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Recommended: Byronic hero analysis
Heathcliff The Byronic Hero in Wuthering Heights by Emily Bronte When one starts reading Wuthering heights I’m sure they think to themselves that the book will be just another romantic novel. They wait for Heathcliff to come around the whole story, and for him and Catherine to end up together, but it doesn’t happen. This causes Heathcliff to get progressively, more and more alienated by the people around him. He only wants what he can’t have and this is why he is referred to as a Byronic Hero. It is my intention to prove Heathcliff as a Byronic Hero by classifying him under the six attributes of the archetype.
The first major sign of a Byronic Hero is he is often alienated from humanity. In the beginning of the story Heathcliff is adopted by Earnshaw. Earnshaw eventually ends up loving Heathcliff more then his own blood, Hindley. Hindley feels alienated by his father and eventually begins to take it out on Heathcliff. Earnshaw sends Hindley off to college to get Hindley off Heathcliff’s back; soon after Earnshaw dies. This is when Hindley inherits Wuthering Heights and turns the tables on Heathcliff. Heathcliff begins to feel the alienation that Hindley felt and gets assigned all the terrible jobs around Wuthering Heights. This fills him with anger and hatred at everyone except his obsessive love towards Catherine. Heathcliff feels very alienated by Catherine when she says “...
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...lla that he will be punishing her instead. In the end of the story he keeps seeing signs of Catherine everywhere. This eventually wears away at Heathcliff. He began to eat way less food. Everyday he would eat less and then it talks about how he was done seeking revenge. From then on he completely stopped eating completely. This was the biggest case of self destruction in the book. He eventually died soon after for he couldn’t wait to be reunited with Catherine.
As you can see Heathcliff fits all the different attributes of a Byronic Hero. Heathcliff fits the archetype for romanticism perfectly. He loves Catherine and he based his whole life around her and her actions. His impractical romantic thoughts of him and Catherine eventually led to the demise of himself.
Heathcliff's love for Catherine transcends the normal physical "true love" into spiritual love. He can withstand anything against him to be with her. After Hindley became the master of Wuthering Heights, he flogged Heathcliff like a slave. Although Heathcliff could have simply run away, his decision to endure the physical pains shows his unrelenting devotion to Catherine. Fortunately, Catherine feels as deeply for Heathcliff as he does for her, explaining to Nelly that "Whatever our souls are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only does this love transcend physical barriers, it transcends time as well...
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Heathcliff is full of passionate love. When Catherine dies he says, ‘You say I killed you, haunt me then’. This bold statement is very typical of a Byronic hero, as they are not known for simple love. The request for Catherine to haunt Heathcliff is outrageous and immoral as he is calling upon spirits and disturbing their peaceful rest. The typical Victorian Era reader would have been absolutely appalled at this sinfulness. A Byronic hero’s passionate love would make them say such a bold statement; their love is not small. This makes Heathcliff a Byronic
Similarly, it is made clear that in Wuthering Heights, Heathcliff’s personality is being forged following the same fashion. It is in this sense that Emily’s portrayal of Heathcliff is an imitation of Lord Byron’s account of his vampire-Manfred. Heathcliff comes to imitate Manfred when he is described, for example, in one instance of the Brontean text as “dark” as though he”came from the devil” (Emily Bronte: 36) (LISA revue).
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
Heathcliff is starving himself so he can be with Cathy again. This psychological disorder has immerged from his love for her. The fact that Cathy, has left him, drives him crazy. He doesn’t understand how she could be so selfish. Heathcliff’s death is long and drawn out. This is because Heathcliff believes Cathy to be haunting him, and by him drawing out his death, he also draws out Cathy’s suffering.
“I have not broken your heart - you have broken it; and in breaking it, you have broken mine”. (Brontë 156) Since the beginning of time, love is something all aspire to attain. It has shown through novels, movies, plays, and songs, however not all love is the same. In Emily Brontë’s novel, Wuthering Heights, published in 1847, characters illustrate through disputes that occur, deception and selfishness. This is illustrated through the events of; Heathcliff's hunger for revenge, Edgar Linton's impact on Catherine in comparison to Heathcliff, and Heathcliff’s deception on all characters.
Wuthering Heights is a novel whose main character is said to have double significance. He is said to be both the dispossessed and the dispossessor, victim of class hatred and arch – exploiter, he simultaneously occupies the roles of working class outsider and brutal capitalist. Heathcliff has all these characteristics because of his experience. He is a character moulded by his past. Heathcliff is a character defined by his sympathetic past.
From the beginning of the novel and most likely from the beginning of Heathcliff's life, he has suffered pain and rejection. When Mr. Earnshaw brings him to Wuthering Heights, he is viewed as a thing rather than a child. Mrs. Earnshaw was ready to fling it out the doors, while Nelly put it on the landing of the stairs hoping that it would be gone the next day. Without having done anything to deserve rejection, Heathcliff is made to feel like an outsider. Following the death of Mr. Earnshaw, Heathcliff suffers cruel mistreatment at the hands of Hindley. In these tender years, he is deprived of love, friendship, and education, while the treatment from jealous Hindley is barbaric and disrupts his mental balance. He is separated from the family, reduced to the status of a servant, undergoes regular beatings and forcibly separated from his soul mate, Catherine. The personality that Heathcliff develops in his adulthood has been formed in response to these hardships of his childhood.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a destructive force, motivating him to enact revenge and wreak misery. The power of Heathcliff’s destructive love is conquered by the influence of another kind of love. Young Cathy’s love for Hareton is a redemptive force. It is her love that brings an end to the reign of Heathcliff.
The basic conflict of the novel that drives Heathcliff and Catherine apart is social. Written after the Industrial Revolution, Wuthering Heights is influenced by the rise of new fortunes and the middle class in England. Money becomes a new criterion to challenge the traditional criterias of class and family in judging a gentleman’s background. Just as Walpole who portrays the tyrannies of the father figure Manfred and the struggles of the Matilda who wants to marry the peasant Theodore, as depicted in the quote “(…) improbability that either father would consent to bestow his heiress on so poor a man, though nobly born”(p. 89), Brontë depicts a brutal bully Hindley who torments Heathcliff and separates Catherine from him. Heathcliff, a gypsy outcast picked u...
In the novel Wuthering Heights by Emily Bronte, Heathcliff is an orphan boy brought to Wuthering Heights by Mr. Earnshaw, who has two children of his own already - Catherine and Hindley. Heathcliff changes over the course of his life by the following; Heathcliff begins by getting along well with Catherine Earnshaw, however, Catherine Earnshaw is introduced to Edgar Linton and Heathcliff becomes jealous of their forming relationship, and once Catherine has passed away after delivering Edgar’s child, Heathcliff becomes haunted by her ghost, and wishes to only be united with her in death.
In Wuthering Heights by Emily Bronte, the Earnshaws, a middle class family, live at the estate, Wuthering Heights. When Mr. Earnshaw takes a trip to Liverpool, he returns with an orphan whom he christens “Heathcliff”. During their formative years, Catherine, Mr. Earnshaw’s daughter, plays with Heathcliff on the moors and becomes close with him. As a result, they form a special bond and Heathcliff and Catherine fall in love, unlike Hindley, Mr. Earnshaw’s son, who does not get along with Heathcliff. While Heathcliff benefits from his relationships, his connections are disadvantaged in terms of status, reputation, financial stability, and happiness.
In the novel Wuthering Heights, Emily Bronte strongly emphasizes the dynamic and increasingly complex relationship of Mr. Heathcliff and Catherine. Heathcliff, the abandoned gypsy boy is brought to Wuthering Height by Mr. Earnshaw to be raised with his family. After Mr. Earnshaw's death, he suffers harsh abuses from his "brother" Hindley and from Catherine, whom he dearly loves. This abuse will pave the way for revenge. The evolving and elaborate plans for revenge Mr. Heathcliff masterminds for those who he feels had hurt him and betray him is what makes Wuthering Heights a classic in English literature. The sudden change in feelings and emotions in Mr. Heathcliff are powerful scenes. Revenge becomes the only reason to live for him. Revenge is the main theme in Wuthering Heights because it highlights important events, personality flaws, and the path of destruction.