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Symbolism and interpretation
Symbolism and interpretation
Symbolism and interpretation
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For young gals everywhere, literary heroines have become symbols of inspiration, opportunity, and courage in a time where, in spite of how far society has progressed, girls are still undervalued. The characters who exhibit traits of capable leaders are those who these young women admire. It is characters like Hermione Granger from Harry Potter who influence girls is the zenith of exemplary characters in the literary universe.
Hermione Jean Granger was born September 19, 1979, to non-magical parents, both of whom were “quite proud” of their magical daughter, although “a bit bemused” by her oddities (Rowling, “2004 Accio Quote”). She is elated upon her acceptance to Hogwarts School of Witchcraft and Wizardry, and memorizes “all of [their]
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set books off by heart” (Rowling, “Sorcerer’s Stone,” 105). This action is the first of many that designates Granger as a brilliantly gifted witch. During her study at Hogwarts, she is, to say the least, an overachiever.
In just her second year at Hogwarts, she brews a Polyjuice Potion, a concoction used to change the appearance of a witch or wizard. J.K. Rowling says “the fact that Hermione is able to make a competent Polyjuice Potion at the age of twelve is testimony to her outstanding magical ability, because it is a potion that many adult witches and wizards fear to attempt” (“Polyjuice Potion”). Granger, undoubtedly, cares deeply about academics. In “The Sorcerer’s Stone,” when the trio (Harry Potter, Ron Weasley, and Hermione Granger) is roaming the halls in search of Draco Malfoy to carry out a wizard’s duel, they come across a beastly three-headed dog. Although they manage to escape unscathed, Hermione tells the others, “I hope you’re pleased with yourselves. We could all have been killed—or worse, expelled” (Rowling, “Sorcerer’s Stone,” 162) In “Prisoner of Azkaban,” Professor Remus Lupin uses in one of his …show more content…
lessons a boggart, a creature which takes the form of a person’s greatest fear. For Hermione Granger, the boggart took the form of Professor McGonagall, telling her she had “failed everything,” referencing both her final exams and failure in general (Rowling, 319). Granger’s fear of failure drives her to perfection in all her schooling, and this genius quality is pivotal in her achieving role model status as a literary character. That drive which fuels Hermione Granger academically also propels her socially and emotionally. Granger stands by her convictions and does not take well to people insulting her or others’ character. Her stubbornness is clear in “The Prisoner of Azkaban,” after the gamekeeper Rubeus Hagrid anguishes over the loss of his dear pet hippogriff Buckbeak, Draco Malfoy mocks Hagrid’s tears and Hermione slaps Malfoy “with all the strength she could muster” (Rowling, 293). Hagrid is a close friend to the trio and insulting him affects Granger personally. Her convictions are so deep-rooted that she smacks another student. Apart from pure stubbornness, Granger’s adamance stretches past her fears and allows her to commit acts which she may have been leery of doing. In turn, her adamance transforms into bravery—the defining characteristic of Gryffindor house, of which Hermione is a member. As a matter of fact, Granger herself acknowledges this quite famously to Harry Potter before he faced the series’ villain: “Books! And cleverness! There are more important things—friendship and bravery” (Rowling, “Sorcerer’s Stone,” 287). In “The Deathly Hallows,” Granger alters her “parents’ memories … to make it more difficult for Voldemort to track them down and interrogate them” (Rowling, 96-97). She makes her own parents forgot who she is in order to keep them safe from crisis. In this instance, Granger exhibits true bravery by separating herself from her family, cutting off all ties from the people who love her most dearly, to ensure they stay alive. Hermione Granger’s adamance empowers her to stand by her beliefs and to stand firmly in the face of danger. Last but certainly not least of Hermione Granger’s defining qualities is compassion.
Throughout the series, Granger acts as a maternal figure to the trio and to those who do not have the power to defend themselves. Her empathy radiates like no other, touching every lost soul she encounters. In “The Prisoner of Azkaban,” Granger buys a feisty ginger cat that had been in the shop for ages; “no one wanted him,” Granger said (Rowling, 61). Later in the same novel, a classmate, Neville Longbottom, is having difficulty brewing a shrinking potion; despite their professor’s warning that Longbottom should complete his task alone, Hermione Granger helps him avoid failure and embarrassment (Rowling, “Prisoner of Azkaban,”
126-128). In the next volume of the series, “The Goblet of Fire,” Hermione Granger starts an organization dedicated to improving the lives of house-elves in Hogwarts. S.P.E.W., which “stands for the Society for the Promotion of Elfish Welfare,” is meant to “secure house-elves fair wages and working conditions and … to get an elf into the Department for the Regulation and Control of Magical Creatures because they’re shockingly underrepresented” (Rowling, 224-225). Despite the fact that the house-elves did not quite appreciate Granger’s assistance, it is believed that the house-elves’ free will grew considerably after the implementation of S.P.E.W., as the elves were seen fighting at the Battle of Hogwarts (Rowling, “The Deathly Hallows,” 734-735). Hermione Granger’s benevolence outweighs every piece of cruelty in the wizarding world—this trait is necessary to survive the harsh wizarding world and the naïve Muggle world and truly exemplifies her as a paragon for young ladies worldwide. Hermione Jean Granger started simply as a nose buried in a book and ended as the “cleverest witch of [her] age” (Rowling, “The Prisoner of Azkaban,” 346). Her brilliance, resolve, and good will mark her as the poster child for accomplished women and establish her as the epitome of magnificence in her world. Hermione Granger was, is, and will always be an outstanding example for young and old women alike to admire.
Women pageant queens think they are supposed to represent the ideal of female beauty. The tomboy is especially associated with childhood and is defined by the girlhood performance of masculinity. As Michele Abate noted, “The traits most Americans are likely to name as constitutive of this code of tomboy conduct include proclivity for outdoor play (especially athletics), a feisty independent spirit, and a tendency to don masculine clothing and adopt a boyish nickname” (Abate). What does it mean to be a boy in children’s literature and the kind of varieties of boys that are represented? J.K. Rowling’s Harry Potter series typically features a social, educational, and physical dangers of school life that provide opportunities for adventure, mischief, and exploration. This collection of experiences allows boys to enact traditional forms of boyhood while practicing many of adult men’s culture and the ability to plan out schemes. Not all boys in children’s literature fit these conventional models of the physically robust athlete, hearty survivalist, or mischievous bad boy. Children’s literature also includes boys such as Laure in Little Women, who are described as sensitive, saintly, sickly, or effeminate. The literary and popular texts help understand expectations of boyhood and the insight into contemporary constructions of
On the other hand, Hermione’s character blossoms beautifully. It is agreeable that her character does not match with one’s typical mythic hero and does she not completely follow the “hero’s journey” that defines a hero. Hermione’s origin is nothing special; she is seen growing up in a very loving and supportive family. This is completely opposite to Harry’s tragic childhood. Although, she isn’t magically gifted like Harry, who can command a broomstick to land in the palm of his hand at ease, Hermione has an unwavering desire and commitment to learn, hence the reason why she is so ridiculously smart. At first, Hermione is depicted as outcast for she is a muggle-born, she did not have a wizard as father or a witch as mother, meaning her parents were absolutely average human beings. Thus, she found comfort in books as she is also depicted as a nerd with a
How Pharr off is Mary Pharr on the significance of the novel about Harry Potter? I believe very far off. I think the argument Pharr makes is not connected to the educational benefits of Harry Potter. Rather she argues the morality presented throughout Harry Potter by saying this is what all readers crave. “In Medias Res” by Mary Pharr is a response to critics’ critical analysis of the Harry Potter (HP) series’ ability to educate readers. After thinking and reading Mary Pharr’s text about the ‘educational value’ has concluded with few, if any educational benefits through Harry Potter. Though these lessons exist they are typically taught by parents not school, not quantitative skills or tools that are typically taught in schools,
The representation of female characters in the work may initially come across as acting irrationally, but closer examination shows that in fact their motivations were guided by contemporary values and therefore are more reflective of more positively portrayed characters.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
conceptualizations of gender in literature are situated in a culture and historical context ; the
“We do!” said Hermione. She had sat up straight, her eyes bright. “We protest! And I’m hunted quite as much as any goblin or elf, Griphook! I’m a Mudblood!”
In a society where the focus on equality amongst different races, religions and sexes continues to grow, it is no surprise that literature has begun to follow suit. Publishers have seen a rise in strong, capable female protagonists who overcome a variety of struggles to save themselves or others and both teens and adults alike rush to get their hands on this material. With such popular literary works to choose from, it seems strange that many schools continue to rely on somewhat archaic material that mistreats and degrades so many women. In John Steinbeck 's Of Mice and Men, for example, the only female character the reader interacts with is treated like a lower-class prostitute who is ultimately killed off due to her seductive behavior. Though Steinbeck 's treatment of women comes mainly from classic gender roles, his portrayal of female characters in Of Mice and Men is
Originally from England, Hermoine attends school at “Hogwarts School of Witchcraft and Wizardry”,which is located in the secluded highlands of Scotland. Her story takes place around the 1980s to the 1990s. Hermoine had a passion for school, studying, and was an avid reader. She was incredibly intelligent, but known as a bit bossy and nerdy. That is why during her first year at Hogwarts it was hard for Hermoine to make friends, even her future husband Ron at the time stated that she was a nightmare and it was “no wonder she had no friends.” Eventually, Hermoine is befriended by Harry Potter and Ronald Weasley and grows more comfortable with making friends throughout the series just as Katniss does in hers. Being known as a “mudblood”,or a witch with no magical parents, Hermoine was bullied, discriminated, and even burned despite her intelligence. Katniss was perhaps discriminated against, however, it was most likely because she lived in poverty, not because of who her parents were. Despite what others think of her, Hermoine is certainly not afraid to state her opinion nor afraid to stand up to others. She punches her classmate Draco Malfoy for being responsible for the execution of a lovely creature, and talks back when Ron’s temporary girlfriend tries to belittle her. Katniss is also not afraid to defend herself against the powerful President Snow or her mother
Throughout literature, authors employ a variety of strategies to highlight the central message being conveyed to the audience. Analyzing pieces of literature through the gender critics lens accentuates what the author believes to be masculine or feminine and that society and culture determines the gender responsibility of an individual. In the classic fairytale Little Red Riding Hood, the gender strategies appear through the typical fragile women of the mother and the grandmother, the heartless and clever male wolf, and the naïve and vulnerable girl as little red riding hood.
Many critics believe Hermione Granger from the Harry Potter book series by J.K. Rowling is simply a helper on the adventure, while others see her as a heroine all on her own. However, there is a lot of evidence showing she is a hero such as, without her, Harry and Ron would not have gotten as far in their quest if she was not there with them. She is the brains and the observer of the group. They needed her to bounce ideas off of and for her to look around for clues. For example, that time with the three headed dog Hermione was the one who saw the caged door and thought the dog must be guarding something. One thing that influences readers to lean towards the side that she is not a hero only a helper is gender roles. The girl is usually there to give some ideas and be saved while the men of the team are usually the heros. Hermione does in fact possess many heroic traits
J.K. Rowling is a tremendously influential figure. She exhibits traits that many of us strive to achieve in our lives. Her books and charity work have effectively produced a love potion on this generation. You’d think she was given liquid luck!
Stamper, Julie S. Female Characters as Role Models in Young Adult Literature. University of Tennessee.
girl’s adventure story and boy’s adventure story. Boys normally have more fun, get to go on actual adventures and engage in fights with the bad guys, while the girls are either stuck at home or tag along as support. The article is broken up into several parts, where it looks at gender in terms of numbers, characteristics, behaviours and appearance and depicts the roles of the female characters, as well as the stereotypical image and traits of the male characters. I plan to use this article to help analyze the female characters in Harry Potter and better understand their roles as weak and feminine characters through their actions and appearances. However, this will not be one of my main sources because it focuses on several texts, rather than just the Harry Potter series.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.