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Throughout American history, few authors have earned the right to be called great. Herman Melville is one of these few. However, Melville’s journey towards becoming one of the greatest early American authors was less than simple. As an author writing during the heart of the American Renaissance and Transcendentalist Era, a time where people believed humans were at one with nature and God, Melville chose to break the mold. Facing many hardships in his life, Herman Melville became an author renowned for his anti-transcendentalist style, yet was perhaps the most underrated author of his time.
On August 1, 1819, Herman Melville was born into a family of war heroes and wealthy merchants. His father, Allan Melville, was a Boston merchant wealthy enough to provide a comfortable life for his family. Unfortunately, tragedy struck when Allan Melville went bankrupt in 1830, leaving him to abandon the city and the Melville family. Herman Melville, now poor and father less, was left to the care of his strict mother, Maria Gansevoort. Having no formal education, Melville taught himself using literature and the bible. (Anderson. “Herman” 294). Moving from home to home, Melville now found life to be a struggle. Through this struggle, however, a fascination for the sea developed in him.
Melville’s enchantment for the sea inspired him to begin the daring challenge of being a sailor. Departing on his first voyage with the St. Lawrence, Melville was prepared for his dreams of the sea to become a reality. Instead, he was met with bad weather and an unorganized crew (“Herman” 590). As the St. Lawrence continued to sail away, so did Melville’s captivation of the sea. Despite this harsh first experience, Melville decided to try sailing again. On Jan...
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...York: Bantam Books, 1967. Print.
The Athenaeum. From Melville, Herman. Moby-Dick. 614-616. New York: Bantam Books, 1967. Print.
Duyckinck, Evert. “Melville’s Moby-Dick; or the Whale.” from The Literary World In Melville, Herman. Moby-Dick. 607-613. New York: Bantam Books, 1967. Print.
“Herman Melville: Biographical Note.” In Melville, Herman. Moby-Dick. 590-596. New York: Bantam Books, 1967. Print.
Melville, Herman. Billy Budd & Typee. New York: Washington Square Press Inc., 1962. Print.
Melville, Herman. “Letter to Hawthorne.” 1851. In Anderson, Robert et al. Elements of Literature. Austin: Holt, Rinehart, and Winston, Inc., 1989. 317. Print.
Melville, Herman. Moby-Dick. New York: Bantam Books, 1967. Print.
Melville, Herman. America. The Literature Network. n.d. Web. 06 Dec. 2011.
Melville, Herman. Shiloh. The Literature Network. n.d. Web. 06 Dec. 2011.
Lathrop, G. P., ed. "Hawthorne, Nathaniel." The Reader's Encyclopedia of American Literature. Binghamton, New York: Vail-Ballou, 1962. 439-40. Print.
In conclusion, this essay analyzes the similarities and differences of the two stories written by Herman Melville, Billy Budd and Bartleby. The settings, characters, and endings in the two stories reveal very interesting comparisons and contrasts. The comparison and contrast also includes the interpretation of the symbolism that Melville used in his two stories. The characters, Billy and Bartleby, could even be considered autobiographical representatives of Herman Melville.
Some of the most intriguing stories of today are about people’s adventures at sea and the thrill and treachery of living through its perilous storms and disasters. Two very popular selections about the sea and its terrors are The Perfect Storm by Sebastian Junger and “The Wreck of the Hesperus” by Henry Longfellow. Comparison between the two works determines that “The Wreck of the Hesperus” tells a more powerful sea-disaster story for several different reasons. The poem is more descriptive and suspenseful than The Perfect Storm, and it also plays on a very powerful tool to captivate the reader’s emotion. These key aspects combine to give the reader something tangible that allows them to relate to the story being told and affects them strongly.
In contradistinction to Captain Vere's argument or the naval chronicle's "authorized" version, then, Dryden asks us to examine Melville's own way of telling his story. Is it formally ordered and highly symmetrical?
“Nathaniel Hawthorne.” The Norton Anthology: American Literature, edited by Baym et al. New York: W.W. Norton and Co., 1995.
Melville, Dickinson, and Whitman show evidence that people are connected through experience in their writings. By means of Melville’s experience with Bartleby, Dickinson’s experience with death and greif, and Whitman’s ride on the Brooklyn Ferry, they all show that people not only are connected, but they need relationships to have a functional society and fruitful life.
Before exploring Ishmael, Ahab, and Moby Dick and their Biblical counterparts, it is important to understand Melville's background. He grew up as a baptized Calvinist in the Dutch Reformed Church. His parents trained him to obey God at all times, even if God’s commands seem unjust and cruel. However, he quickly turned against his faith after his father died. During his travels, he witnessed diseases, catastrophes, and hatred throughou...
Early experiences in Melville’s life influenced many of his writings and the themes of his stories. As you know all of this began in a particular way, just like everybody else’s life.
Laskowski, Gene L. Masculine Sentimentality in the Early Novels of Herman Melville. Diss. University of Michigan, 1993. Ann Arbor: University Microfilms International, 1993. Print.
Herman Melville wrote some of the most widely read works in the history of literature during the late nineteenth century. He has become a writer with whom the romantic era is associated and a man whose works have become a standard by which modern literature is judged. One of his most well-known and widely studied short pieces of fiction is a story entitled, simply, Billy Budd. In this short story, Melville tells the tale of Billy Budd, a somewhat out-of-place stuttering sailor who is too innocent for his own good. This enchanting tale, while inevitably entertaining, holds beneath it many layers of interpretive depth and among these layers of interpretation, an idea that has been entertained in the literature of many other romantic writers. Melville uses a literary technique of developing two characters that are complete opposites in all aspects and contrasting them throughout the narrative, thus allowing their own personalities to adversely compliment each other. Melville also uses this tactic in another well-known short story, Bartleby the Scrivener. Much like Melville's two stories, another romantic writer, Nathaniel Hawthorne, uses this tactic in his short story, The Artist of the Beautiful when he creates two completely different characters who vie for the same woman's love. Both writers use the contrary characters to represent the different facets of the human personality. Using this idea and many others, these romantic writers, Melville and Hawthorne, created works with depth of meaning that were both interesting to read and even more intriguing to interpret.
Leavis, Q.D. “Hawthorne as Poet.” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
...thout writing fiction novels. The narrator is a symbol for Melville’s readers, and poor Bartleby is a symbol for Melville. The narrator demands Bartleby to keep copying his work, but Bartleby has stated numerous times that he “would prefer not to”. Melville is against writing more fiction because he did not want to cheapen the means of his fiction. In the end, none of Melville’s works after “Moby Dick” became popular and he ended up dying in poverty and obscurity, very similarly to Bartleby.
Hawthorne, Nathaniel. A. “Young Goodman Brown.” 1835. http://www.cwrl.utexas.edu/daniel/amlit/goodman/goodmantext.html
Franklin, H. Bruce. "Bartleby: The Ascetic's Advent." Melville's Short Novels: Authoritative Texts, Contexts, Criticism. Ed. Dan McCall. New York: Norton, 2002. 176-85.
Sedgwick, William. Herman Melville: The Tragedy of the Mind. New York: Russell and Russell, 1944.