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Analysis of the novel Heart of Darkness
Note on the character of kurtz in heart of darkness
Note on the character of kurtz in heart of darkness
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Recommended: Analysis of the novel Heart of Darkness
In the final part of Joseph Conrad’s Heart of Darkness, the impending death of Mr. Kurtz shows not only the regret he (Kurtz) feels, but the idea that people can only be truthful when facing death. The audience finds out a lot of information about Kurtz in his final moments alive. Marlow analyzes the expressions and the words that Kurtz gives to show the reader some of Kurtz’s true emotions. Only when facing his death does Kurtz finally give the audience a glance at his true feelings towards his own life and the lives of others. Feelings that are seen for the very first time in the book from Kurtz. In Kurtz’s final moments he begins to reflect on the life he has lived and this is what brings out all of the emotion that is seen and described …show more content…
This is Ironic because it was the greed and desire that kurtz had for ivory that eventually brought about his death. A plethora of different emotions are also seen on Kurtz’s face in his final moments. The majority of these emotions are for the most part new to Kurtz as a character and ones that the audience has not really had a glimpse of in the book. The first emotion that is mentioned is “somber pride”. Somber pride refers to the pride that Kurtz feels in his accomplishments with the ivory company and also his power over the natives. This pride is described as somber because Kurtz realizes that his power and success is not necessarily something he should be proud of because of the ways in which he achieved it. The ruthless and controlling demeanor towards others throughout the book somewhat take away from some of the pride that Kurtz feels and gives him the sense of somberness that is mentioned. The quote also uses “ruthless power”. This alludes to the part of Kurtz that is more familiar to the audience because it can be seen in his character during the book. Kurtz uses his power and brute force to get the ivory that he desires. This makes him successful but it also makes people such as the manager uneasy. …show more content…
Many of which he has never seen before. One trait that is new to Marlow is “craven terror”. Kurtz is portrayed in most of the book as a confident larger than life character. In his final moments however he is basically describes as scared and as a coward. Marlow sees that Kurtz too is human and is afraid of death. These are all things that are not seen in Kurtz until this moment. A moment in which he is finally reflecting on his life he feels scared and is acting like a coward possibly for the first time. These are traits that are new both to Kurtz and to Marlow. Kurtz is exhibiting a kind of honesty that can not be found anywhere else in the book. At the moment before his death he is vulnerable and also shows it when before he may have had vulnerabilities but never showed them. Lastly Marlow sees “hopeless despair” in Kurtz. This trait may be the most surprising because it has the most contrast to the way that Kurtz is portrayed in the better part of the book. Kurts is portrayed as very confident and sure of himself. When he is described as hopeless, it is another example of Kurtz being vulnerable and showing it. He knows he is going to die and he has lost all hope in living. The word despair again describes Kurtz’s reflections on his life and his realizations. Like the realization that although he was seen as a god to some, at the end of the day he was not seen in as good of a light to the
Marlow tells of a vision that he has on his way into seeing the intended. He says that he saw Kurtz on the stretcher opening his mouth voraciously as if to devour all of the earth with all its mankind2 and that he had seen. Kurtz as 3a shadow insatiable of splendid appearances, of frightful. realities, a shadow darker than the shadow of night,(72). This is a a real and vivid description of his feelings for Kurtz.
Many works of literature not readily identified with the mystery or detective story genre nonetheless involve the investigation of a mystery. Sometimes finding out the answer of the mystery can illuminate the meaning of the work as a whole. This is present in Joseph Conrad’s Heart of Darkness. The mystery in this novella is about a character named Kurtz.
The epiphany of Marlow in "The Heart of Darkness" has significance in the overall story. The theme of the story is how every man has inside himself a heart of darkness and that a person, being alienated like Kurtz, will become more savage. Marlow, in his epiphany, realizes the savagery of man and how being alienated from modern civilization causes one to be savage and raw. This savagery is shown especially in the death of the helmsman, which is where Marlow's epiphany takes place, but the savagery is also show in Kurtz. The link that Kurtz has to the natives and the death of the helmsman is that the natives work for Kurtz.
He talks about purpose, and how tragedy effects the audience. In the book, Heart Of Darkness, Joseph Conrad writes about a character, Marlow, who is on a journey through Africa to find a man named Kurtz. Kurtz is a man who not many people have met or seen but he is spoken very highly of. To be a tragic hero, Aristotle says that it should be clear that the person is an important character and held to a high standard but not perfect. The character must be relatable. Marlow heard things about Kurtz that made it sound like people adored him. On page thirty, "Mr. Kurtz was a 'universal genius.'" One encounter that Marlow had with a Russian trader who was close to Kurtz described Kurtz in a sense of awe. " 'We talked of everything,' he said, quite transported at the recollection. 'I forgot there was such a thing as sleep. The night did not seem to last an hour. Everything! Everything!... Of love, too.' 'Ah he talked to you of love!'" (Conrad, 54) Before meeting Kurtz, the things Marlow heard of him, made Kurtz sound like a great man. Furthermore, Aristotle says that the hero's downfall is self-inflicted. The character makes some mistake that effects them in the long run, but the consequence is sometimes far-fetched. Kurtz was obsessed with ivory which drove him to do evil things. He would even kill people to get ivory. His obsession made him insane. "You should of heard him say, 'My ivory.'
When Marlow finally reaches Kurtz he is in declining health. This same jungle which he loved, embraced and consumed with every ounce of his flesh had also taken its toll on him. Marlow finally meets the man whose name has haunted him on his river journey. Could this frail human be the ever so powerful Kurtz? The man who has journeyed into uncharted territories and has come back with scores of ivory and the respect of the native tribe. Yes, this was the very man and though he is weak and on his way to death his power still exudes from him.
Many times, words by themselves do not convey an idea wholly or conceal it altogether. Instead, the voice carrying the words conveys the idea, lending shape and new meaning to the familiar syllables. Words resonate with prescribed meanings, whereas voice creates its own meaning and identity. In Conrad’s Heart of Darkness, voice comprises the primitive component of language, with words existing only as a secondary function of voice. Glimpsing a “primitive truth,” Kurtz’s voice and soul unite so that his knowledge speaks through his voice, rather than through his words. Alternately draining words of their meaning and filling them with new meaning, Kurtz’s voice contains the power to define his own words. Strip Kurtz of his common syllables, and what remains is a terse note in a margin of seventeen eloquent pages, a frightening voice shaped by unfamiliar words. Marlow first hears of Kurtz as a word repeatedly spoken by others. As Marlow navigates down the river, traveling farther from civilization, Kurtz’s voice amplifies, ultimately consuming the name and the man himself.
In Joseph Conrad’s short story, “Heart of Darkness,” the narrator, Marlow language, and point of view to convey the conflicting emotions he has about Kurtz due to the image he fabricated Kurtz to be, and the reality of Kurtz. Marlow’s language throughout the piece reveals to the reader how he feels about Kurtz and how he perceives Kurtz’s actions. Marlow’s point of view also allows him to support both of his perceptions of Kurtz because he doesn’t see only bad or only good in
Kurtz once was considered an honorable man, but living in the Congo separated from his own culture he changed greatly. In the jungle he discovers his evil side, secluded from the rest of his own society he becomes corrupted by power. "My Ivory. My people, my ivory, my station, my river," everything was under Kurtz's reign. While at Kurtz's camp Marlow encounters the broken roof on Kurtz's house, the "black hole," this is a sign of the uncivilized. The black hole represents the unknown and unconquered, and therefore represents the uncivilized. Also, Marlow notices the "black heads" on Kurt...
This essay will compare and contrast the presentation of Kurtz in an extract from Conrad's "Heart of Darkness" with that of Faustus in Marlowe's play. From the first scene of the play Faustus is a condemned man, signing away his soul to the Devil in return for temporal power, "This night I conjure though I die therefore" Kurtz is also presented to us as a man in the final stages of his life, rapidly approaching death, "Kurtz's life was running swiftly, too, ebbing, ebbing out of his heart into the sea of inexorable time". Faustus is presented as a flawed character whose intellect and ambition seal his own fate. His ambition to achieve God-like omnipotence whilst living on Earth is made possible by his intellectual perception of the world. In the first scene Faustus lists the discoveries and ideas of all the great authors he has studied: theology, philosophy, logic, medicine then law.
He even considers that he would have as soon expected such restraint from a hyena prowling amongst the corpses of a battlefield.... ... middle of paper ... ... Interestingly, Marlow and Kurtz are very comparable and several parallels can be drawn between them, yet their fates differ in the end. Kurtz’s fate is due to his lack of restraint, but Marlow’s restraint only saves his life for the time being.
The horror!” (page1). When Marlow is back in Europe from Africa he refuses to hand the papers from Kurtz. When Marlow went to visit Kurtz’s fiancée to return some of the papers she asked what were his last words and Marlow couldn’t confess to it. So, he lied and said his last words were her name.
This sight angers Marlow, and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.
Kurtz is also an exemplary example of losing sight when being enclosed by darkness. Kurtz can best be represented by three changes in character that led to his demise. Firstly, Kurtz starts as a normal—if ambitious—man who realizes that to thrive in the congo, he has to act and become a god. Secondly, his insatiable hunger for ivory drives him to madness. Thirdly, as his greed grows he begins to show less and less restraint, morality, and consciousness until he is no more than an animal.
...s to look at Kurtz as a hero for all that he had accomplished, no matter how evil. Marlow?s obstacles as the hero are not the overcoming of a dragon or evil villain. It is the eternal battle of the story of a Hero versus Antihero. Marlow?s blindness to Kurtz?s impurities are both his strength and weakness. His ignorance to the greatness of his own qualities can best be stated one way: ?The Horror.?
The main character in Conrad's novel, Heart of Darkness, isKurtz. Kurtz no longer obeys the authority of his superiors who believe that he has become too extreme and has come to employ "unsound methods" (Coppola, 1979; Longman, 2000). Marlow is sent to retrieve Kurtz from the evil influences in the Congo, and a wild journey on a tainted river ensues. Along the way, Marlow learns about the real Kurtz and finds himself identifying with and becoming dangerously fond of the man.