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Themes in hemingway's writing
Hemingway's use of symbolism in Farewell to Arms
Hemingway's use of symbolism in Farewell to Arms
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Hills Like White Elephants: Will the child come?
In the 1920’s abortion was a taboo idea and many frowned upon it in the United States. “Hills Like White Elephants” is another one of Ernest Hemingway’s short stories that may seem very simple, but has many underlying symbols and lead the outlier to reread the story to find the symbols and hidden meanings. A lot can be assumed when reading “Hills Like White Elephants” and if you understand how Ernest Hemingway thinks using his “Code Hero’ way of thinking, you can see that The American and Jig will soon be having a child. By analyzing a few symbols seen throughout the story; White Elephants, the description of Jig as a girl and not a woman, and the bead curtain we will conclude with the fact
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that Jig decided to not have the abortion that the two characters are talking about. “Hills Like White Elephants” seems to be a simple read with the ending of the story leaving much to the imagination. The very beginning starts with the main problem being addressed when the girl describes some far distant hills looking like ‘White Elephants’. White elephants were used by kings in Thailand to punish people because although they were gifts, they were difficult to maintain and burdensome. Originally white elephants were of great value. Albino elephants were once considered sacred in what is now Thailand. They were so rare that each one born automatically became the property of the king and was not permitted to work. When a subject incurred the king's displeasure, the angry monarch would give one of his white elephants to the object of his ire. The enormous appetite and utter uselessness of the white elephant would soon plunge the "gifted" man into financial ruin. (Tucker, Don) The girl, Jig, describes the hills as white elephants. Later, Jig says ‘They’re lovely hills, they don’t really look like white elephants. I just meant the coloring of their skin through the trees.’ This can be seen as the start of a transition from thinking of the pregnancy as a burden, to only seeing it as one but not truly believing it. Jig is not the only character that goes through a transition. The American can be seen changing his mind in the end as well. For those familiar with Ernest Hemingway’s code hero, you can find that the man in the story is resembled as another one of Ernest Hemingway’s Mans Man. Many stories of his are said to be his life written in fiction. “Hills Like White Elephants” is no exception, Hemingway defined the Code Hero as "A man who lives correctly, following the ideals of honor, courage and endurance in a world that is sometimes chaotic, often stressful, and always painful." He measures himself by how well he handles the difficult situations that life throws at him.
In the end the Code Hero will lose because we are all mortal, but the true measure is how a person faces death. He believes in "Nada," a Spanish word meaning nothing. Along with this, there is no after life. (Gillani)
In “Hills Like White Elephants” we see the American as this stoic, adventurous man who drinks and lays with women but is fighting the pregnancy as if it is a problem and assumes it will stop his drinking and adventurous ways. Although some see pregnancy as this amazing time he sees it as chaotic and stressful, described when he tells Jig, “You know how I get when I worry” and ““But I don’t want anyone but you. I don’t want anyone else”. The American does go through a small transition at the end, and it is brought to us by the bead
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curtain. The waitress in the story is immediately mentioned to us as a woman and Jig is identified as ‘the girl’, separated the entire time by the bead curtain. We notice Jigs young attitude when she tries to elicit a response from the American saying, “I don’t care about me”, (Hemingway) Ernest Hemingway is giving us a glimpse of her young and naïve attitude toward the situation. As Meg Gillette states Jig is,” an unsophisticated "girl" characterized by such maternal attributes as intuition ("'I just know things') and self-sacrifice ("'There's nothing wrong with me. I feel fine'") (Gillette). Ernest Heming way leaves open to the fact that although she is naïve, she has to possible attitude of motherhood and starts leaning towards the fact that keeping the child would be better and is described when Ernest Hemingway’s character gets up from the conversation about having the abortion and walks to the end of the train tracks and look sat ‘the other side’. Jig can see fields of grain and tress along the banks of the Ebro. She says “And we could have all this, and we could have everything and every day we make it more impossible.” Afterwards they go back and forth and the American tells her to step back into the shade. Meaning she was in the light and could see what it would be like. From here the story redirects from conversation to Jig asking about having the child, “Doesn’t it mean anything to you, we could get along”. At the end of the story we see everything come in to place.
From Jigs transition into thinking they could have the child and “get along” we notice the transition the American makes as well, when he goes to the ‘other side’ of the tracks and finally goes into the bar. As described earlier, the other side of the tracks are where Jig saw the fields of grain and the Ebro. The man unknowingly walked into his decision. After all, he did reaffirm to Jig that “I don’t want you to do it if you don’t want to”, after she asks “Doesn’t it mean anything to you” he replies “Of course it does”. (Hemingway) Ernest Hemingway is asserting that no matter what Jig decides, the man will be there. We can translate this into his code hero, by being courageous even when he sees it as the death of his way of life. Once the man puts the bags down there are three important factors that come into play. He look sup the track but does not see the train and he goes into the bar, something that had separated the two from the very beginning was the bead curtain. Not seeing the train gives us the idea that they couple ultimately des not decide to go to Madrid and there for does not have the abortion. When he returns from the bar he also walks through the curtain, which was seen as a barrier the entire time in the story. This is his transition that he listens to Jig and in the end understands that she is wanting to have the child. Code hero tells us that the man will be courageous and in the end lose to the
chaos, in this case the pregnancy and the fact the child will come.
The main characters’ conflict over not wanting the same things in life is the root of the women’s disillusionment. The theme is furthered by the complication of the antagonist manipulation of the Jig’s feelings for him. Similar to Cisneros’s written work, Hemingway uses the narrative point of view to illuminate the growing disillusionment the women feels about not being able to have everything if she terminates the pregnancy. Hemingway leads the audience to this conclusion when the protagonist states “no, we can’t it isn’t ours anymore… Once they take it away, you never get it back” when referring to her disappointment that the antagonist will not change his mind and they can no longer have everything they ever wanted
Ernest Hemingway has a superbly unique style of writing in Hills Like White Elephants. His short, to the point syntax and sentence style plays a great role in helping readers understand the theme of this short story. The critique M.A.K. Halliday observed, “The story is frequently generated by the repetition of words, clauses, and groups of related words or ethical sets” (Link, Alex). The first set of dialogue that can be pulled from this story is story is short and to the point. The American states, “We can have the whole world.” Jig replies with “No, we can’t” (Hemingway, Ernest). The sentence length is very short, yet there is a hidden meaning behind the small talk. Jig is referring to not having the baby. She can have everything, but her will to decide things. She can’t have a baby due to unloving pressure from the American. It is in sync with the tone of the story perfectly. The tone is forward, direct, and shallow. That is exactly what happens in this dialogue. There is no emotion, just pure sarcasm on a huge topic. Abortion to this couple is nothing more then a qui...
In Hemingway’s “Hills like White Elephants” and Wallace’s “Good People,” both of the young females, Jig and Sheri, experience an unplanned pregnancy and must decide whether an abortion is the right choice. While the former story employs dialogue to depict the relationship of an adventurous, carefree couple in the 1920s, the latter uses third person limited point of view to show a faithful young couple whose religion is their source of morality. Thus, Wallace digs much deeper since both religion and love are a factor in Sheri’s ultimate decision. The enigmatic endings of both stories leave us questioning Jig and Sheri’s choice and its impact on the future of their relationship with their respective partners. The text suggests that Jig will not comply with the American’s wish of aborting the baby because of her vision and the indicative dialogue between her and the American, and Sheri will conform to her religious beliefs and carry the child.
There is a common theme in “Hill’s like White Elephants” and “The Birthmark” of a life altering decision. Both women are thinking about having an operation that will affect them for the rest of their lives. In “Hill’s like White Elephants”, Jig and the American are debating whether or not they should have an abortion. This decision is something that will affect both of them deeply throughout their lives together. By the way the two characters interact with each other the reader can deduce how important they feel the operation is. There seems to be a tension in their sentences with each other. Jig says things like “Everything tastes of licorice. Especially all the things you've waited so long for” and “That's all we do, isn't it-look at things and try new drinks” (Hemingway 841)? These responses to the American show that Jig is in a distasteful state of mind which would most likely stem from her thoughts about the operation and what they will do in regard to it. Because these thoughts of the operation are affecting her socially, it shows just how important the operation is to her. How Jig interprets the scenery around them while they are discussing the operation also suggests the importance ...
Hemingway, does not, however, tell us that there is in fact an abortion. Jigg and her lover lead a very simple life before they are forced to consider a solution to their situation. “That’s all we do, isn’t it—look at things and try new drinks?” said Jigg (Hemingway 2). With the “awfully simple operation” (Hemingway 2), however, their entire world will be turned upside down. The American reassures Jigg “It’s really not anything…” and the entire process will be over in a few minutes; everything will be completely natural and fine. Yet Jigg, worried about their life together afterwards, asks the American what will happen. He responds, “Just like we were before.” (Hemingway 2). This leads one to believe absolutely no change will happen, at least in the eyes of the characters. In the story of Jigg and the American, there is what some consider a death (abortion) and what some simply consider an operation. Jigg is worried things will change from the way things were between herself and the American. The American continues to reassure Jigg that by having the “perfectly natural” operation things will go back to normal and “We’ll be fine afterward.” (Hemingway
Hemingway also uses immorality as the central idea. The American is trying to convince the girl to abort: ‘“I have known lots of people that have done it…. ‘But if I do it, then it will be nice again if I say things are like white elephants…‘I’ll love it” I just cannot think about it” (596,597). Here one sees how the man manipulates the girl.
Hemingway has created a situation where she is forced to depend on him because she is a young, immature, girl in an adult situation. It is when the American tells jig that “we will be fine afterward. Just like we were before, it is the only thing that bothers us. It’s the only thing that’s made us unhappy” that she realizes nothing will ever be the same no matter what he says. During one discussion she says “we could have everything” the man agrees, then she says “no we can’t it isn’t ours anymore and once they take it away, you can never get it back.” He says “But they haven’t taken it away” and her response is “we’ll wait and see.” The American doesn’t realize that at this point she has discovered that if he cannot love her and be happy while she is pregnant how he will ever truly love her as much as she loves him. According to Robert Barron many critics believe that the couple’s relationship has a bleak and ultimately poor ending (Barron). The older waiter in “A clean, Well-Lighted Place” is dealing with a similar situation when a wealthy old man who is a regular at the café he works at comes in after a failed suicide
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
‘Hills Like White Elephants’ is a short story authored by Ernest Hemingway about an American and a girl named Jig. In the story, the two are sitting in a train station waiting for the train to Madrid. While they wait, they have an intense ongoing debate on whether or not to abort Jig. At the end of the story, the train is about to arrive and the man carries luggage on the tracks as they prepare to leave. The end of the story does not clearly define the outcome of its decision. She said I feel good at the end of the story - happiness is a central theme of the story, but we wonder if she went through with the operation. The paper discusses the manner in which symbolism has been employed in the story to communicate about an abortion, the couple is considering to go through.
The story "Hills Like White Elephants" is a conversation between a young woman `Jig' and an American man waiting for a train at a station in Spain. The author never names the topic of their discussion but as their dialogue progresses; it becomes evident that Jig is pregnant. The man wants Jig to abort the unborn child but she is unconvinced and wants to become a mother. Hemingway has brilliantly written the story's dialogue which "captures the feel of a private conversation while at the same time communicating the necessary narrative background" (O'Brien 19). At the end of the story, it is unclear as to what decision has been made; however, Hemingway gives the reader several clues regarding what Jig feels, and what she wants to do. Jig's private thoughts are illuminated by Hemingway's description of the setting, the character, and the conflict. Stanley Renner suggests that, as a result of the couple's discussion, "Jig has become able to make a more clear-sighted estimation, and perhaps a better choice, of men" Wyche(59). The couple's inability to communicate effectively their true thoughts and emotions makes their dialogue very appealing. The story examines the gender differences and miscommunications as they influence the decision whether to abort the unborn child or not (Smiley). In his book on Hemingway, published in 1999, Carl P. Eby points out that "[f]or the past two decades, Hemingway criticism has been dominated by a reconsideration of the role of gender in his work" (Bauer 125).
In the story, "Hills like White Elephants" written by Ernest Hemingway, the main character Jig faces a life changing event, abortion. The struggles with the complications of abortion concern and desire Jig to want to keep the baby. Bringing a new life into the world is a long time commitment and it is something Jig feels she can treasure forever. However, her companion attempted to persuade her in another direction, to proceed with the abortion. As naïve as he is, he feels his persuasion can overcome Jig's desires. Jig is a sarcastic yet reserved woman, who desires to bring a new life into the world, even if her companion does not approve; she knows what is best.
In Ernest Hemingway’s “Hills Like White Elephants” the character Jig is submissive to her counterpart The American Man, who is encouraging her to have an abortion. While Jig is not sure what she wants, she does not wish to press the subject of the operation because The American Man is intent upon persuading her to go through with the procedure. Throughout this story Jig’s helplessness, indecisiveness, and her lack of education become apparent, although by the end of the story she becomes confident, decisive, and ultimately takes back control of her decisions and life.
Analysis of Hills Like White Elephants by Ernest Hemingway In “Hills Like White Elephants” Ernest Hemingway relies on symbolism to convey the theme of abortion. The symbolic material objects, as well as the strong symbolic characters, aid the reader’s understanding of the underlying theme. The material objects that Hemingway uses to convey the theme are beer, the good and bad hillsides, and a railroad station between two tracks. The beer represents the couple’s, “the American” and “the girl’s”, routine activities they do together.
...ings from a metaphorical perspective. They are advised that the train will arrive in five minutes; meaning while they are at the height of their clash their decision must be made almost immediately. After a moment the American picks up "the two heavy bags and carried them around the station to the other tracks"(146) from their initial position on the side with the stark, ominous hills, thus signifying his affirmation of her wishes. He takes, what is to him the emblem of their past life together, his "baggage", and brings them to her side of the tracks, the side of life. They've both chosen the same direction in life. Though the text itself does not implicitly reveal their final decision, Hemingway's use of symbolism within the setting make their choice crystal clear: she decides not to have an abortion, and he, though not without staunch reservations, acquiesces.
When a woman gets pregnant, she and her partner make a serious decision whether they should give birth to the unborn child or abort it. However, sometimes every couple can have a different outlook about giving birth or aborting because every male and female has his or her ways of thinking. In “Hills Like White Elephants,” the author, Ernest Hemingway tells a story of an American man and his girlfriend, Jig, who have a disagreement in the train station on the subject of whether to keep the unborn child or to abort. However, the author uses binary opposition of life and death to portray the polemic argument a couple encounters regarding abortion. As a symbol for the binary opposition of life and death, he represents the couple’s expressions, feelings, and the description of nature.