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Thesis on industrialization
A essay on industrialization
A essay on industrialization
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In the book Heart of Darkness, a sailor named Marlow describes his past journey thought the Congo during the Industrial Era, focusing especially on how the natives were treated by the Europeans. Joseph Conrad portrays Marlow’s first experience as dreadful and appalling through dismal diction and detail, and syntax. This demonstrates how people will often turn away from their respectable intentions to malevolent morals. The use of disheartening diction at the beginning of the passage allows Conrad to set the tone for the rest of the book. As Marlow is stepping through the forest, he notes of the dying people “… nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom.” This is Marlow’s initial response when he saw of what became of the workers. Conrad’s addition of “disease and starvation” makes it seem as if a famine had occurred where Marlow is and the people themselves looked like the products of misery. This allows Marlow to remark of how tirelessly the workers are being pushed and they are making their own …show more content…
Marlow emphasizes the human labor in “The work was going on. The Work!” to show that the colonists were not willing to stop their murderous work and turned away from empathy for the natives. Conrad intended for the reader’s to realize of how poorly the natives were treated and shoe the indifference for miserable human life. Marlow asks rhetorical questions by saying “He had a tied a bit of white worsened round his neck-Why? Where did he get it? Was is a badge-an ornament-a charm-a propitiatory act?” Marlow asks these questions because he is wondering of how the natives were the property of the Europeans and that they were easily discarded when they were inefficient. Conrad wanted the readers to know how chained the natives were to their work, such that they were still treated as property even when they were about to
The natives who attack the steamboat as the pilgrims near the Inner Station are seen only as ‘naked breasts, arms, legs, glaring eyes.’ The effect is to cause the reader to never picture the natives as fully human.” By emphasizing the barbaric nature of the natives, Marlow shows how inconsiderate humans can be toward other humans. We look down on people who are different than us, simply because they are distinguished from us. He regards them and describes them as if they are lower life forms than him, which simply isn’t true. But the important question is why does Marlow (and all of The Company) think that these natives are simply animals? It’s because the Company holds power that the natives do not have. This goes back to the original thesis of this paper: without God serving as a strong figure in our lives, we look to
Marlow needs to see the trouble arising as the only reason he had achieved this job is due to the old employing dying from incidents in Africa by natives, as there are signs an individual may notice or not which can stop these incidents from occurring. In Heart of Darkness, Marlow had stated, "I had to wait in the station for ten days – an eternity." (Joseph Conrad, 27) This quotation demonstrates that Marlow was impatient to begin this path and journey of his life, as he wanted to discover this piece of land for than anything the slightest bit of delay is driving him insane.
Conrad’s main character Marlow is the narrator for most of the story in Heart of Darkness. He is presented as a well-intentioned person, and along his travels he is shocked by the cruelties that he sees inflicted on the native people. Though he is seemingly benevolent and kindly, Marlow shows the racism and ignorance of Conrad and in fact of the majority of white people in his era, in a more subtle way. Marlow uses words to describe the blacks that, though generally accepted in his time, were slanderous and crude. He recalls that some of the first natives he saw in the Congo looked at him “with that complete, deathlike indifference of unhappy savages” (80; part 1). Marlow casually refers to the Africans with the most offensive of language: “Strings of dusty niggers arrived and departed…” (83; part 1). To Marlow, and thus to Conrad, the Africans are savages, dogs, devils, and criminals. Even the stories that Conrad creates for Marlow to narrate are twisted and false. The natives that Marlow deals with in the book are described as cannibals, and they are even given dialogue that affirms th...
Marlow, the main character in Heart of Darkness, often recognizes the Europeans' dehumanization of the Africans. As Marlow approaches the company offices at the Outer Station he sees "a scene of inhabited devastation" (Conrad 24). He catches sight of a chain gang of half starved, animal-like Africans. Trying to rationalize the situation, Marlow tells himself that these Africans are criminals, and somehow deserve their ...
From the very moment Marlow speaks the reader is presented with light and dark imagery. It should be noted, however, that darkness seems to dominate. The light and dark, being binary oppositions, come to represent other binary oppositions, such as civilized and uncivilized, and of course good and evil. The primitive 'savages' are described as dark, both literally in regards to skin tone, but also in attitude and inwardly. Marlow calls the natives at the first station "black shadows of disease and starvation" (Conrad 20). A little further into the text, Marlow is horrified by what he is seeing, by the darkness he and the reader are being presented with. These are both excellent examples of the negativity towards the natives throughout the book. So, the darkness of the natives is a metaphor for their supposed incivility, evilness and primitiveness. However, if the reader looks a little deeper, they can see that this darkness also ...
One interpretation of Marlow's relationship to colonialism is that he does not support it. Conrad writes, "They were not enemies, they were not criminals, they were nothing earthly now,-nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom" (p. 27-28). Marlow says this and is stressing that the so-called "savages", or Africans, are being treated and punished like they are criminals or enemies when in fact they never did anything. He observes the slow torture of these people and is disgusted with it. Marlow feels sympathy for the black people being slaved around by the Europeans but doesn't do anything to change it because that is the way things are. One can see the sympathy by the way that he gives a starving black man one of his biscuits. "To tear treasure out of the bowels of the land was their desire, with no moral purpose at the back of it than there is in burglars breaking into a safe" (p. 54). This statement by Marlow conveys that he doesn't believe that the Europeans have a right to be stripping Africa of its riches. He views the Jungles of Africa as almost it's own living, breathing monster.
Joseph Conrad creates a motif of light and darkness within society, never quite placing Marlow on either side, and thus isolating him from everyone else. When first getting to shore, Marlow refers to the natives as criminals, creatures, and savages. This immediately gives the reader the idea that Marlow thinks himself different than them. One of the first things he notices when seeing them is their midnight black skin and that “each had an iron collar on his neck, and all were connected together with a chain” (Conrad 70). By describing the dark skin of the natives, Conrad manipulates Marlow to think of them as the dark part of society. The chain ties the natives together literally but also figuratively. This metaphor is created to show the unity between the natives and that, whether by force or by choice, they stick together. Although the natives may not have much else, they have each other’s company which is later used to juxtapose the isolation in Marlow. When meeting the white men in the Congo, his reaction is quite different. After taking in the acco...
In the beginning of Marlow’s story he tells how he, "Charlie Marlow, set the women to work--to get a job." He tells this in the context that he was so desperate to travel in the trade industry that he did what was unthinkable in those times: he asked a woman for financial assistance. The woman, his aunt, also transcended the traditional role of women in those times by telling Marlow that she would be delighted to help him and to ask her for help whenever he needed it. This incident did not have much to do with the symbolic theme of the story; it simply served to tell the reader how Marlow managed to be able to travel to the Congo. On a higher level, it was intended by Conrad to illustrate Marlow’s opinion of women’s inferior role in society, which embodied traditional 19th century society.
For most of his young life, Joseph Conrad has had a burning desire to be a seaman; and in 1874, when he is just sixteen years of age, his dream becomes a reality. In addition, he worked his way up through the ranks and piloted a merchant ship up the mighty Congo River in central Africa. Later, it is the memory of this voyage that provides him with the first hand details for writing his most famous novel HEART OF DARKNESS, and these memories spring to life as Marlow , the main character, replaces Conrad in the story. A feeling of darkness is everywhere and it causes the reader to feel surrounded by it. This motif causes the reader to see the darkness in his surroundings, to experience the dark deeds of man, and to recognize the darkness of man's mind.
The title of the novel is itself misleading, because Conrad purposely leads us around understanding rather than directly to its heart, always hinting at something that, it seems, cannot be expressed. En route to “the biggest...most blank” space on the map of his youth, Marlow muses: “My isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform sombreness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion” (108, 114). He repeats words until they are nothing but sounds, polysyllabic mouthfuls devoid of real meaning: “palpable,” “inestimable,” “inscrutable,” “impenetrable.” Thick layers of images accumulate until all senses are enshrouded in mist, darkness, and distance. And yet, even in the face of the Unknowable, there is still an adamantly declared sense of understanding, however elusive or inadequate it may be. Marlow recalls that his experience in the Congo, for example, “seemed somehow to throw a kind of light on everything about me — and into ...
A masterpiece of twentieth-century writing, Heart of Darkness exposes the tenuous fabric that holds "civilization" together and the brutal horror at the center of European colonialism. Joseph Conrad's novella, Heart of Darkness, describes a life-altering journey that the protagonist, Marlow, experiences in the African Congo. The story explores the historical period of colonialism in Africa to exemplify Marlow's struggles. Joseph Conrad's Heart of Darkness is most often read as an attack upon colonialism. Marlow, like other Europeans of his time, is brought up to believe certain things about colonialism, but his views change as he experiences the effects of colonialism first hand. This essay will look at Marlow's negative view of colonialism, which is shaped through his experiences and from his relation to Kurtz. Marlow's understanding of Kurtz's experiences show him the effects colonialism can have on a man's soul.
Ignorant of the existence of chain gangs, groves of perishing Africans and the like, Marlow's aunt talks "about 'weaning those ignorant millions from their horrid ways'" (Conrad 27). Her nephew, about to step into the "heart of darkness," might "venture to hint that the company was run for profit" (27), but she sees only the white man's burden. No, her nephew must be no mere harvester of ivory and rubber. For her, he is a torch-bearer on the vanguard of civilization. Thus -- noting her delusion -- Marlow tells his...
Subsequently after Marlow boards a steamer ship to make his voyage towards Africa, he notices a boat full of “black fellows” with “grotesque masks” [Conrad 18]. This initial description of black people by Marlow evokes the prima facie assumption that Marlow’s perspective on these peoples is merely a reflection of the society in which he grew up in; moreover, his observation illustrates the collective superiority complex of European society that was imposed on the Africans. As the narrative progresses, one continues to witness the blatant racism that Marlow incessantly radiates; moreover, he constantly refers to the natives as “savages” [Conrad 20] which elucidates Marlow’s disposition towards them. In several instances can one observe the transformation that Marlow undergoes regarding his perspective of the natives.
Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a batallion of troups. This sight angers Marlow and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.
Despite the opinion of certain critics, Conrad did not create Marlow to be a prejudice character. One of his first Marlow?s first Reactions to the villagers is the exact opposite, ?They were not enemies they were not criminals??(Conrad, 189) While his initial response may not seem altogether accepting, it is far beyond the understanding of his peers. As the story continues Marlow is slightly sarcastic in his understanding of the villagers, ?Fine fellows-Cannibals-in their place. They were men one could work with, and I am grateful to them. And, after all, they did not eat each other before my face? (189)? Marlow shows his ability to be sarcastic in the face of popular criticism, even making the mold step to refer to these African?s as ?Fine Fellows?(189), ?They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of they humanity-like yours-the thought of your remote kinship with this wild??(189) Although the natives...