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English 124 – Essay in response to research area #2. In the poem “Helen of Troy Does Counter Dancing” by Margaret Atwood the speaker, a stripper by the name of Helen, portrays aspects of both control and exploitation. The stripper portrays these images when she is on stage, and when she is attempting to justify her decisions with her conservative tone. These themes are evident in both situations, when she is on stage she is exploiting herself to persuade the men into paying her for her exotic dancing therefore controlling them. When she attempts to validate herself and her actions to us it reveals that she is in control of herself and she controls, if and how much she exploits herself. The stripper, in Atwood’s verse, is very proud of her These images are particularly evident when she performs on stage and when she attempts to defend herself and her life choices to the audience. The idea that the three texts referenced, in this paper, is the idea that Helen is her own person with her own morals and opinions. The fact that she is a stripper doesn’t make her any different from anyone else; she still has dreams and ambitions. She isn’t exploited by anyone but herself and she has full control of that. When Helen is on stage she shows full control of herself and the men who come to watch her exotic dancing. She controls herself because she forces herself to do this loathsome job. She controls the men through her dancing, just like the legendary Helen of Troy, she is a goddess of beauty and negatively influences these men to leave their wives and come watch her on stage. She controls them with desire. She contains a mysterious air about herself and the men are intrigued by it. They come so that she may fulfill them with the desire and the satisfaction their lives are lacking. Everybody tells her to get a real job meaning get a job with some self-respect. Yet Helen doesn’t want to; she enjoys exploiting herself, the money that comes with it and the feeling of being a goddess wanted by many. In fact she feels bad for those who don’t get to do her job; those who don’t get to feel what it’s like to be a
During this time in society the industry of prostitution was an economic gold mine. The women operate the brothel while very distinguished men in the community own and take care of the up keep. The brothel keepers are seen as nothing more than common home wrecking whores. However, the owners of the brothels are viewed as successful business men.
In the 1930s, who would have perpetrated violent acts against women in the name of sexual gratification yet still hold expectations that women take care of them? By making men in general the placeholder for “you” in the poem, it creates a much stronger and universal statement about the sexual inequality women face. She relates to women who have had “a god for [a] guest” yet it seems ironic because she is criticising the way these women have been treated (10). It could be argued, instead, that it is not that she sees men as gods, but that it is the way they see themselves. Zeus was a god who ruled Olympus and felt entitled to any woman he wanted, immortal or otherwise.
This quote shows how she thinks that she was used as a trophy and as a
This paper will discuss the well published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomerory uses this book to educate others about the role women have played throughout ancient history. Pomerory uses a timeline to go through each role, starting with mythological women, who were called Goddesses. She then talks about some common roles, the whores, wives, and slaves during this time. Pomerory enlightens the audience on the topic of women, who were seen as nothing at the time. Men were seen as the only crucial part in history; however, Pomerory’s focus on women portrays the era in a new light.
Parry, Joseph D. "Interpreting Female Agency and Responsibility in The Miller's Tale and The Merchant's Tale." 80.2 (2001): 133-67. Academic Onefile. Web. 16 May 2013.
When comparing Helen of (Sparta) Troy and Marilyn Monroe they have many parallels and differences. Mutually both of these women had a coarse childhood with many hardships. Both women had a turning point when they did something that caused people to change their opinion of them. Helen and Monroe’s Beauty has luminously inspired artist for decades. When comparing Helen of troy and Marilyn Monroe, one can see many similarities between both historic individuals.
Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. New York: Vintage Books, Inc., 1990. Proser, Matthew N. The Heroic Image in Five Shakespearean Tragedies. Princeton, NJ: Princeton University Press, 1965.
...troy her “insides,” her spirit. At his continued indifference she lashes out against him and tells him she hates him and everything he is. This striking display of female power illustrates the resistance against sexist oppression that Delia and women throughout the ages engage in.
...ation of the women. The victorious Greek army in the Women of Troy does not seem to have any moral compunction in using the women as slaves or their concubines. In this process, they not only insult the citizens of the city of Troy but dehumanize the womanhood itself.
The society in which classical myths took place, the Greco-Roman society was a very patriarchal one. By taking a careful gander at female characters in Greco-Roman mythology one can see that the roles women played differ greatly from the roles they play today. The light that is cast upon females in classical myths shows us the views that society had about women at the time. In classical mythology women almost always play a certain type of character, that is to say the usual type of role that was always traditionally played by women in the past, the role of the domestic housewife who is in need of a man’s protection, women in myth also tended to have some unpleasant character traits such as vanity, a tendency to be deceitful, and a volatile personality. If one compares the type of roles that ladies played in the myths with the ones they play in today’s society the differences become glaringly obvious whilst the similarities seem to dwindle down. Clearly, and certainly fortunately, society’s views on women today have greatly changed.
In my mind, Sonny Carroll’s poem perfectly represents what an empowered woman should be; firm, determined and able to stand on her own feet. The characters of Nora and Antigone, from Henrik Ibsen’s ‘A Doll’s House’ and Sophocles’ ‘Antigone’ respectively, completely fit my description of ‘the empowered woman’. As inspiring figures, they left me wondering how they maintained their identities even in their patriarchal societies. What touched my heart the most is the way they fight for what they feel is moral and just instead of following what society dictates. I believe that each and every woman possesses the qualities like ‘the empowered woman’ in Carroll’s poem. Through my essay, I’d like to show how females in both the plays, during the adversities and extremities of time, evolve into empowered women. I believe that the idea of female empowerment, through these characters, inspires fellow women to make names for themselves rather than being labeled or controlled by men.
The play was considered comic by the ancient Athenians because of its rhyming lyricism, its song and dance, its bawdy puns, but most of all because the notion and methods of female empowerment conceived in the play were perfectly ridiculous. Yet, as is the case in a number of Aristophanes’ plays, he has presented an intricate vision of genuine human crisis. In true, comic form Aristophanes superficially resolves the play’s conflicts celebrating the absurdity of dramatic communication. It is these loose threads that are most rife with tragedy for modern reader. By exploring an ancient perspective on female domesticity, male political and military power, rape, and efforts to maintain the integrity of the female body, we can liberate our modern dialogue.
Homer, Iliad is the narration of the Trojan war. The Trojan war was one of the most important and significant wars of Greek mythology, Homer described how the war was triggered by the abduction of the most beautiful women known as Helen. This paper will argue how the traditional view of this poem is accurate because it indeed was Helens beauty and her selfishness that sparked the Trojan war. Although Helen was not happy about the outcomes of her mistakes. This paper will present how Helen faced many forms of self judgment, how she created many relationships with significant characters, such as Paris, Priam and Aphrodite. Homers portrayal of this significant women was remarkable as we were able to feel her pain and anguish, the readers were
She expects to have anything she wishes, and most of all, she expects to have a control over everything. That is why she punishes all of her lovers, so even though she has no interest in them anymore, they are in a way bound to her.
Images that eroticism is implied tend to represent the availability of the women’s bodies, in the implication that they are objects of eroticism (Sturken and Cartwright 2009: 116), consequently affecting the way society views women such as illustrated in Figure