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Themes of alice walker
Theme and introduction of Alice Walker
Alice walker's everyday use theme
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Maggie, the uneasy, younger sister who “will stand hopelessly in the corners homely and ashamed of the burn scars down her arms and legs,” is astoundingly revealed as the person who takes home the prize at the end of Alice Walker’s short story “Everyday Use.” The author uses Maggie’s character to highlight the themes of heritage, materialism and community versus isolation as she conveys the story of a mother and her two daughters living in the early 1970’s. Maggie, scarred both emotional and physically as a child in a house fire, lacks the confidence to be assertive when dealing with her beautiful, successful sister Dee. Walking with “chin on chest, eyes on ground,” her mother compares Maggie’s posture and gait to that of a dog which has been run over by a car. However, beneath Maggie’s mutilated, hideous appearance, a compassionate and sympathetic nature survives. The adage “Don’t judge a book by its …show more content…
cover” is very relevant in this short story as the scorched limbs, face and skin cover up the innocence, purity and kindness that lie inside of Maggie. She struggles with extreme shyness because she has been isolated from the world for years. Not allowed to go to school, Maggie can barely read or even utter a complete sentence. Throughout the many trials and mistreatments in her life, Maggie’s heart remains untainted and unblemished unlike her burned, scarred body. Maggie’s scars compound her inferiority complex when dealing with the beautiful and sophisticated Dee.
Education affords the beautiful Dee, who was unscathed in the house fire, the opportunity to leave their poverty stricken existence and to rise above her poor relations. Maggie feels as if Dee takes for granted the life she's been given. Even though Maggie never explicitly states that she is angry or jealous of her sister, it becomes evident in the story. Attempting to take some quilts, Dee realizes Maggie’s anger when she drops the plates in the kitchen and slams the door in outrage. Although she is overcome with anger, her kind heart still shines through as she unselfishly agrees to give the treasured quilts to her sister. Maggie did not want the quilts for their material value and beauty, but for the connection they gave her to her grandmother. This bond is revealed as she states “I can ‘member Grandma Dee without the quilts.” Being taught the art of quilting by her grandmother gave Maggie a connection with her grandmother that Dee could never take
away. In the end, Mama sees the anger and sadness in Maggie’s eyes and snatches the quilts from Dee, handing them to Maggie. It finally becomes apparent to Mama that Maggie is the one who truly appreciates their family heritage. In awe that her mother would do such a thing, Maggie’s jaw drops. Maggie might use the quilts for “everyday use” but she will never forget their importance and true meaning. Maggie’s life of isolation helps her to notice the small things in her life and cherish her home and the value of her ancestors.
The narrator has two daughters, Dee and Maggie. Dee was this cute girl who was super intelligent and sophisticated. She often saw herself as being above her mother and sister and would often make them feel stupid and bad about themselves. "She used to read to us without pity, forcing words, lies, other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice". She shows that Dee enjoyed making her mother and younger sister feel dumb about themselves because it made her feel superior. Her whole life Dee detested her family and where she came from and couldn’t wait to get away. But, still her mother worked her booty off to provide her with high education and a good life. Dee goes away to college and when she returns she is a completely different person, suddenly interested in her family; photographing them upon arrival. With her guest, new "Wangero Leewanika Kemanjo", invades her mothers house taking everything in like it’s a cute display for her. Finally, when Wangero (Dee) demands that her mother give her some quilts, her mum can not take anymore. She tells Dee that Maggie, not her, will be receiving the quilts and she snaps. "I did something I never had done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero's hands, and dumped them into Maggie's lap. Maggie just sat
She went to college after high school and didn’t return home after she graduated. She got married to a Muslim man and she became so concerned with her family’s history. When she arrived, she became so concerned with taking pictures of the farmhouse she grew up in a soon as she got their she didn’t even greet her mother and sister Maggie right away. When she entered the home she immediately began to scan the room for things that she felt were good enough to go into her apartment in the city, she also wanted included things that she felt were good enough to impress her friends and to show her where they are from. When she reached the home, she mentioned a few things that stood out to her which included a butter churn and 2 quilts. The two quilts in particular stuck out to her because the two were hand sew by her grandmothers and aunt , along with her mother. Maggie her sister states, “She can have them, Mama,” She said, like somebody used to never winning anything, or having anything reserved for her. “I can member’ Grandma Dee without the quilts’” (Walker). Maggie her younger sister who still lived at home with her family let her sister know she could have them simply because she knew that it wasn’t the quilts that were going to make her remember she’s remembers the years they spent together unlike her sister who was never really around the house as much as Maggie and this was giving Maggie as sense of pride
In the story "Everyday Use" the narrator is telling a story about her life and two daughters, who are named Dee and Maggie. The narrator is very strong willed, honest, compassionate and very concerned with the lives of her two daughters. Her daughter Dee is not content with her lifestyle and makes it hard on Maggie and the narrator. The narrator is trying to provide for her family the best way she can. The narrator is alone in raising the two daughters and later sends her daughter Dee to college. The longer the story goes on the more the narrator shows how intelligent and how much she loves her two daughters.
Maggie relationship with Dee is full of jealousy and envy. Maggie thinks that her sister is better, prettier, and smarter than she will ever be. Because of that, Maggie is shy and intimidated when her sister and her boyfriend come home to visit for the first time in years. Dee on the other hand does not make it any better, because of her jealousy and judgmental ways make Maggie feel unloved and unappreciated. When Maggie is burn in the house fire Dee shows no concern if her sister lives or die. Even their mother knows that their relationship is nonexistent. Dee’s mother said “I used to think she hated Maggie” (Walker 154). Even as adults Dee and Maggie love for one another is arm distance away. Dee feels that her mother and sister are not claiming their heritage and are close minded country
When Maggie finally smiles ‘a real smile’ at the end of the story as she and her mother watch Dee’s car disappear in a cloud of dust, it is because she knows her ‘mother holy recognition of the scarred daughter’s sacred status as quilter is the best gift if a hard-pressed womankind to the fragmented goddess of the present.’ (Piedmont-Marton)
When we meet our narrator, the mother of Maggie and Dee, she is waiting in the yard with Maggie for Dee to visit. The mother takes simple pleasure in such a pleasant place where, "anyone can come back and look up at the elm tree and wait for the breezes that never come inside the house." (Walker 383) This is her basic attitude, the simple everyday pleasures that have nothing to do with great ideas, cultural heritage or family or racial histories. She later reveals to us that she is even more the rough rural woman since she, "can kill and clean a hog as mercilessly as a man." (Walker 383) Hardly a woman one would expect to have much patience with hanging historical quilts on a wall. Daughter Maggie is very much the opposite of her older sister, Dee. Maggie is portrayed as knowing "she is not bright." (Walker 384)
Alice Walker is a well-known African- American writer known for published fiction, poetry, and biography. She received a number of awards for many of her publications. One of Walker's best short stories titled "Everyday Use," tells the story of a mother and her two daughters' conflicting ideas about their heritage. The mother narrates the story of the visit by her daughter, Dee. She is an educated woman who now lives in the city, visiting from college. She starts a conflict with the other daughter, Maggie over the possession of the heirloom quilts. Maggie still lives the lifestyle of her ancestors; she deserves the right of the quilts. This story explores heritage by using symbolism of the daughters' actions, family items, and tradition.
The characters in “Everyday Use” by Alice Walker serve as a comparison between how family heritage and traditions are viewed. Walker illustrates that heritage is represented not by the possession of items or how they look, but buy how they are used, how one’s attitude is, and how they go about a daily lifestyle. Every memory or tradition in “Everyday Use” strengthens the separation in the relationship between Dee and her mother, the narrator, which involves different views on their family heritage.
Heritage is something that people see in various ways. When many people think of heritage they think of past generation and where their family comes from. Other people place their heritage on the value of things, such as old quits that are made from something sentimental. In Everyday Use this is exactly how Maggie thinks of heritage. She wants the quits that were handmade out of her grandma’s dresses because to her that is a sign of her heritage. Alice Walker’s story is based on heritage. The narrator of the story has two daughters who could not be more different. One daughter, Dee, is beautiful and cares a lot about finding her place in the world, and about fashion. Maggie on the other hand is very practical. She does not see any reason for fashion and is okay with her placement in this world. This is because she is like her mother. Her mother is someone who has had to work very hard to provide for her daughters. She prefers the hard work and takes pride in what she is able to do. When Maggie comes back to visit she brings her abnormal husband with her. She has changed her name and all of a sudden cares a lot about her heritage. She keeps asking to take things that she knows have been in the family for a while. Her mom is okay with this until she tries to take the quilts that she has already offered to Maggie as a wedding present. This is the last straw for her mom and she tells Dee no, which causes Dee to get angry because she knows that Maggie will actually use the blankets and they will fall apart in a few years. Dee leaves angry and then Maggie and her mom move on with their lives. This is a very effective story because they story shows two very different views, creates entertaining characters, and contains a powerful message...
In “Everyday Use” by Alice Walker, the narrator, Mama, describes her life with her daughter Maggie and their awaiting homecoming of her oldest daughter Dee who left town to pursue her education. When Dee arrives, she dresses in a brightly colored, orange and yellow ankle dress, these colors indicate a sign of change is approaching. Dee also states how she has renamed herself to “Wangero Leewanika Kemanjo” and that the Dee they knew is dead. Wangero (Dee) is persuaded that the name “Dee” was given to her by white oppressors, therefore her new name provides her with a new sense of identity and tradition – leaving behind the life she was born into. However, Wangero’s reasoning behind her name change is culturally incorrect, Mama traces the family history of her name and proves Wangero wrong. This also continues throughout the story as Wangero treats their tradition as a set of artifacts, regarding the house to be something to photograph and objects within the house as art centerpieces
Alice Walker's "Everyday Use," is a story about a poor, African-American family and a conflict about the word "heritage." In this short story, the word "heritage" has two meanings. One meaning for the word "heritage" represents family items, thoughts, and traditions passed down through the years. The other meaning for the word "heritage" represents the African-American culture.
In “Everyday Use,” Mama illustrates the relationship between her two daughters. Both Maggie and Dee are like opposite poles, making it seem like their relationship is non-existent. Dee is a well-educated, good-looking young woman; who is so concerned with style, and fashion that she lacks the meaning of family and heritage. Maggie, however, is a simple, scarred young girl who truly understands the meaning behind family, and heritage. In “Everyday Use,” Alice Walker demonstrates through Mama’s eyes, the strain in Maggie and Dee’s relationship through Maggie’s actions towards her estranged sister’s visit, and Dee’s remarks and dominance over her younger sister.
Author Alice Walker, displays the importance of personal identity and the significance of one’s heritage. These subjects are being addressed through the characterization of each character. In the story “Everyday Use”, the mother shows how their daughters are in completely two different worlds. One of her daughter, Maggie, is shy and jealous of her sister Dee and thought her sister had it easy with her life. She is the type that would stay around with her mother and be excluded from the outside world. Dee on the other hand, grew to be more outgoing and exposed to the real, modern world. The story shows how the two girls from different views of life co-exist and have a relationship with each other in the family. Maggie had always felt that Mama, her mother, showed more love and care to Dee over her. It is until the end of the story where we find out Mama cares more about Maggie through the quilt her mother gave to her. Showing that even though Dee is successful and have a more modern life, Maggie herself is just as successful in her own way through her love for her traditions and old w...
Alice Walker’s “Everyday Use” is a short story about an African American family that struggles to make it. Mama tries her best to give Maggie and Dee a better life than what she had. In Alice Walker’s short story “Everyday Use,” Dee is the older sister and Maggie is younger. Dee is described as selfish and self-centered. Maggie is generous, kind, and cares the family’s history together. She would go out of her way to make sure that her older sister, Dee has everything she needs and wants. Maggie is also willing to share what she has with her sister. Maggie is also shy and vulnerable. Mama is the mother of Maggie and Dee. Mama is fair and always keeps her promises to her children. Hakim-a-barber is the boyfriend
Heritage is one of the most important factors that represents where a person came from. In “Everyday Use” by Alice Walker, this short story characterizes not only the symbolism of heritage, but also separates the difference between what heritage really means and what it may be portrayed as. Throughout the story, it reveals an African-American family living in small home and struggling financially. Dee is a well-educated woman who struggles to understand her family's heritage because she is embarrassed of her mother and sister, Mama and Maggie. Unlike Dee, Mama and Maggie do not have an education, but they understand and appreciate their family's background. In “Everyday Use,” the quilts, handicrafts, and Dee’s transformation helps the reader interpret that Walker exposed symbolism of heritage in two distinctive point of views.