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Effects of hip hop in todays culture
Effects of hip hop in todays culture
Effects of hip hop in todays culture
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Hip Hop culture has come from a inner city expression of life to a multi-billion dollar business. At the beginning of the new millennium it was the top selling genre in the pop charts. It had influences not only on music, but on fashion, film, television, and print. In 2004 Hip Hop celebrated its 30th year anniversary. It wasn’t big for the fact that it was still kicking. It was big because the once Black/Brown inner city culture had grown into a multi-billion dollar global phenomenon (Reeves). Hip Hop culture has provided a platform for all walks of life to speak their mind. Over the past 36 years it has provided us with both entertainment and controversy alike and had a huge impact on our nation’s history. ` The History of Hip Hop During the late 1960’s and early 1970’s when the Civil Rights Movement was at a high, many minorities went to the streets and used what was called “strategic offense” to call out the discrimination happening throughout the country. Many gathered to collectively attack the political system in America. When Robert Moses finished the Cross-Bronx Expressway in 1963, 60,000 homes were diminished. Shortly after the Title 1 Sum Clearance Program was put into place and once houses became large apartment building complexes which were available at a very low price. In1968 the Co-Op City offered 15,000 new apartments for a low price which was a large attraction for many middle to lower class Latino/as, African Americans, and Carribeans. The Bronx quickly started to become known as a city of despair. During the early 1970’s, the value of real estate was quickly descending and falling into the hands of slumlords. From 1973-1977 there was an average of 12,00 fires reported each year in the Bronx. After a black o... ... middle of paper ... ...far as to the President’s doorstep at the White House (Price 44). A group of teenagers parent’s rebelled against the lyrics in many albums and are the reason for the “Parental Advisory Explicit Content” that appears on many CD’s. If one was to argue that Hip Hop has not had an effect on American Society, I would ask them what did have an effect? Because it has forced the president to make decisions, forced parents to rebel, artists to be sued, and people to be killed. Though many negative and controversial aspects have risen about Hip Hop, it has been one of if not the most popular music genre over the past 30 years. It has turned into a muli-billion dollarg business and given many struggling people a way out of their hardships. Over the past 30+ years, Hip Hop and its culture has effected American Society in more ways than one and helped write our nation’s history.
Watkins, S. Craig. 2005. Hip hop matters: politics, pop culture, and the struggle for the soul of a movement. Boston: Beacon Press.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
As hip hop culture became prevalent in pop culture, so did black culture. Hip hop stems from black struggle. Their vernacular, songs, and spiritual ways were different from what whites were used to. Their different lifestyle of “living on the edge” was intriguing yet inaccessible for the whites living among them. Thus, this initiated America’s fascination with the culture. It became about what people assume and perceive about black people rather than what they actually are. In essence, an essential to cool is being on the outside, looking in. In the media and celebrities today,
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.
Jonnes, Jill. “South Bronx rising: the rise, fall, and resurrection of an American city.” New York: Fordham University Press. (1986).
All of the articles dealt with hip hop as an industry and how that industry is portrayed to African Americans through the commercialization of hip hop and stereotypes in society. The articles also discuss how that portrayal influences the opinions of African Americans to others and themselves.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
After concluding how some forms of hip hop can shape society, the ways societal attitudes shape hip hop must be addressed. In the introduction of his book Noise and Spirit, Pinn outlines the evolution of hip hop from the cultural form that brought identity to enslaved African Americans in the form of spirituals to current rap music which celebrates individuality and materialism (Pinn 3). Through this analysis, Pinn contends that hip hop sustained its commitment to combatting racial discrimination and other forms of oppression, but over time the societal attitudes and the subjects of oppression have shifted (Pinn 2). Similar to the racism explored by Pinn, homophobia is neither universally endorsed nor rejected by society. In 2001, the Pew Research Center reported only 35% of people supported same-sex marriage, however; in another poll fifteen years later, 62% of Americans reported to support the legalization of same-sex
Defining ‘culture’ presents controversy. Hebdige called it ‘a notoriously ambiguous concept’ and Williams ‘one of the two or three most complicated words in the English language’. This essay will argue to what extent hip-hop ’s audience reflects African and African American cultural practices. Largely fueled and created by African Americans, materialism and attainment of conspicuous possessions became important which emerged a subculture in urban environments.
As a team, we have chosen Option d, the team project and Option 5 making a presentation by using both the video and website. Our topic is about Hip Hop cultural. Since hip-hop has emerged from 1970s in the black American community, it now becomes a global youth cultural movement. Hip-hop is a combination with different unique elements, including the . DJing, MCing, Breaking, Graffiti Art, and Beatbox. Those five elements act as a significant foundation of the hip-hop culture and become one of the mainstream entertainment in America, particularly for the suburban youth. Even though the hip-hop culture has already become a global language and change the thinking frame of racial, ethnic, cultural, linguistic and cultural forms, in Hong