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Ernest Hemingway's influence on literature
The influence of Ernest Hemingway's life on his works
Hemingway as a writer
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Recommended: Ernest Hemingway's influence on literature
Ernest Hemingway (1899-1961), born in Oak Park, Illinois, started his career as a writer in a newspaper office in Kansas City at the age of seventeen. After the United States entered the First World War, he joined a volunteer ambulance unit in the Italian army. Serving at the front, he was wounded, was decorated by the Italian Government, and spent considerable time in hospitals. After his return to the United States, he became a reporter for Canadian and American newspapers and was soon sent back to Europe to cover such events as the Greek Revolution.
During the twenties, Hemingway became a member of the group of expatriate Americans in Paris, which he described in his first important work, The Sun Also Rises (1926). Equally successful was A Farewell to Arms (1929), the study of an American ambulance officer's disillusionment in the war and his role as a deserter. Hemingway used his experiences as a reporter during the civil war in Spain as the background for his most ambitious novel, For Whom the Bell Tolls (1940). Among his later works, the most outstanding is the short novel, The Old Man and the Sea (1952), the story of an old fisherman's journey, his long and lonely struggle with a fish and the sea, and his victory in defeat.
Hemingway - himself a great sportsman - liked to portray soldiers, hunters, bullfighters - tough, at times primitive people whose courage and honesty are set against the brutal ways of modern society, and who in this confrontation lose hope and faith. His straightforward prose, his spare dialogue, and his predilection for understatement are particularly effective in his short stories, some of which are collected in Men Without Women (1927) and The Fifth Column and the First Forty-Nine Stories (1938). Hemingway died in Idaho in 1961.
From Nobel Lectures, Literature 1901-1967, Editor Horst Frenz, Elsevier Publishing Company, Amsterdam, 1969
This autobiography/biography was written at the time of the award and later published in the book series Les Prix Nobel/Nobel Lectures. The information is sometimes updated with an addendum submitted by the Laureate. To cite this document, always state the source as shown above.
Selected Bibliography
Baker, Carlos. Hemingway: The Writer as Artist. Fourth edition, Princeton University Press: Princeton, NJ, 1972.
Bruccoli, Matthew J. (Ed.). Ernest Hemingway's apprenticeship: Oak Park, 1916-1917. NCR Microcard Editions: Washington, D.C., 1971.
Bruccoli, Matthew J., and Robert W. Trogdon (Eds.). The Only Thing That Counts: The Ernest Hemingway-Maxwell Perkins Correspondence 1925-1947.
2.Flora, Joseph M. Ernest Hemingway: A Study of the Short Fiction. G.K. Hall & Co., 1989.
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
Trogdon, Robert W. Ernest Hemingway: A Literary Reference. New York: Carroll & Graf, 2002. Print.
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
Waldhorn, Arthur. Ernest Hemingway: A Collection of Criticism (Contemporary Studies in Literature). Chicago: Syracuse University Press, 1978.
Hemingway, Ernest. "To Maxwell Perkins." 16 Nov. 1933. Ernest Hemingway/Selected Letters, 1917-1961. Ed. Carlos Baker. New York: Charles Scribner?s Sons, 1981. 400.
Levin, Harry “Observations on the Style of Ernest Hemingway”, from "Contexts of Criticism" (Harvard University Press, 1957).
Gajduske, E. Robert. Hemingway's Paris. New York: Charles Scribner's Sons, 1978. Mahoney, John. Ernest Hemingway. New York: Barnes and Noble INC., 1967. McSowell, Nicholas. Life and Works of Hemingway. England: Wayland, 1988. Meyers, Jeffery. Hemingway: A Biography. New York: Harper and Row Publishers, 1985. Shaw, Samuel. Ernest Hemingway. New York: Fredrick Ungar Publishing Company, 1974. Tessitore, John. The Hunt and The Feast, A life of Ernest Hemingway. New York: Franklin Watts, 1996. Waldhorn, Arthur. A Reader's Guide to Ernest Hemingway. New York: Octagon
Wagner-Martin, Linda. Ed. A Historical Guide to Ernest Hemingway. New York: Oxford University Press, 2000.
Ernest Hemingway, an intrinsically gifted author in his own right, owes much of his early success to the mentor he befriended and eventually estranged, Sherwood Anderson. Hemingway’s renowned knack for sabotaging personal relationships throughout his life started early with Anderson. The two writers met in a suburb of Chicago named Oak Park while Hemingway worked as an editor for the Cooperative Commonwealth in 1919. Anderson would go on to help Ernest publish his first successful work (inspired by Sherwood’s own writing), In Our Time, but the friendship would come to an abrupt end in 1926 courtesy of Hemingway’s satirical jab at his former mentor in The Torrents of Spring.
15 Feb. 2003. http://www.cnn.com/SPECIALS/books/1999/hemingway/stories/biography/part1/index.html. Stanford, Judith A. & Co. Responding to Literature: Stories, Poems, Plays, and Essays. New York: McGraw-Hill, 2003.
Schneider, Daniel. "Hemingway's A Farewell to Arms: The Novel as Pure Poetry." Modern Fiction Studies, 14 (Autumn 1968): 283-96.
Earnest Hemingway’s work gives a glimpse of how people deal with their problems in society. He conveys his own characteristics through his simple and “iceberg” writing style, his male characters’ constant urge to prove their masculinity.