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Modern conception of a hero
Modern conception of a hero
Heroism and the aeneid
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An Imperfect Epic Hero
Every culture has heroes. A hero is an individual to be admired and exulted because of his exemplification of the greatest virtues of the culture that he represents. In ancient Rome, the hero in a Virgil’s work, the Aeneid, is an outcome of both the culture from which the hero comes, and the culture of the author. Roman heroic values are reflected in both the actions of Aeneas and his motivations. In nowadays society, we tend to think a hero like someone who is courageous and valorous who has exceptional achievements. When reading The Aeneid one realizes that Aeneas expresses many heroic virtues. In fact, Aeneas is compassionate, encouraging, decisive, duty-bound and peaceful.
It is very common in the news to hear about people who sacrifice their comfort to make sure that others are comfortable. Aeneas is one of these people. When the storm caused by Juno wrecked their boat, Aeneas once he reached the shore, he went out to look for members of his crew that were missing and also brought some food back to his men. In addition, he even went to get more food before eating anything himself. This shows how unselfish and compassionate that Aeneas is. This is one most important characteristic that contemporary heroes exhibit. At the top of this Aeneas is very kind and faithful
Even during the hard time of the storm, Aeneas is encouraging to his comrades and he cheers them up. This shades light upon his resilience and faithfulness to his duty and also to his comrades. This shows us that Aeneas is not only a hero but also a great leader who leads by example. He is a type of leader who shows his followers that he is not afraid to do what he wants them to do.
In the Aeneid, Virgil tries to connect the foundation to ot...
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... are other significant authentications for his epic hero nature.
Though this is the case some people may not agree that Aeneas was an epic hero for simply the fact they do not like him. For instance, some people may not like Aeneas because he leaves Dido, but there was no way in his destiny that one of the founders of Rome was going to live happily ever after with the queen and founder of the Carthage kingdom. Furthermore, some other people may not like Aeneas because he doesn't seem to have the physical prowess of Achilles, but he certainly slaughters plenty of the enemy as it is shown through the Aeneid. All these do not undermine in any way the heroic traits of Aeneas such as compassion, decisiveness, piety to name but a few. In all these reinforce the fact that Aeneas is a human not a divine being; consequently he is not perfect but he is still an epic hero.
In both characters loyalty and dutifulness is a central ideal that they stick to. In The Aeneid Aeneas’ loyalty and sense of duty is seen in many instances, such as when they arrive on the shores of Italy and takes refuge Dido’s city of Carthage. While there, Aeneas and his people feast and live well, and Aeneas has the opportunity
Aristotle argues that friendship is a vital part of life. It serves not only as a means to bond individuals together, but also a necessity in achieving overall happiness. Aristotle comments on the various types of friendships that exist, and the role they each play in society. He explains three overarching types; utility, pleasure, and complete friendship. Yet, with family, friendship is different than it is with companionship. As Aristotle states in his piece, Nicomachean Ethics on friendship in families, “they all seem to depend on paternal friendship” (Aristotle, 1161b18). In The Aeneid, Aeneas and Anchises’ relationship, perfectly embodies this. The father son bond does not distinctly resemble one of the three types, rather it is a friendship in of itself; a paternal friendship.
By mentioning the downfall of his people during the Trojan War and foreshadowing his destiny by "Sparing the conquered" Trojans and "battle down the proud" Greeks, can be looked upon as a reinforcement of his duties not only to his dead father and family, but to the entire Trojan population. To let another character found and rule Rome would just prove the failure of his people again, as shown through the Trojan war. Aeneas feels great pride and energy regarding his role in history and is anxious to continue on his journey. The gods are trying to convince Aeneas to value duty to his city and family, a kind of affiliation or relation by virtue of descent as-if from a parent, above duty to a lover by mere affiliation, or arbitrary association. This perspective on an appeal to authority still hinges on a relationship between Aeneas' desire for affiliation and public authority as the authority of filial priority. We learn early on in this epic that Aeneas is a very important character because of his divine parentage. After all, his mother is the Goddess Venus and his father's brother was the King of Troy. His mother is more concerned with his destiny than with his happiness. She makes Dido fall in love with Aeneas and then he falls in love with the Carthaginian queen in return. Despite the fact that he is happy, his mother is one of the gods working to make him fulfill his destiny. This "destiny" is truly revealed to Aeneas in the underworld when he encounters a few fellow Trojan comrades.
Out of the two heroes Gilgamesh was the one who was most aggressive and pursued the more ambitious goal, though it was one near impossible to achieve. Gilgamesh wanted to have a power that only the gods possessed. He wanted to be immortal. Aeneas never sought such an unachievable task, and was not as determined as Gilgamesh was. Aeneas only had to find a place where the defeated Trojans could settle and found a new city. Once in the story he even had to be reminded of his destiny by the Jupiter when he was distracted by his love for Dido.
Heroes are found everywhere. They are seen in movies, on television, in books, and in reality. A hero can be anyone from a friend to a fictional character. To be considered a hero, one must make selfless sacrifices, develop and learn, overcome challenges and temptations, and ultimately present their known world with a gift of any kind. Homer’s The Odyssey paints a picture of the supposed savior Odysseus. The irony of Odysseus’ situation is that he really is not the marvelous hero that many who read The Odyssey see him to be. When imagining a great hero, the words of cruel, unfaithful, selfish, or careless never come to mind, but the son of Laertes sets examples for each attribute. Odysseus makes many poor decisions that cause his dislikable traits to highly outweigh his few better ones. Several of his more prominent characteristics are exhibited on numerous accounts. Odysseus cannot possibly earn the title of being a hero because he harbors hubris, he displays a lack of faith, and his self-centeredness causes unfortunate events.
Aeneas’s mission is to find a new home for him and his family. Both these characters had many similarities and differences in their ways of fighting. Both Odysseus and Aeneas were helped by different gods. Odysseus was helped by Calypso in a way. She held him captive, but was forced to release him from the father of all Greek gods,Zeus.
What is a hero? We would like to think that a hero is someone who has achieved some fantastic goal or status, or maybe someone who has accomplished a great task. Heroes find themselves in situations of great pressure and act with nobility and grace. Though the main character of Virgil's Aeneid, Aeneas, is such a person, it is not by his own doing. He encounters situations in which death is near, in which love, hate, peace, and war come together to cause both good and evil. In these positions he conducts himself with honor, by going along with what the gods want. Only then goes on to pave the way for the Roman Empire. His deeds, actions, and leadership would never have come to be if it were not for the gods. The gods took special interest in Aeneas, causing him misfortune in some cases, giving him assistance in others. On the whole, the gods constantly provide perfect opportunities for Aeneas to display his heroism. Without them, Aeneas would not be the hero he is. This gift does not come without a price, though; he must endure the things heroes endure to become what they are. Despite his accomplishments and the glory associated with his life, Aeneas only achieves the status of hero through divine intervention, and this god-given position causes him just as much grief as it does splendor.
It is clear when reading the Aeneid that Virgil was familiar with the earlier works of Homer, The Iliad and The Odyssey. Virgil, more than just being aware of these earlier works, uses themes and ideas from these poems in his own. Far more than just copying scenes and ideas, Virgil expands and alters these themes to better tell his story, unique from the Greek originals he is drawing from. Virgil reveals what qualities he regards as heroic through the juxtaposition of Aeneas’ character and the negative aspects of the underworld. By looking at which qualities are esteemed and derided respectively, we can identify the qualities that Virgil would like to emphasize positively to his readers. Also, we can argue that Virgil is indeed trying to convey a particular set or morals to those readers. Beyond the underworld, it is possible to clearly identify these traits in the other sections of the poem where Virgil is borrowing and making his own alterations. Using these distinctions we can very clearly derive Virgil's morality from the poem, and see where Virgil's ideal characters veer away from the Greek ideal that came before.
In addition, the overall theme of the poem highlighted morality, which was a definitive tenet of Greco Roman civilization. In many ways, Virgil wrote the poem as a means of lauding the moral virtues of Roman society and as a personal challenge to outdo Homer’s epic compositions, The Illiad and The Odyssey. Virgil was successful because he had incorporated many of the same tales shared in the works of Homer into one epic poem which presented a linear storyline in the books that detailed the life and times of Aeneas and the Trojans. That being said, Virgil did not stray far from the approach that many writers had used before him; his primary focus throughout the Aeneid was placed squarely upon the back of idealized Greek and Roman moral principles, which were the dedication to ones’ honor, family, and country. By no means is there anything wrong with this approach, but in many ways, the entire poem could be viewed as a “propaganda” piece; while it might have served to enlighten, educate, and create a cohesive and uplifting story for the Roman populace, the poem lacked depth and a more profound exploration of human intricacies. While Virgil’s epic poem has stood the test of time and remains one of the greatest pieces
To begin, both the leadership qualities and flaws of Aeneas and Odysseus must be examined in order to determine who the better leader is. Virgil presents Aeneas very differently than Homer presents Odysseus. They are both certainly heroes, but Aeneas seems more accessible and a stronger leader, due to the way Virgil presents him. Virgil illustrated Aeneas as a man that had to participate in many tests and tempering’s, and from that, his heroism was seen as flawless. The same goes along with Homers’ Odysseus, yet in a different, more astounding way.
Greek mythology is a beloved part of literature that has given humans thousands of stories to tell. From stories about deadly quests, powerful deities, to the even more famed aspect of Greek Mythology, its epic heroes. One of the many authors who took inspiration from Greek Mythology, and will serve as reference for this paper, is Hamilton, Edith. Mythology. 1988. The most well known epic heroes from Greek Mythology which Edith Hamilton writes about in her book are Hercules, Jason, Perseus, and Theseus, but the debate lies in which of these heroes is the best. To which the answer is, Theseus is the better epic hero because he possessed superior strength, intelligence, and courage, he was the most just from all other heroes,
The main character of the Odyssey, Odysseus the King of Ithaca is given a complex personality to an extent where it is hard to identify whether he is a true hero or not. True heroism is only achieved when a person achieves certain qualities that portray heroism. Odysseus is not a hero based on the standards of merciful, selfless, and gentle because of his actions of sacrificing his men, killing the suitors and being ruthless throughout the Odyssey. Along with many others qualities these three are helpful and necessary in a hero. A hero must be willing to do service for others and put the needs of others safety and protection before his own. Odysseus does not even come close to matching these qualities because he is a person, who only serves of himself, and he sacrifices his allies to achieve his goals and often he takes action ruthlessly.
The idea of a true hero is varied from person to person, because each viewpoint has a different idea of the personality that makes one a hero. There have been many fiction and non-fiction heroes that show different character traits, which influence people’s definitions of a hero. However, each person’s unique thought about a hero still focuses about one central idea: a hero must prove himself in order to earn his heroic status. This is the cornerstone of all the opinions about heroes because heroes have to show their heroism in order to become who they are in the end. At the beginning they are inexperienced, ordinary people who go on their adventures, and face their fears and weaknesses, but they develop greatly throughout these journeys. After comprehending what true heroism is and following it only then will they become heroes even though each of them has different traits. In the epic poem The Odyssey, by Homer, Odysseus gains the title of hero during his journey back to Ithaka, from Troy, by proving to be one. It is through his characteristics and experiences that he becomes the well developed man at the end of the book. In truth, because of his confidence, loyalty, and difficult struggles, Odysseus becomes a genuine hero to the people he defended.
127). McLeish explains that Virgil described her as being a real person with emotions, actions, and wholeness that real people posses. In Virgil’s time, any Roman would look at Dido as weak. She was married to a king that died and left all the power to her. Romans would immediately move from love to duty as they searched for a new ruler to protect their land. Dido on the other hand, vowed against that very thing, placing devotion to romance over devotion to duty and government. Because of this, pious Romans would have urged Aeneas to move away from the weak ruler in pursuit of a greater prize, Rome. In direct contrast to Dido, Aeneas is a perfect picture of the pietas that Romans aimed to exemplify in their lives as citizens. He mourns for the fallen Troy when sees the Trojan War depicted in Dido’s temple, showing his deep care for his city (p. 128). Dido’s stark contrast to the Roman belief system at the time was specifically designed by Virgil to pull the support of Romans to the divine mission of Rome and to encourage pious behavior among them. Had Virgil depicted Dido as a role model after Aeneas left her, the purpose of the epic to encourage
Aeneas is often referred to as 'pious Aeneas', and this is also how even he...