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Evolution of rap music and its effect on society
Culture impact on rap
Society effects on rap/hip hop
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On October 7th, shortly after ‘Stanford Rapist,’ Brock Turner, was released from jail, President Obama signed the Sexual Assault Survivor Bill of Rights into a law. In this act, our first black president gave hope and assistance to rape victims. However, these milestones that America has reached are far from the examples set in the rap industry. Within the genre of rap, there is an underlying, troubling culture that has emerged and grown throughout the continuous business of rap: rape culture. This violent, controlling culture exists when the act of rape or sexual assault is moralized and victim-blaming, such as “what was she wearing?”, “was she drunk?”, and “why didn’t she report it sooner?” It is also cultivated in the need for power and …show more content…
While the two are often combined for convenience within music stores, they, in themselves, are actually not equivalent. Hip hop is a culture, a widespread phenomenon that has spread across the continents with a variety of different elements - one of those elements just so happen to be rap. While one fourth is a considerable part of a culture, it is not the entirety of it. According to Flavor Flav, even the small portion of the culture that is rap music “has slowly lost” the hip hop element, becoming “a slow tempo” instead of “something that makes you wanna get out there and breakdance” (Shaw). Whether or not this opinion is agreed on, it’s understandable noticing the disconnect between a music genre about outlandish and materialistic things, and a revolution to uplift and make a name for …show more content…
Edgar Tyson developed a study, the Rap Music Attitude and Perception (RAP) Scale, that measures the effect of such violent and visual lyrics presenting in rap music. This 24 item instrument is the “only tool available to access an individual’s attitude toward and perception of rap music lyrics.” Ruby Gourdine and Brianna Lemmons further evaluated this study that incorporated the constructs to measure “violent, sexist, and misogynistic images conveyed in the lyrics.” They used this survey to examine students’ perceptions and attitudes of the shown content. Using a “meta-analysis approach”, Brook Bretthauer and her colleagues found that “listening to music generates an effect on listeners consistent with the content of the music,” in a follow-up study of Dr. Tyson’s research. This result is highly dangerous given the amount of “power over, objectification of and violence against women” that is showcased in rap This 2008 study applied the term “priming” to determine “whether music serves as a mechanism to ‘prime’ someone for subsequent actions and behaviors,” and in turn, react to, incorporate or reject the media content into the listener’s life (Timmerman et. al., 2008, p.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
Hip-hop is one of the major music genres of today like the blues were in the 1950's. Stanley Crouch views hip-hop as being vulgar and obscene while he sees the blues as being one of the classic music genres. In actuality, these two genres are similar in many ways.
Is music powerful enough to incite antisocial and violent behavior? According Johnson, Jackson and Gatto’s study on the deleterious effects of exposure to rap music, subjects in the violent exposure conditions (rap music) expressed greater acceptance of violence. Subjects in the violent exposure condition also reported a higher probability that they would engage in violence (Johnson). Music plays an i...
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
Hip-hop music is a popular type of music admired highly across the globe for its famous style, art and mode of expression. This highly admired music genre can include love, broken families, racism, hard times, sexism and adversity as its main theme. It has the power of evoking a different kind of mirth and sentiment in you. When it is sung at its full peach with a DJ, the listeners become ecstatic. If you are music lover or fond of pop song, you are sure to reach a different kind of state- a state of forgetfulness that is far ahead of the common ebullience of life and rustic mirth.
Oswald, Janelle. “Is Rap Turning Girls into Ho’s?” The Black Book: A Custom Publication. 3rd ed. Ed. Sam Pierstorff. Modesto: Quercus Review Press, 2012. 171-175.
Notably, hip-hop is the culture from which rap music emerged. According to Keyes, rap music is a musical form that makes use of rhyme, rhythmic speech, and street vernacular, which is recited or sung over a musical soundtrack (Rap Music and Street Consciousness, 1). Rap is a combination of MCing and DJing, which are two of hip-hop’s four
Music is one of the most powerful and influential language which to many people in
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
"I think the element of hip-hop left when rap music started being created on a slow tempo...It just stayed there for years. Right now, a lot of rap music today is being created at very low tempos. There 's no more of that 'wave your hands in the air like you just don 't care ' - you know, something that makes you want to get out there and breakdance...Rap music has lost that element right now, mainly over in America. There’s not too many great hip-hop records out there, but there are some great rap records.” (“The Difference Between Rap & Hip-Hop,”
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
When you hear the expression "Hip-Hop ", music, moving, rapping frequently ring a bell. All things considered, it's the greater part of that and more...Hip-Hop is a culture. As per Webster's word reference, culture is characterized as "the ideas, propensities, aptitudes, expressions, instruments, organizations, and so forth of a given people in a given period; development." One craftsman characterized Hip-Hop as "an arrangement of articulations in vocalization, instrumentation, moving and the visual expressions." All the more particularly, hip jump is a mix of graffiti, break dancing, djing and mcing (otherwise called rapping), that makes a way of life with its own particular dialect, style of dress, music and outlook that is consistently advancing.
Originating in the urban Bronx area of New York hip-hop culture emerged in the 1970’s as a way for minorities to form identifies and social status. Contemporarily, hip-hop has evolved to contain numerous activities such as, “spoken word poetry, theater, clothing styles, language, and some forms of activism,” (Petchauer). Also, in his Journal of Black Studies, author Tobey S. Jenkins states that the core framework of hip-hop culture consists of five elements, and those elements are, “the B-boy/B-girl (dance or break dance), the emcee (voice), the DJ (music), graffiti (art), and knowledge (the consciousness),”(Jenkins,2011). Jenkins also states that it is common for society to replace these elements when a person is to affiliate themselves with a product of hip-hop by five core stereotypes of the Black male hip-hop artist: “the nihilistic, self-centered, caked-out mogul with a god complex; the uneducated, lazy, absentee father; the imprisoned and angry criminal;
Richardson, Jeanita W., Kim A. Scott. “Rap Music and Its Violent Progeny: America’s Culture of Violence in Context.” The Journal of Negro Education 71.3 (2002): 175 – 192.
Hip Hop is defined as: “subculture especially of inner-city youths who are typically devotees of Rap music, graffiti, break dancing, and DJing”. If one asks a fan of Hip Hop what the definition is to them, then one might get something deeper. Some fans define Hip Hop as a culture that consist of many of its own subculture and its knowledge of the history and principles of Hip Hop. Hip Hop can also be defined as an expression of the relationship between urban ...