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Symbolism in the doll house
Symbolism in the doll house
Symbolism in a Doll's House
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Henrik Ibsen's A Doll’s House
In A Doll’s House, Henrik Ibsen reveals how society and authority hinders the development of individuality. By examining how Nora’s father treated her, the way Nora’s husband talked to her, a woman’s social expectations, and the social status of women, Ibsen sets forth the image of a stiffed woman, trapped in an unhappy marriage. Nora’s father treated her as if she was just a little play doll. He belittled her and treated Nora like a baby. Referencing to her father, Nora illustrates this by saying, “ . . . He called me his little doll, and he played with me just the way I played with my dolls. Then I came to live in your house . . . I was passed from Papa’s hands to yours,”(Act III 1120). The way Torvald, Nora’s husband, talked to her showed how he degraded and belittled Nora. He talked to Nora as if she was inferior to him.
He implied that he was a better person due to his social status. In Act III of A Doll’s House, Torvald shows his vulgar and subservient manner towards Nora by saying, “Oh, you think and talk like a stupid child,”(Act III 1123). A woman’s social expectations were to stay at home, and conceive the offspring. It was thought that women had to depend on men for everything. What ever the woman wanted to do, had to be approved by the male spouse. “Oh, I wish I’d inherited more of Papa’s qualities,” exemplifies Nora’s urge to become more powerful (Act I 1074). At that time, women’s status in society was a step below those of men.
Women could not vote, open their own bank account, or have a management position. In some extreme cases of the women’s low status, they were told to marry the man whom their parents told them to marry. Torvald depicts how men were thought to be higher than women are by claiming, “ . . . but no man can be expected to sacrifice his honor, even for the person he loves,”(Act III 1123).
In the chapter “Attention Deficit: The Brain Syndrome of Our Era,” from The New Brain, written by Richard Restak, Restak makes some very good points on his view of multitasking and modern technology. He argues that multitasking is very inefficient and that our modern technology is making our minds weaker. Multitasking and modern technology is causing people to care too much what other people think of them, to not be able to focus on one topic, and to not be able to think for themselves.
O'Connor, P. (2008, October 18). US infant mortality rate now worse than 28 other countries. Retrieved June 9, 2010, from World Socialist Web Site: http://www.wsws.org/articles/2008/oct2008/mort-o18.shtml
In A Doll’s House, Ibsen portrays his lead character, Nora, who is a housewife in the Helmer’s family. She has undergone a transformation throughout the play that she reacts differently to her husband. Her husband, Torvald, is an example of men who are only interested in their appearance and the amount of control they have over a person. In particular, he has a very clear and narrow definition of a woman's role. At the beginning of the story, as from the title of the play, Nora symbolizes the “doll” in the house, which means that she has been treated as treats Nora like a child or doll. For example, husband called Nora ‘bird’ and it implies that husband treats her like his pet and she is his doll as the title is a doll house. In other words, her husband wanted her to be a ‘lark' or ‘songbird' so he can enjoy h...
Three equals one. Out of all of the statements made by the Christian faith, perhaps none is more confusing. The Doctrine of the Trinity has been questioned for decades and many Christians do not even understand it. Colin E. Gunton argues that this does not have to be so. Instead, he calls the Western Church to learn from Eastern Orthodoxy and allow Trinitarian thinking to permeate every aspect of the church. It is when the Western Church embarrasses “The Forgotten Trinity” (the name of the chapter) in thinking and in worship, that we not only learn the nature of God, but how we should live in light of it.
Henrik Ibsen’s A Doll’s House, written in 1879, is set in late-19th century Norway. Upon publication, Ibsen’s biting commentary on 19th century marriage stereotypes created widespread uproar. In the play’s first act, the viewer is introduced to a young married couple by the names of Nora and Torvald. In tune with stereotypes of the time, the relationship is controlled almost dictatorially by the husband. Nora is often treated by Torvald the way one might expect a father to treat his daughter. For instance, Torvald incessantly refers to Nora by child-like nicknames such as “my little squirrel” and “skylark” and often speaks to her in a condescending manner. Nora, who acts as a symbol of all women of that time, initially fits in very well with the common perception of women in late-19th century Scandinavia. Torvald himself even extends this sentiment of male infallibility and female submissiveness to the whole female race, saying, “Almost everyone who has gone to the bad early in life has had a deceitful mother (Ibsen 27).” However, throughout the play Nora begins to break the mold of inferiority that was associ...
The works of Emily Dickinson will forever be remembered and the connections she made with readers throughout the centuries will be lasting. Her lifestyle was different than the poets of her time, but her isolation in her home and many tragedies in her life led to the beautiful and unique poems and letters she wrote. Emily Dickinson’s works changed American Literature and any of the people that read her work.
Every eight seconds a baby is born in the United Sates (U.S.), and within one hour four babies die (1). The infant mortality rate (IMR) measures the rate at which babies die before their first birthday and is calculated per 1,000 live births. According to government figures 7.2 babies out of every 1,000 born in 1996 died (2, p 6). Although this figure declines steadily each year and is 406% lower than the 1950 figure (3) the United States IMR is still higher than twenty four other nations (1). More importantly, the IMR for black U.S. citizens is over twice the rate of white citizens (6.3 and 14.6 respectively) (4, p 9). The National Commission to Prevent Infant Mortality even calls some regions "disaster areas" (5, p 18). What are the leading causes of infant death, and what areas within the United States are most affected? What preventative measures can ensure a child its first birthday? These questions are addressed herein. In addition, certain National Standards for Geography are met.
One reason driverless cars should replace human drivers is because they are safer and offer a comprehensive solution to a problem that plagues the entire world – automobile accidents. Currently, according to Ryan C. C. Chin, around 1.2 million deaths occur worldwide each year due to automotive accidents (1) and in the U.S. alone “more than 37,000 people died in car accidents in 2008, 90% of which died from human mistake” (Markoff 2). Most of these accidents involving human error are caused by fatigued, inattentive, or intoxicated drivers. However, according to Sergey Brin’s the Pros and...
All of the tears, grief, and heartbreak of parents, family, and friends combine to transform into something much greater. Infant mortality is caused by a variety of factors including cultural, environmental, and health issues. In addition, statistics can also be based off geography, poverty, and race. It is evident that some countries, like Finland, are doing much better in their attempts to provide for expecting mothers and their newborns. Unfortunately, some countries just do not have the means to do so, such as
Multitasking, a practice used by many people to complete multiple tasks at once, seems beneficial to the user, but recent research shows that this practice causes more distractions. Alexandra Samuel argues in her essay, “‘Plug in Better’: A Manifesto”, that by getting rid of all of the distractions caused by multitasking, the time spent on the computer can be used more efficiently. As businesses in today’s world are using computers to help employees be more efficient in the workplace, each worker should only have to handle one task at a time to maximize their efficiency. Richard Restak argues in his essay, “Attetion Deficit: The Brain Syndrome of Our Era,” that by not diverting a person’s attention to multiple activities at once, such person
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
Torvald even calls Nora pet names like "my sweet little lark" and "my squirrel”. These nicknames may seem harmless and cute, but in reality, the names actually show how little he thinks of her and how he’s the one harnessing the power in the relationship. When Torvald says "my little squirrel" he is suggesting that he in fact owns Nora and that she is second-rate to him, since she is seen as little and as a squirrel which are usually frightened, non-threatening creatures. Torvald sees women as both child-like, helpless creatures detached from reality and who are responsible for taking care of the chores and children while staying inside the house. Gender roles are also seen in the rules Torvald for Nora to follow.
Patriarchy's socialization of women into servicing creatures is the major accusation in Nora's painful account to Torvald of how first her father, and then he, used her for their amusement. . . how she had no right to think for herself, only the duty to accept their opinions. Excluded from meaning anything, Nora has never been subject, only object. (Templeton 142).
Multitasking is something we all do. With lack of time and needing to get things done fast we often find ourselves doing more than one task at a time. As a college student I find myself multitasking a lot more than I’d like to admit, but it has become such a hard habit to break. Multitasking can often make us feel more productive, but it may not be as efficient as we would like to believe. Multitasking may be causing us more stress, it can be dangerous and cause us problems, and it may cause us to waste more time than we realize and cause us to produce low quality work.
Ibsen desires to challenge assumptions as well as rules of Norwegian life, and most importantly wants to depict society accurately, as he meticulously incorporates everyday life. Therefore, A Doll House represents a realistic drama due to the issues involving women, illnesses, and laws within the play, while conveying Ibsen’s desire for controversy and change in Norway’s society. A common woman in Norway, such as Nora, experiences a daily life of oppression, fear, and unjust authority, which exposes societal mistreatment. Society and Torvald Helmer force Nora to look pretty and happy, although “she laughs softly at herself while taking off her street things. Drawing a bag of macaroons from her pocket, she eats a couple, then steals over and listens at her husband’s door” (Ibsen I. 43), which portrays oppression.