"We could describe (Heinrich) Schliemann's excavations on the hill of Hissarlik and consider their results without speaking of Troy or even alluding to it," Georges Perrot wrote in 1891 in his Journal des Savants. "Even then, they would have added a whole new chapter to the history of civilization, the history of art" (qtd. in Duchêne 87). Heinrich Schliemann's life is the stuff fairy tales are made of. A poor, uneducated, and motherless boy rises through his hard work and parsimonious lifestyle to the heights of wealth (Burg 1,2). He travels the world and learns its languages ("Heinrich Schliemann"), takes a beautiful Greek bride, and together they unearth the treasures of Troy and the citadel of Agamemnon, thereby fulfilling the dream he has chased since childhood (Calder 18,19; Burg 8). Indeed, by presenting his life in romantic autobiographies as a series of adventures, starring Heinrich Schliemann as the epic hero (Duchêne 14), he ensured his status as a lasting folk hero and perennial bestseller (Calder 19).
The reality was that Heinrich Schliemann was an incredible con man, a generally unlikable braggart who succeeded only because of his queer mix of genius and fraudulence. He had a shylock's conscience when it came to business dealings, and his shady methods pervaded both his life and his archaeology (Burg, 15-31). Schliemann had a habit of rewriting his past in order to paint a more dramatic picture of himself. Among the events he reported that have been found to be grossly untrue are his tales of being entertained by the American president Millard Fillmore and his wife in 1851, and his narrow escape from the San Francisco fire of that same year (Traill 9-13). More disturbing is when he applies these tactics to his archaeology. In December of 1981 Professor David Traill, a Latinist, concluded that the "Treasure of Priam", Schliemann's
most impressive find at Troy, was actually a composite of several small finds uncovered from beyond the walls of the city. Schliemann had collected the pieces from 1871 to 1873 in order to produce a single find large enough to earn him the respect of fellow archaeologists, and also permission from the British to excavate at Mycenae (Calder 33). Twenty years of research led the Traill to the belief that, "the question is no longer whether but rather t...
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One area that Schliemann deserves praise in his technique. For the most part, he used the most advanced technology and strategies available to him and pioneered new techniques to catalogue the data he collected. At the first excavation from 1871 to 1873, Schliemann surrounded himself with experts in many fields. He brought in locals to help with Greek and Trojan history, scientists to examine soil and local plants, photographers and artists to take pictures and make sketches. For the time period, Schliemann’s documentation of his major findings was among the best. He drew everything of interest and recorded the times and dates that they were found. However, there were some problems with how he carried out his excavations. Initially, he believed that the Homeric
The Iliad alone would never have been a reliable source without archaeological evidence to verify the actuality of a Trojan war. Therefore archaeologists have been working on the site known as hissarlik since the 1800’s to uncover truths about the myth. Frank Calv...
As one of the few white men supportive of Hawaii’s monarchy, Claus Spreckels set a great example for others. His life started in Germany and took him to all over the United States. He formed many businesses and helped try to keep Hawaii a monarchy. He was close friends with King Kalakaua and Queen Liliuokalani and fought for them to remain Hawaii’s leaders. His legacy and influence live on to this day, yet most people don’t even know his name.
... one can deny this. His important discoveries in Troy, Mycenae and Tiryns have a significant impact on art history for many reasons as mentioned in the previous paragraphs. In addition, his most significant discoveries are the gold jewels he found in Troy, “Mask of Agamemnon” and shaft graves that he discovered in Mycenae. He wanted to be an archeologist since he was young after knowing Homer’s Iliad poems that his father used to tell him about. In the other hand, Schliemann received many criticizes about his methods in excavation. I think that even though he used wrong methods in excavation, his discoveries was so important; so people can’t forget about his discoveries and keep criticizing his methods. Therefore, I think it is more important now to search and excavate, in order to find additional discoveries that would help us to know more about people in the past.
Johannes Brahms was a German Composer, Pianist and conductor of the 19th century or the Romantic period. He was one of the 3 B's or the Big three: Bach, Beethoven and Brahms. Johannes was a very self-critic man he burned many of his pieces before he could get anyone's opinion on them and he burned all of his compositions that he wrote before the age of 19.
Archaeology and the Trojan War “. he [Heinrich Schliemann] found layers of ruins. and two bore unmistakable signs of violent destruction. One of these layers, the seventh according to more recent excavators, was no doubt the city of Priam and Hector. The historicity of the Homeric tale has been demonstrated archaeologically.”
Johann Sebastian Bach was born into a family of musicians. It was only natural for him to pick up an instrument and excel in it. His father taught him how to play the violin and harpsichord at a very young age. All of Bach’s uncles were professional musicians, one of them; Johann Christoph Bach introduced him to the organ. Bach hit a turning point in his life when both of his parents died at the age of ten years old. Bach’s older brother Johann Christoph Bach took him in and immediately expanded his knowledge in the world of music. He taught him how to play the clavichord and exposed him to great composers at the time. At the age of fourteen, Bach and his good friend George Erdmann were awarded a choral scholarship to the prestigious musical school St. Michael’s in Luneburg. From then on, Bach began to build his career in the music industry. His first two years at the school he sang in the school’s a cappella choir. Historical evidence has shown that Bach at a young age would visit Johanniskirche and would listen to the works of organ player Jasper Johannsen. This was thought to have been the inspiration to Bach’s Toccata and Fugue in D minor. Studying at the prestigious musical school has help Bach network his way around and become acquaintances’ with some of the best organ players at the time such as Georg Böhm, and Johann Adam Reincken. Through his acquaintance with Böhm and Reincken Bach had access to some of the greatest and finest instruments.
Music derived from astrology is surprisingly rare. The ancient Greek philosophers, whatever their intellectual attitudes towards astrology may have been, were certainly not ignorant of astrological teachings and ideas. It was they, after all who put forward the idea of the "Music of the Spheres", the idea that these vast objects twirling around and whirling through space, must have hummed a tone as they went along their courses, much as a ball spun on a string will whistle. They knew of seven planets: Sun, Moon, Mercury, Venus, Mars, Jupiter, and Saturn. Not surprisingly, western music evolved with seven-tone scales. Music and astrology come together again in this suite devoted to the seven planets, though Uranus and Neptune have displaced the Sun and Moon. Gustav Holst (1874-1934) was apparently fascinated by various esoteric pursuits, such as astrology and Hindu philosophy, suggesting in particular a yearning to get to grips with matters of a spiritual nature. How far he got in this pursuit is unclear, but what is quite beyond doubt is the fact that The Planets is a deeply spiritual work, reaching a level of spirit expression that is rarely experienced in other works. Even without this added strength, the whole work is a sonic spectacle and has so many wonderfully exotic harmonies. Coloration, dramatic contrast and inventiveness make this the work of a genius. It was first performed in the autumn of 1918.
Some of the most well known composers came to be in the in the classical music period. Ludwig van Beethoven was one of the composers, along with other greats of the time like Haydn and Mozart, which helped to create a new type of music. This new music had full rich sounds created by the new construction of the symphony orchestra.
Not too far away from the town of Montignac, in the western Massif Central and Northern Pyrenees, the cave of Lascaux was discovered. Four teenage boys and their dog discovered it. The four boys, Marcel Ravidat, Jacques Marsal, Georges Agnel and Simon Coenccus, were out on an expedition, but they found more than they bargained for that day. Their dog wandered away and they searched for him. In the process, the four boys discovered a cave that had been right below their feet for the past 17,000 years. They were not able to venture down into the 250-meter deep cave on the first day so they came back the next day prepared to enter the cave. When the boys first wiggled their way down into the cave they did not find anything. It was not until they reached an oval room that they first discovered paintings on the walls. These boys had uncovered paintings dating back to the Aurignacian (30,000-18,000 B.C.E.) (Laming, 34-41) and Magdalenian (15,000-10,000 B.C.E.) periods. It is believed that many of the paintings found in Lascaux were created between 16,000 and 14,000 B.C.E. The boys could no longer keep this cave a secret, so they told one of their teachers, Monsieur Laval. After accompanying the boys down to the cave, M. Laval started alerting historians to this new discovery. Within five days three historians were already on their way to visit the site. On September 17, 1940 three experts on Paleolithic art, Abbé Breuil, Dr. Cheynier and Abbé Bouyssonnie, crawled down into the cave; it was at this point the cave became authenticated.
The argument against the site can supported by saying that the site could have belonged to civilizations other than Troy. However, the lack of definitive answers on the historicity of Troy is reason the University should have purchased the collection. With such “a rare and valuable collection of Trojan, Greek, and Roman antiques,” the University would have been able to validate the historicity of the site as being or not being Troy (“Terrell to Walton” 4). Subsequently, this would have allowed scholars at the University to make progress in answering the age old question: did Homeric Troy exist? If the site was not Troy, the University would have still aided archaeologists by ruling this site out, narrowing the search window, and allowing the search for Troy to move
Peck, Harry T. "Harry Thurston Peck, Harpers Dictionary of Classical Antiquities (1898)." Harry Thurston Peck, Harpers Dictionary of Classical Antiquities (1898), Twelve Tables. Web. 16 May 2014.
Wolfgang Amadeus Mozart was a born child prodigy. He was Born in Salzburg in January 27 of 1756. He was the son of Leopold Mozart. He for years since his birth has he inspired and amazed people of all ages with his work. He was the greatest composer of his time.
of variations, but withheld his work in deference to J. L. Lagrange. He was a
The average life expectancy as of 2011 is about 78 years old, which we would consider as a fairly long, well lived life. However, an incredible woman named Hendrikje van Andel-Schnipper died at the age of 115 in 2005. van Andel-Schnipper was born in the year 1890, a time when life expectancy was between the ages of 40-50 years old. van Andel-Schnipper more than doubled that life expectancy and proved the impossible was possible!