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Analysis of hidden figures
Nasa women in space essays
Analysis of hidden figures
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Moving and inspirational, Hidden Figures stars Taraji Henson as Katherine Goble, Octavia Spencer as Dorothy Vaughn, Janelle Monáe as Mary Jackson, and Kevin Costner as Al Harrison. A perfect modern piece of fiction, the film was expertly crafted by the director, Theodore Melfi who also directed St. Vincent (IMDb). Winning thirty one awards and nominated for seventy one more, Hidden Figures received awards from the Golden Globes, the Academy Awards, Screen Actors Guild Award, and many others. On the website Rotten Tomatoes, 229 critics commented with an overwhelming 212 supporting the movie in a four month time span while continuing to receive good reviews. Three talented, unique, and intelligent women, Katherine Goble, Dorothy Vaughan, and …show more content…
The film shows that determination will succeed in the face of prejudice. A computer for the space program, Mary Jackson could not achieve her dream of working at NASA as an engineer because NASA requires her to take extra classes at a local white high school; nevertheless, Mary went to the courts and succeeds. When Paul Stafford, a mathematician at NASA, coauthored papers with Katherine Goble, he refused to put her name on the paper; even though, Katherine contributed a large majority of the work until the end of the movie when they properly worked together after Katherine proved herself. Containing characters filled with hatred and dislike towards others, Hidden Figures shows that kindness from one person can change another's life. Slightly resigned, Mary immediately rejects the idea of applying to the engineer program saying “I am a negro women, I am not going to entertain the impossible,” but after an inspirational story, along with help from her boss, Mary, went down in history as the first african american female engineer in the history of NASA. After the space task force group did not have the need of a computer, Al Harrison gave Katherine Goble a permanent position so that she could continue to work for the space program and do valuable calculations otherwise she would have continued to be a computer and people would treat her with …show more content…
Because the film takes place in 1961, the directors purposely used props, music, and sets to give the film the feel of the 1960’s. When the directors found props and built backgrounds, they ended up using vintage cars, clothing, and props in order to give the audience a feel for the time period. To complete the feel of 1961, Pharrell Williams created an all new unique soundtrack based on music that topped the charts during the time that the film explored. Packed with history, the stories in Hidden Figures tells what happened in the past; consequently, the film uses real videos and pictures from history. In the 1960’s whenever a rocket was launched or a special event happened they got filmed;consequently, the movie contains several videos showing launches of real rockets and a speech by president JFK which makes the film seem realistic. At the end of the film three pictures, one for each of the main women in the film, shows on the screen but instead of the actresses in the movie, the real women show up in the photos which shows how real the stories actually are. Another important technique, camera angles can help the actors and director to exhibit emotion or make important points just by directing the camera a certain way. Running through NASA, Katherine attempts to go to the bathroom, but the camera angle
long shots. high-angle shots, and a lot of fun. spherical camera lens. These particular devices provide a glimpse at the realities of the oppression, poverty and despair of many of the American people during this time. From the start of the film it is apparent what time frame it is taking place in and the differences in the social stratification through the lack of colors.
Director D.W. Griffith used the creation of this movie to experiment with various new methods, bringing the movie to life by using both by using new, complex camera angles and editing techniques. [2]
Gender roles are very prominent in literature, in the past and in the present. Typically the men will be the characters with the dominant roles, or some sort of leadership roles; while the women are mild mannered and submissive. Tuck Everlasting was written in a time where women did not have a lot of dominant roles, however there was a strong push where women gained more roles and freedom. Tuck Everlasting is different than some of the other literature because it had equal gender roles. The men were not always the hero of the story.
Next, images of people's hands are shown, but no faces. This keeps an air of mystery and makes the audience ask questions again. To whom do the hands belong? The opening sequence of this film is full of parts of images. There are less camera angles showing a whole image than there are showing fragments of images.
The Kaleidoscope of Gender: Prisms, Patterns, and Possibilities written by Joan Z. Spade and Catherine G. Valentine is a book about the sociology of gender and the construct thereof. The writers use a metaphor of a kaleidoscope to illustrate their interpretations of the topic. A kaleidoscope is a toy consisting of a tube containing mirrors and pieces of colored glass or paper, whose reflections produce changing patterns that are visible through an eyehole when the tube is rotated. Utilizing the similitude of the kaleidoscope, this collection presents gender as a result of always transforming patterns get under way by prisms that underlie change, both straightforward and complex, bringing about an extensive variety of possibilities. The book
It is no secret that there is an obvious difference of how women are portrayed in the media versus men. This movie discussed female characters never having lead roles and stated that when they did it ended in the women depending on, loving, or having to have a man. One young high school girl said, “Women never play the protagonist. The girls are
Unlike the other women, the camera goes directly to her face and is at a level angle, which in cinematology creates the feeling of power or equality for the viewer. Her active female presence continues throughout the video. The next scene she appears in is when Kendrick Lamar and a bigger male are fighting over her, as they fight she stands behind and watches, then eventually interferes while laughing splitting up the fight (TDE Films). Which then leads into her taking Lamar's hand, and them “melting” into the road (TDE Films). This scene demonstrates the power a women holds over a man, and the use of visual effects emphasises the active female’s power.
In the final scene from Thelma and Louise the cinematographic effects are astounding. Panning, reaction shot, and dissolve are all used in the last section of the movie clip extensively. These three cinematographic terms are perfect for this clip because of the intensity they add to the scene. Through the use of panning, reaction shot, and dissolve the actresses portray two extreme emotions of desperation and the tranquility of freedom.
“Boys will be boys, and girls will be girls”: few of our cultural mythologies seem as natural as this one. But in this exploration of the gender signals that traditionally tell what a “boy” or “girl” is supposed to look and act like, Aaron Devor shows how these signals are not “natural” at all but instead are cultural constructs. While the classic cues of masculinity—aggressive posture, self-confidence, a tough appearance—and the traditional signs of femininity—gentleness, passivity, strong nurturing instincts—are often considered “normal,” Devor explains that they are by no means biological or psychological necessities. Indeed, he suggests, they can be richly mixed and varied, or to paraphrase the old Kinks song “Lola,” “Boys can be girls and girls can be boys.” Devor is dean of social sciences at the University of Victoria and author of Gender Blending: Confronting the Limits of Duality (1989), from which this selection is excerpted, and FTM: Female-to-Male Transsexuals in Society (1997).
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
Suggested roles of all types set the stage for how human beings perceive their life should be. Gender roles are one of the most dangerous roles that society faces today. With all of the controversy applied to male vs. female dominance in households, and in the workplace, there seems to be an argument either way. In the essay, “Men as Success Objects”, the author Warren Farrell explains this threat of society as a whole. Farrell explains the difference of men and women growing up and how they believe their role in society to be. He justifies that it doesn’t just appear in marriage, but in the earliest stages of life. Similarly, in the essay “Roles of Sexes”, real life applications are explored in two different novels. The synthesis between these two essays proves how prevalent roles are in even the smallest part of a concept and how it is relatively an inevitable subject.
Everyone has ambitions, whether they are as small as walking a block each day or as big as becoming president, everyone has them. In the movie Hidden Figures based in 1961, one of the biggest problems is racism, people fighting in the streets or people getting angry at work because of this inequality, for Dorothy, Mary and Katherine, it is at work. Work for Dorothy is having the job of a supervisor and she does not get paid the same as a supervisor. Dorothy’s self interest does not stop her from doing what she wants. Dorothy’s self interest influences her choices by making her take risks for equality and for her survival at NASA like when she steals the book from the library. Or when Dorothy sneaks into the IBM room so she can make it work
The film Hidden Figures Is a historically accurate story about three african american women working for the NASA. The movie was based off of the book ‘Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race”. The three women,Katherine Johnson, Dorothy Vaughan, and Mary Jackson, were considered “human computers” due to their vast knowledge. The “human computers” group was made up of mostly women who worked for NASA to see that our astronauts made their trip to space safely.
Society places ideas concerning proper behaviors regarding gender roles. Over the years, I noticed that society's rules and expectations for men and women are very different. Men have standards and specific career goals that we must live up to according to how others judge.
The camera angles and shots show the viewer the intensity of the tension and emotion of the scene. For example, when Mary petitions the court the camera goes from a mid-shot to a close up as the court gives her the right to attend night classes at the local high school, this camera shot shows Mary’s face of triumph and emphasized the great victory she won and the exhilaration that she felt. Using another camera angle, the directors use a tilt to shift from the view of John Glenn to the view of earth from space dramatizing and creating a sense of importance, awe, and beauty of space, which a human had never seen before. Music at key moments gives the viewer insight into the internal feelings of the characters. As Katherine runs to go to the bathroom, the song “Runnin” by Pharrell Williams plays, Katherine faces greater obstacles to working in the office; thus, the song shows viewers an internal view of frustration and persistence.