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Critical essays on hedda gabler
The role of the nineteenth-century female in literature
The role of the nineteenth-century female in literature
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Recommended: Critical essays on hedda gabler
Henrik Ibsen wrote about the feminist movement even though he was not a feminist himself. Throughout his works of literature, he preferred to describe the issues women had within society. In Hedda Gabler, Henrik Ibsen portrays a scenario of a woman trying to defy the gender roles in her society by describing how the protagonist, Hedda Gabler, attempts to manipulate the men in her life, through false love and alcohol, in order to maintain control in a society favorable to men. Hedda Gabler takes place in Oslo, Norway during the 1890s. The setting is integrated in the Victorian society, a type of society that had a strict code of morals and ethics that focused mainly on gender roles and how people should act toward their families. Ibsen wrote …show more content…
While many other women were destined to become housewives or maids, Hedda’s father, a general, gave her a different set of beliefs. These beliefs gave Hedda a sense of power that allowed her to have no tolerance toward someone attempting to control her. General Gabbler basically raised to act like a man. Having inherited the traits of the man, she finds it unacceptable that she has to be submissive like the other women in society, lacking compassion and berating people weaker than her. Hedda’s cold nature and hatred for the weak make her turn to manipulation as a way to keep herself entertained. She specifically aims her hatred and evil nature toward two main victims, George Tesman and Eilert Lovberg, classifying her as a “femme fatale”, a woman who has both beauty and intelligence and is able to use these traits to manipulate men that get involved with her, ultimately leading to their demise. By being a “femme fatale”, she turns her beauty and intelligence into a dangerous weapon for men, thus negating the hatred she has of being a woman with no power in her society. She used her father’s teachings to create the sense of power that make her a “femme fatale.” This sense of power inspires her to enact vengeance on the men that have held her back in her life, attacking the Victorian standards by becoming a woman with power, thus switching up the gender role standards forced upon
The feminist Lois Wyse once stated, “Men are taught to apologize for their weaknesses, women for their strengths.” Women should express remorse for their strengths, when men should feel guilt when exposing their weaknesses. Wyse believed that women should have been able to show their strengths in their oppressive societies instead of covering them up. The 19th century setting in the two plays, A Doll House and Hedda Gabler by Henrik Ibsen, caused much grief in both Nora and Hedda. They both lived in Europe during the 1800’s where males dominated the way society ran. Ibsen created an environment for women to question the society they lived in. Nora and Hedda, two feminists living in a masculine household bereft of happiness, desired to evade their unhappy life at home under the guidance of a man. Eventually, both women escaped from their husband’s grasps, but Hedda resorted to suicide in order to leave. Nora agreed with Lois Wyse by showing her strengths with pride to everybody, while Hedda hid her strengths like a coward by killing herself. Ibsen used numerous literary elements and techniques to enhance his writing and to help characterize the two protagonists. Nora, characterized as a benevolent and strong person, left her husband to explore the beliefs in society and to interpret ideas herself. Unlike Nora, the belligerent, selfish Hedda destroyed the lives of people around her just to take her own life in the end. Even though it appeared that Nora abandoned all responsibility for her children and hid an insidious secret from her husband, Nora showed greater fortitude than Hedda in the way she faced the obstacles of her life.
One of the many social issues dealt with in Ibsen's predicament plays is the lack of freedom bestowed upon women limiting them to a domestic life. In Hedda Gabler, Hedda struggles with an independent intellect and satisfying her ambitions in the slender role society allows her. Incapable of being creative the way she wants, Hedda's passions become destructive to herself and others around her.
Everyone has faults, some people are greedy, some don’t know how to use manners, and others neglect a person’s feeling all together. Most of the time people just have one “fault” that they try to get better at. In Hedda’s case, she has all three problems but she encourages them instead of trying to learn to control them. In the play Hedda Gabler the author Henrik Ibsen shows that Hedda’s ill-behaved manners, greed for power and lack of emotional understanding of others will come back and bite her in the butt.
herself and her attempt to break through the strict bonds of society that all the other
During the class discussion of Henrik Ibsen’s Hedda Gabler we were enlightened by the idea of the economy in Norway at the time which helped to better understand the social classes represented in the play. During the 1890’s, Norway was in the midst of an economic growth. The wealthy were all about keeping up with the latest fashion. This was represented in Hedda Gabler with Aunt Julia buying a new bonnet to impress Hedda only to be astonished when Heddarecognizes it as that of a servant. “Why what a gorgeous bonnet you’ve been investing in.
Northam, John. 1965. "Ibsen's Search for the Hero." Ibsen. A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall.
The fact is, there are plenty of theories and statements that could be behind the story of this book, but I am certain that Ibsen was not trying to make propaganda of women’s rights at all. However, I believe Ibsen when he said in his speech at the Banquet of the Norwegian League for Women’s rights, “It has seemed a problem of mankind
Within Hedda Gabler, the struggles between gender roles is prevalent, women are strictly oppressed and regulated to conform to the social principles which the society themselves have enforced. Principles which escalate the tensions that exist throughout, not only in the relationship which Hedda and George share but throughout the setting in which the play takes place. In this compelling play, Henrik Ibsen explores the sense of perception that protrudes from the differing social classes to illuminate the distinct ideals which lies within individuals, influencing their portrayal of women expectations- that being the exaggeration of qualities that are believed to be feminine such as being naive, soft, flirtatious, nurturing and accepting. However,
Hester shows that she can do anything that a man can do but even better. One text example is “let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart!”(121). Hester is trying to show that she men should be trembling at women which is a very feminist thing to say. Throughout the novel Hester is constantly showing that she has the responsibility to do anything a man could do throughout a society. Hester raises a child, gives back to the community, and has a steady job and does this all while being considered a outcast to the society.
In the late 19th century, women were expected to be pious and pure, restrained as homebound mothers in their private sphere (Gordon 26). Hedda Gabler, a play by Henrik Ibsen, explores the concept of femininity through Hedda Tesman and Thea Elvsted, two women searching for an identity and purpose in life. In Ibsen’s modern drama, Thea serves as a foil to Hedda. Their juxtaposed external characteristics and emotional interactions portray how Thea Elvsted fits into gender norms more so than Hedda Gabler.
Hedda asks herself, “Oh, why does everything I touch become mean and ludicrous? It’s like a curse!” This comment emphasizes the fact that her ennui is affecting all of those around her. It has caused her to become nihilistic and wreak havoc on the lives of others for her own amusement.
Hedda Gabler by Henrik Ibsen is a play about Hedda, a woman living in Christiana, Norway in the 1860’s who manipulates others, but her efforts produce negative results. During this era, there were Victorian values and ethics which were followed by almost all. The main values comprised of women always marrying and, their husbands taking care of them. Women were always accompanied by chaperone and were not allowed to be left alone with an unfamiliar male. It was Bertrand Russell who said “It is preoccupation with possessions, more than anything else, that prevents us from living freely and nobly”. This quote brings light to how Hedda acts on a daily basis where she is driven by possessions. In Hedda Gabler the theme of internal pressure is portrayed throughout the play. This can be seen through Hedda’s greed and materialism, her uncaring attitude and her manipulative personality.
Northam, John. 1965. "Ibsen's Search for the Hero." Ibsen. A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall.
and do things themselves. One of the women gets her own job and the other leaves her daughter for adoption. Thus showing they are making their own decisions in life. This is unheard of in the 1800's and shows Ibsen trying to have a society in which women do have an identity in society and can be heard. Throughout the play, a women is shown doing her own thinking and not listening to what men have to say even though that is not how it used to be. Ibsen creates this new society in which anyone, no matter the gender, should be able to make their own decisions about life and how to live it.
After “A Doll’s House” Ibsen wrote another masterpiece, Hedda Gabler. Different from “A Doll House”, it shows none of Ibsen’s reforming zeal like the emancipation of women in “A Doll’s House”. Rather, it is about a study of a complex figure, Hedda. Hedda had a defected sense of morality. She manipulated everyone who was around her, yet we still feel pity for her. It is because she is a tortured figure caught in the midst of the society, a tormented soul who never gets a grasp of her own destiny. At last, she chose death as her solution to escape or rebel against her destiny.