of music would be that it makes “visible the inner culture of Americas greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, pg. 8). Hip Hop also “is a music that defies definition, yet defines our collective societies in immeasurable ways” (McBride, pg. 2). The
Watkins, S. Craig. 2005. Hip hop matters: politics, pop culture, and the struggle for the soul of a movement. Boston: Beacon Press.
Has Hip-Hop given us a warning of change or is it simply a part of musical evolution? In “Hip Hop Planet” by James Mcbride he argues that hip hop is destructive to our society. Hip hop provides a variety of beats, intense rhymes, and yet provocative language. The author has many negative views on the genre but sees some positive influence. With this said, his warning to our future generations can be challenged. Hip hop can have a negative impact on young adults but it also provides large amounts of support to people who struggle with similar complications.
Hip hop’s rise to popularity has come at a price. It has been put under a magnifying glass as a result of its commercial success. Hip hop’s critics and fans alike have commented on the current state of hip hop through opinion pieces and books. Tricia Rose’s observation that “Hip Hop is in a terrible crisis” in her book The Hip Hop Wars Rose paints a picture of a culture in a dilemma. Rose describes an example that causes hip hop’s current state of crisis: how people discuss hip hop.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Since its emergence in the South Bronx in the 1970’s, hip hop has spread to both urban and suburban communities throughout the world. Once an underground genre of music, it is seen in commercials, movies, television shows, etc. It has transformed from music and expanded into a full culture. It has even made its way into fashion and art. Men have always been on the front line of Hip Hop. However, the lyrics and images have changed tremendously. Lyrics and images that once spoke upon the injustices and empowerment for the African American people is now filled with money, cars, jewelry, and of course women.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .