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Challenges of women in leadership roles
Theory on women leadership
Challenges of women in leadership roles
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A major influence in how people see themselves is through the movies. Popular films have always affected society in how we look at and treat ourselves and others. In movies, each type of person has a traditional type of role. Men are typically the heroes and women are damsels in distress. Lately, films have started to take a turn and have begun to feature films with strong leading females who represent the heroes of their own stories. One of these films is “Hidden Figures”. Adapted from 2016 New York Times Bestselling novel, this film shares the true story of three African American women who work for NASA and were responsible for sending John Glenn into orbit. By exposing the true heroic stories of these women, “Hidden Figures” has attempted to break down traditions and empower women everywhere to follow their hearts. “Hidden Figures” follows Dorothy Vaughan, Mary Jackson, and Katherine …show more content…
Their “untold” story became a beacon of hope that change is possible if we have enough nerve to try. Because Vaughan, Johnson, and Jackson stepped out of their traditional roles, they become their own heroes. Even though the hidden figure’s bosses and coworkers started out as antagonists, but they realized their wrong doing and changed for the better. This character shift in the antagonists’ break standard Hollywood traditions and add a dose of reality. By replacing these “old stereotypes with a much more interesting set of realities”, audiences will relate more and will walk away with a stronger sense of hope and inspiration (Cofer 184). This story, know known to all, shifts the standards of gender roles in modern movies. “Hidden Figures” empowers audiences, specifically young women, everywhere. Their message of overcoming the impossible inspires society to break traditions. Audiences are left with a message in their hearts that “once you [take] the first step, anything [is] possible” (Hidden Figures
Hidden Figures is a film, it is the untold story of African-American women that is working in NASA, where they are being discriminate in the film. There is a segregation of bathrooms, staffs, facilities and libraries. Katherine Johnson, Dorothy Vaughan and Mary Jackson worked as “human computers”. When Katherine was assigned to help calculate launch and landing trajectories of NASA’s Space task group on east campus, it is the start of the most hard time of her and her groups. The short film does a good try in showing how racism and discrimination, and integrity and teamwork affect and help us in achieving goals.
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
In the first paragraph of Laurie Penny’s essay “What to do when you’re not the hero anymore” she tells the reader how she recently went to see the new Star Wars movie. To her surprise a female character, Rey, fought off a bad guy as an equal. Hollywood has incredible power in how messages are portrayed in books, TV shows, and movies. It is no secret that media representation normalizes the reality of white male power. Penny explores how it is becoming more common to see a women lead in books, movies, and TV shows, rather than the stereotypical male.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
It is no secret that there is an obvious difference of how women are portrayed in the media versus men. This movie discussed female characters never having lead roles and stated that when they did it ended in the women depending on, loving, or having to have a man. One young high school girl said, “Women never play the protagonist. The girls are
This fieldwork aims to sociologically analyze gender roles and expectations within the movie White Chicks. In this film brothers, Marcus and Kevin Copeland, play the role of two black FBI agents looking to get back into good graces with their superior after they accidentally ruined a drug bust. They are assigned to escort two rich white females, Brittney and Tiffany Wilson, to the Hamptons for Labor Day festivities. While traveling they experience a minor car accident, leaving the girls with a single scratch each on their face. Because of their socialite status, the sisters no longer wish to continue their trip in fear of humiliation. The agents fear losing their chance of redemption, so they decide to disguise
In today's society there are many stereotypes of women in the media and what they are supposed to represent. This movie effectively portrays what women have to go through to be remembered for their story rather than their face. As a young reporter, Tally Atwater walks into the Miami station ready to do whatever is asked of her. Because her dream is to become a news ancho...
Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.
The documentary Miss Representation describes the struggle of female leadership. It is based on the way the women look, the way they carry themselves, and the way they brutalize themselves to fit in with others. This documentation allow different women to tell their ways that the media have slashed them, and allow others to stand up for women. Women portray themselves to fit as the image that has been altered with to get it to look that way. Margaret Cho explains that her show All American Girl was cancelled because she had problems with the network who aired the show because they constantly said was not thin enough. That is a prime example of today's problems with pursuing your dreams as an actor or pursuing your dreams as a model. You have to change your physical features to fit in, and if you do not you won’t get in.
On the big screen, women have often been treated as second-class citizens and portrayed as helpless creatures, waiting to be rescued by their Prince Charming. This gender gap came to a halt when The Hunger Games (Dir. Gary Ross) was released in theaters. The brave Katniss Everdeen (Jennifer Lawrence) - stood up for someone else – even when it meant risking her own life. The Hunger Games was not only one of the top grossing movies of the year, but it was also one of the very few movies where a woman was able to display her stability and willingness to fight. The Hunger Games, Divergent, and Gravity are some of the recent movies that show a woman’s much greater potential in life centering around: courage, nature, and recognition.
Gay suggests another way characters within pop culture are portrayed as unlikable or at least not powerful, is by being a person of color. As stated earlier, there exists a narrow conceptualization of womanhood and femininity, which primarily mirrors the privileged class, which dominates pop culture in terms of the books we read, television we watch, ads we consume, heroines we aspire to be, and music we listen to. However there does exist different identities of what it means to be a woman. In Punks, Bulldaggers, and Welfare Queens. Cathy J. Cohen imagines the contemporary view and power of women to be in relation to their homogenized identity. This meaning, to be a woman also depends on other factors of identity; to be a woman in relation to if you are poor or rich, black or white, gay or straight, queer or fall into the dominant class. Luckily, this understanding of womanhood has somewhat expanded. The scope of racial expansion somewhat increases by moving to include Gay’s idolized Black Miss America. Unfortunately, this expansion follows the privilege trend where only a certain type of green girl is able to satisfy the role of Black Miss America. A large issue that Gay has with representation of women of color is that they are tokenized, they are stereotyped, and they are grossly generalized. Instead of this poor misrepresentation of women of color, both Gay and Cohen seek, “a new political direction and agenda, one that does not focus on integration into dominant structures but instead seeks to transform the basic fabric and hierarchies that allow systems of oppression to persist and operate efficiently” (Cohen 165). Gay concludes that inclusion of women of color in pop culture fails to portray them as more than one dimensional characters. This lack of depth is attributed to the lack of respect that women of color face in real life as well. While the
Pretty Woman, 1990s Hollywood movie, embodies many new as well as old values and ideologies. I was surprised when I saw that, the old themes and sexual stereotypes are not completely abandoned, but the old portrayals of gender stereotypes are transmuted.
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 1). 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish.