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Critical essays on hedda gabler
The role of the nineteenth-century female in literature
The role of the nineteenth-century female in literature
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Recommended: Critical essays on hedda gabler
Henrik Ibsen wrote about the feminist movement even though he was not a feminist himself. Throughout his works of literature, he preferred to describe the issues women had within society. In Hedda Gabler, Henrik Ibsen portrays a scenario of a woman trying to defy the gender roles in her society by describing how the protagonist, Hedda Gabler, attempts to manipulate the men in her life, through false love and alcohol, in order to maintain control in a society favorable to men. Hedda Gabler takes place in Oslo, Norway during the 1890s. The setting is integrated in the Victorian society, a type of society that had a strict code of morals and ethics that focused mainly on gender roles and how people should act toward their families. Ibsen wrote …show more content…
While many other women were destined to become housewives or maids, Hedda’s father, a general, gave her a different set of beliefs. These beliefs gave Hedda a sense of power that allowed her to have no tolerance toward someone attempting to control her. General Gabbler basically raised to act like a man. Having inherited the traits of the man, she finds it unacceptable that she has to be submissive like the other women in society, lacking compassion and berating people weaker than her. Hedda’s cold nature and hatred for the weak make her turn to manipulation as a way to keep herself entertained. She specifically aims her hatred and evil nature toward two main victims, George Tesman and Eilert Lovberg, classifying her as a “femme fatale”, a woman who has both beauty and intelligence and is able to use these traits to manipulate men that get involved with her, ultimately leading to their demise. By being a “femme fatale”, she turns her beauty and intelligence into a dangerous weapon for men, thus negating the hatred she has of being a woman with no power in her society. She used her father’s teachings to create the sense of power that make her a “femme fatale.” This sense of power inspires her to enact vengeance on the men that have held her back in her life, attacking the Victorian standards by becoming a woman with power, thus switching up the gender role standards forced upon
Hedda from the story “Hedda Gabler” by Henrik Ibsen, wanted to have freedom or wanted to control her own life. However that desire never come true. Throughout the story we see that Hedda who want to dictate her own life simply couldn’t. One such example is that Hedda got marry. In 1800s, women ought to get marry. Women can’t find any job or have a business, therefore women cannot really survive if they choose to be independent. Hedda is no exception, she is bounded to get marry “I’d dance myself out, dear Judge. My time was up. [Shudders slightly.] Uch, no, I’m not going to say that or even think it.” (Ibsen, 1503) and the only choices she has is to whom she would marry to and after a she gets marry; she wouldn’t be able to live a life she wanted to because in the 1800s women couldn’t control how they live their life. They exist simply to find a men and serve their husband. Even though Hedda has to get marry and live a life that she didn’t want, but she didn’t give up the idea of controlling her own life and go against the society. One such move is that she tries to manipulate the people around her, one such person is her husband George Tesman “You’re right – it was a bit more costly. But Hedda just had to have that trip, Auntie. She really had to. There was no choice.” (Ibsen, 1486) The reason for her manipulation is because she want to
according to the plot of her own play. Hedda finds a “way out” after the internal conflict
Hedda Gabler is a text in which a very domineering society drives a woman to her suicidal death. Many argue that Hedda’s death is an act of courage, as rebellion against the rules of the society, however other believe that Hedda’s actions show cowardice, as she is unable to cope with the harsh reality of the her situation. Hedda's singular goal throughout the play has been to prove that she is still in possession of free will. Hedda shows many examples of both courage and cowardice throughout the play, differing to the character she is with.
Northam, John. 1965. "Ibsen's Search for the Hero." Ibsen. A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall.
The feminist Lois Wyse once stated, “Men are taught to apologize for their weaknesses, women for their strengths.” Women should express remorse for their strengths, when men should feel guilt when exposing their weaknesses. Wyse believed that women should have been able to show their strengths in their oppressive societies instead of covering them up. The 19th century setting in the two plays, A Doll House and Hedda Gabler by Henrik Ibsen, caused much grief in both Nora and Hedda. They both lived in Europe during the 1800’s where males dominated the way society ran. Ibsen created an environment for women to question the society they lived in. Nora and Hedda, two feminists living in a masculine household bereft of happiness, desired to evade their unhappy life at home under the guidance of a man. Eventually, both women escaped from their husband’s grasps, but Hedda resorted to suicide in order to leave. Nora agreed with Lois Wyse by showing her strengths with pride to everybody, while Hedda hid her strengths like a coward by killing herself. Ibsen used numerous literary elements and techniques to enhance his writing and to help characterize the two protagonists. Nora, characterized as a benevolent and strong person, left her husband to explore the beliefs in society and to interpret ideas herself. Unlike Nora, the belligerent, selfish Hedda destroyed the lives of people around her just to take her own life in the end. Even though it appeared that Nora abandoned all responsibility for her children and hid an insidious secret from her husband, Nora showed greater fortitude than Hedda in the way she faced the obstacles of her life.
Northam, John. 1965. "Ibsen's Search for the Hero." Ibsen. A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall.
Hedda Gabler by Henrik Ibsen is a play about Hedda, a woman living in Christiana, Norway in the 1860’s who manipulates others, but her efforts produce negative results. During this era, there were Victorian values and ethics which were followed by almost all. The main values comprised of women always marrying and, their husbands taking care of them. Women were always accompanied by chaperone and were not allowed to be left alone with an unfamiliar male. It was Bertrand Russell who said “It is preoccupation with possessions, more than anything else, that prevents us from living freely and nobly”. This quote brings light to how Hedda acts on a daily basis where she is driven by possessions. In Hedda Gabler the theme of internal pressure is portrayed throughout the play. This can be seen through Hedda’s greed and materialism, her uncaring attitude and her manipulative personality.
In using the name Hedda Gabler, despite her marriage to George Tesman, Ibsen has conveyed to the reader the importance of social class. Hedda prefers to identify herself as the daughter of General Gabler, not the wife of George Tesman. Throughout the play she rejects Tesman and his middle class lifestyles, clinging to the honorable past with which her father provided her. This identity as the daughter of the noble General Gabler is strongly implied in the title, Hedda Gabler. In considering the many implications of the social issues as explained above, it can not be denied that the very theme of Hedda Gabler centers on social issues. "
how it was but rather how it should be. Ibsen has set up an environment where women cannot decide on their own, but presents two female characters in the bok that go beyond this thinking
One of the many social issues dealt with in Ibsen's predicament plays is the lack of freedom bestowed upon women limiting them to a domestic life. In Hedda Gabler, Hedda struggles with an independent intellect and satisfying her ambitions in the slender role society allows her. Incapable of being creative the way she wants, Hedda's passions become destructive to herself and others around her.
”“I bought it on Hedda’s account” (Ibsen 128). “Look there! She has left her old bonnet lying about on a chair” (Ibsen 132).
The fact is, there are plenty of theories and statements that could be behind the story of this book, but I am certain that Ibsen was not trying to make propaganda of women’s rights at all. However, I believe Ibsen when he said in his speech at the Banquet of the Norwegian League for Women’s rights, “It has seemed a problem of mankind
Within Hedda Gabler, the struggles between gender roles is prevalent, women are strictly oppressed and regulated to conform to the social principles which the society themselves have enforced. Principles which escalate the tensions that exist throughout, not only in the relationship which Hedda and George share but throughout the setting in which the play takes place. In this compelling play, Henrik Ibsen explores the sense of perception that protrudes from the differing social classes to illuminate the distinct ideals which lies within individuals, influencing their portrayal of women expectations- that being the exaggeration of qualities that are believed to be feminine such as being naive, soft, flirtatious, nurturing and accepting. However,
Hester shows that she can do anything that a man can do but even better. One text example is “let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart!”(121). Hester is trying to show that she men should be trembling at women which is a very feminist thing to say. Throughout the novel Hester is constantly showing that she has the responsibility to do anything a man could do throughout a society. Hester raises a child, gives back to the community, and has a steady job and does this all while being considered a outcast to the society.
In the late 19th century, women were expected to be pious and pure, restrained as homebound mothers in their private sphere (Gordon 26). Hedda Gabler, a play by Henrik Ibsen, explores the concept of femininity through Hedda Tesman and Thea Elvsted, two women searching for an identity and purpose in life. In Ibsen’s modern drama, Thea serves as a foil to Hedda. Their juxtaposed external characteristics and emotional interactions portray how Thea Elvsted fits into gender norms more so than Hedda Gabler.