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Critical interpretation of the yellow wallpaper
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Ghosts and unseen forces cause nervous glances over the shoulder, the heartbeat to quicken, and provoke one to hide under a blanket, but what if the unseen forces were not the cause of the terror, can the mind create so much fear that we see things and create demons that truly terrify? “The Yellow Wallpaper” by Charlotte Perkins Gilman puts this scenario on display for her audience as the wallpaper haunts the unnamed narrator. As her mind slowly plays tricks on her, she starts to see things, impossible things within the paper. Suffering from an unknown ailment, possibly postpartum depression, the disease and the time she spends alone contribute to her descent into insanity. When she and her husband move into a rental home, she reveals an instant aversion to the wallpaper in her bedroom, and throughout the story her loathing of the wallpaper slowly becomes an obsession. “I’m getting really fond of the room in spite of the wall-paper. Perhaps BECAUSE of the wall-paper. It dwells in my mind so” (Gilman)! Trapped in her own home and mind, she is haunted by something other than ghosts and demons, and that, is more terrifying than could even be imagined.
Watching the narrator lose her sanity can be more terrifying for the readers than simply looking for an otherworldly being or a logical explanation. In “The Yellow Wallpaper” she is aware of her revulsion to the wallpaper, and yet, is unaware of the haunting consequence it has on her mind. “He thought I was asleep first, but I wasn’t, and lay there for hours trying to decide whether that front pattern and the back pattern really did move together or separately” (Gilman). Most stories try to terrify in a predictable, more traditional manner, “The Red Room” by H.G. Wells is terrifying i...
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...nternal struggle, is supremely unaware of the total effects the wallpaper has on her. Fear is the first ingredient in any horror story, but when mixed in with a demented mind, as was the narrators, terror truly takes on an entirely new meaning. The paranormal, ghosts, spirits and demons are intangible to anyone but the narrator, but as she dives headfirst into her own reality she takes the reader deeper into the world she resides, where she is allowed to creep, and the only thing left to do is to watch the terror unfold.
Works Cited
Perkins Gilman, Charlotte. The Yellow Wallpaper Nov 1, 1999. Gutenberg.org, ebook.
Rao, K. V. Rama. "The Yellow Wallpaper -- A Dynamic Symbol: A Study Of Charlotte Perkins
Gilman's Story." Poetcrit 19.1 (2006): 38-44. Literary Reference Center Plus. Web.
Wells, H.G. The Red Room. Oct 27, 2007. Gutenberg.org, ebook.
Until she sees a woman creeping behind the pattern one night tempting her to go see if the wallpaper is actually moving which is when her husband catches her. He always seems to talk down to her treating her like a child in this particular instance calling her “little girl”. In spite of this she sees this as an opportunity to talk to let him know her concerns informing him that she is not getting better as he so adamantly believes. Nevertheless, her attempts are futile for he dismisses her once more putting his supposed medical opinion above his wife’s feelings. The story takes a shocking turn as she finally discerns what that figure is: a woman. As the story progress she believes the sole reason for her recovery is the wallpaper. She tells no one of this because she foresees they may be incredulous so she again feels the need to repress her thoughts and feelings. On the last night of their stay, she is determined to free the woman trapped behind bars. She begins to tear strips of the wallpaper and continues to all night by morning yards of the paper are stripped off. Her sister in law Jennie offers to help but at this point the narrator is territorially protective of the wallpaper. She locks herself in the room and is determined to strip the wall bare. As she is tearing the wallpaper apart she sees strangled heads in the pattern shrieking as the wallpaper is being torn off. At this point, she is furious and even
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” 1892. Ed. Dale M. Bauer. Boston: Bedford/St. Martin’s, 1998.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
In the story “A Rose for Emily”, Emily Grierson the main character lives in a house where a horrible stench lingers. The stench began at the time of her father’s death thirty years prior. She was rarely seen outside of her home after his death. Her husband was then suspected of “abandoning” her. No one had entered her house for the last ten years nor had Miss Emily left it. The stench was found to be from her father’s dead body and her husband’s of which she had been sleeping with since she killed him. In the short story “Yellow Wallpaper”, the main character Jane was dealing with a slight nervous depression. Her and her husband John rented a small house in the country side in hopes of recovery. Her husband believed the peace and quiet would be good for her. In the house, she is confined to bed rest in a former nursery and is forbidden from working or writing. The spacious, sunlit room has yellow wallpaper with a hideous, chaotic pattern that is stripped in multiple places. The bed is bolted to the ground and the windows barred closed. Jane despises the space and its wallpaper, but John refuses to change rooms, arguing that the nursery is best-suited for her recovery. Because the two characters, Emily and Jane are forced to become isolated, they turn for the worst. Isolation made the two become psychotic. Jane and Emily became irrational due to their confinement. Being separated from social interactions and also their lack of abilities to participate in daily activities caused insanity upon the two characters.
Her mental state is again revealed a few pages later when she states, "It is getting to be a great effort for me to think straight" (Gilman 430). Related to thought disorder is obsession, which the protagonist displays in her relentless thoughts about the yellow wallpaper which covers her bedroom walls. The narrator begins her obsession with the yellow wallpaper at the very beginning of the story. "I never saw a worse paper in my life," she says. "It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study" (Gilman 427)....
Through the story "The Yellow Wallpaper," written by Charlotte Perkins Gilman, the main character is driven into a state of madness as a result of isolation. The narrator explains that she is suffering from a slight nervous depression, leaving her husband to treat her with rest. She and her husband moved to a house in the country house expecting improvement. During this time, she is placed in a solitary room with walls covered in yellow wallpaper against her will. The excessive abundance of social isolation that this character experiences brings her to an inevitable mental breakdown.
Gilman, Charlotte Perkins. "Why I Wrote 'The Yellow Wallpaper'" Ed. Catherine Lavender; The College of Staten Island of the City University of New York, Fall Semester, Oct. 1997. (25 Jan 1999) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html
Wohlpart, Jim. American Literature Research and Analysis Web Site. “Charlotte Perkins Gilman, “The Yellow Wallpaper.”” 1997. Florida Gulf Coast University
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
All through the story the yellow wallpaper acts as an antagonist causing her to become very annoyed and disturbed. There is nothing to do in the secluded room but stare at the wallpaper. The narrator tells of the haphazard pattern having no organization or symmetrical plot. Her constant examination of and reflection o...
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest.
Golden, Catherine, ed. The Captive Imagination: A Casebook on "The Yellow Wallpaper." New York: Feminist Press, 1992.
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.
Charlotte Perkins Gilman's "The Yellow Wallpaper" is a deceptively simple story. It is easy to follow the thirteen pages of narrative and conclude the protagonist as insane. This is a fair judgement, after all no healthy minded individual becomes so caught up with "hideous" and "infuriating" wallpaper to lose sleep over it, much less lock herself in a room to tear the wallpaper down. To be able to imagine such things as "broken necks" and "bulbous eyes" in the wallpaper is understandable, irrational and erratic designs can form rational patterns in our minds, but to see a woman locked inside of the "bars" of the wallpaper and attempt to rescue her seems altogether crazy. Her fascination with the wallpaper does seem odd to us, but it easy to focus on the eccentricity of her interest with paper and lose sight of what the wallpaper institutes: her writing. It is her writing that keeps her sane, the wallpaper that makes her insane, and from these two very symbolic poles the short story rotates. Gilman's short story is not simply about a lonely woman's descent into madness, but is symbolic of previous and contemporary women writer's attempt to overcome the "madness" and bias of the established, male dominated literary society that surrounds them.
The wallpaper, the narrator's obsession, destroyed the peace of mind for all parties concerned. The imagery, used in the short story "The Yellow Wallpaper", paints a vivid picture and the reader becomes a front row spectator to the mental deterioration of the narrator to utter insanity.