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The symbolic of the novel heart of darkness
The symbolic of the novel heart of darkness
The symbolic of the novel heart of darkness
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Each person has a different definition of what the term ‘remarkable’ means; each unique definition, holds a significant link to the other. This link is that the term is always given to a person that holds certain characteristics that are superior to the average individual. The set of characteristics that are observed tend to subscribe to the specific set of values of the person issuing the remark. Marlow, the main character in Joseph Conrad’s Heart of Darkness is able to assert that Mr. Kurtz was a remarkable man.
This is true because of the unique values that Marlow possesses, which allow him to assert Mr. Kurtz as a remarkable individual. Through the actions and words of Mr. Kurtz, and other individuals Marlow encounters, Marlow is able to gain an overall perception of how characteristics of Mr. Kurtz deem him remarkable. Through the development of the narrative, Marlow establishes that Mr.
Kurtz does not want to return to society, he does not want to return to the world were people judge one another based on social issues. “Kurtz had apparently intended to return himself, the station being by that time bare of goods and stores, but after coming three hundred miles, had suddenly decided to go back, which he started to do alone in a small dugout with four paddlers, leaving the half-caste to continue down the river with the ivory.” (Conrad Pg. 52) Instead Kurtz returns to the wilderness and is able to judge himself. “I went no more near the remarkable man who had pronounced a judgement upon the adventures of his soul upon the earth.” (Conrad Pg. 118) Marlow looks upon these two actions as remarkable feat. Kurtz, through Marlow’s eyes was able to pronounce a judgement based upon his own actions rather than having society dictate them to him.
Marlow realizes that in order for Kurtz to pass judgement on himself, Kurtz must have been courageous, a value that Marlow lacked. “I was within a hair’s breadth of the opportunity for pronouncement, and I found with humiliation that probably I would have nothing to say.” (Conrad Pg. 119) Marlow clearly illustrates that on his own deathbed he would not be able to express his own judgement, despite the opportunity to speak, he would just hide like a coward. Thus Marlow is able to pronounce that Kurtz is a remarkable individual because he has a value, courage, that Marlow and many other individuals do not posses.
In both the film and the movie, Kurtz is portrayed as a man of great stature and mastery whose actions become questioned due his barbaric conduct. While Marlow slowly learns more and more regarding who Kurtz is and what he has done through others’ conversations, Willard educates himself about Kurtz through pictures and files he has of Kurtz. He states that he feels like he already knows a thing or two about Kurtz that are not in the papers he has, and that beyond the bridge, there is only Kurtz. This goes to show how Kurtz develops a prof...
The author skillfully uses literary techniques to convey his purpose of giving life to a man on an extraordinary path that led to his eventual demise and truthfully telling the somber story of Christopher McCandless. Krakauer enhances the story by using irony to establish Chris’s unique personality. The author also uses Characterization the give details about Chris’s lifestyle and his choices that affect his journey. Another literary element Krakauer uses is theme. The many themes in the story attract a diverse audience. Krakauer’s telling is world famous for being the truest, and most heart-felt account of Christopher McCandless’s life. The use of literary techniques including irony, characterization and theme help convey the authors purpose and enhance Into The Wild.
Joseph Conrad's novel Heart of Darkness uses character development and character analysis to really tell the story of European colonization. Within Conrad's characters one can find both racist and colonialist views, and it is the opinion, and the interpretation of the reader which decides what Conrad is really trying to say in his work.
The things that Kurtz had both done and seen in his life were in fact horrible, but was something. that Marlow was able to see past. This is later clear by what is in. his thoughts as he talks to the woman. He condemns mankind as a whole with this statement. .
When Marlow finally reaches Kurtz he is in declining health. This same jungle which he loved, embraced and consumed with every ounce of his flesh had also taken its toll on him. Marlow finally meets the man whose name has haunted him on his river journey. Could this frail human be the ever so powerful Kurtz? The man who has journeyed into uncharted territories and has come back with scores of ivory and the respect of the native tribe. Yes, this was the very man and though he is weak and on his way to death his power still exudes from him.
In Heart of Darkness, Joseph Conrad presents the character of Kurtz as a man who is seen differently by all who know him depending on their individual experiences with him. His cousin knew him as a man with great musical talent, others knew him as a great leader, and his “Intended” fiance knew him as an admirable humanitarian; but all of these knew him to be a remarkable genius. When the narrator, Marlow, first hears of him, he is told that Kurtz is known as a great leader destined to hold high positions and fame. However, as he travels the river, he also learns that Kurtz has become insane during his time in the African jungle. After Marlow finally comes into contact with him, he discovers that Kurtz has become a god among the natives and has been brutally collecting the coveted ivory. Marlow finally convinces the deathly ill man to return to the ship where he finally dies. Upon his death, Kurtz’s facial expression causes Marlow to feel as though he may be seeing his entire life passing just before it ends; and finally, he murmurs his final words “The horror! The horror!” (Conrad, p. 64).
Both Marlow and Willard became obsessed with a man by the name of Kurtz. Marlow wanted to meet Kurtz very bad. He was so fascinated with his accomplishments that he...
3. Kurtz, who is not the protagonist or antagonist is a very significant character in the book as Marlow and Kurtz essentially form a team as the novel progresses. He is the chief of the Inner Station and Marlow basically follows him. Kurtz is a man of many talents (he is a talented musician and painter). His abilities are nothing without his charisma and his ability to lead. Kurtz is a man who understands the power of words, and his writings present a complexity that obscures their horrifying message (his writings are often hard to understand, as they are complex in structure, often hiding the morbid message behind them). Although he remains a “puzzle,” e...
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
One of the central tragedies of Joseph Conrad’s Heart of Darkness is the insanity of Mr. Kurtz. How could a man who seemed so good, so stable, suddenly become so mentally lacking? Through the deterioration of Kurtz’s personality and Marlow’s response to his breakdown, Conrad explores the elements of strong versus weak characters.
Now, relating the psycho-analytical elements of the novel to the Freudian division of personalities, the characters of Marlow and Kurtz draw a parallel with mainly the superego and the i...
On one hand, Marlow is saved by his self-discipline while on the other hand Kurtz is doomed by his lack of it. Before Marlow embarked on his voyage to Africa, he had a different view. Due to propaganda, he believed that the colonization of the Congo was for the greater good. In his head, he judged that the people of Africa were savages and that colonization would bring them the elation and riches of civilization. Despite an apparent uneasiness, he assumed that restraint would function there.
This sight angers Marlow, and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.
In studying Joseph Conrad's, The Heart of Darkness, many critics dwell on the issue of heroism. Who is the hero, Marlow or Kurtz? It is clear that both Marlow and Kurtz are the protagonists of the story; however, protagonist and hero are not always synonymous. Marlow is the hero in the traditional sense of the word, while Kurtz is the more modern hero, often referred to as the anti-hero.
By the time Marlow and Kurtz meet, Marlow is already well aware of the similarities they share. Both are imperialists, and while Marlow detests the treatment of the natives by his employers (Belgian colonists), he also makes apparent his abhorrence toward the Africans. On the other hand, Kurtz abandons the pretense of helping the natives achieve civilization, as displayed by the Europeans. Instead, he adopts their customs and becomes their leader in the never-ending quest for ivory. "He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of the supernatural beings- we approach them with the might as of a deity' (Longman, 2000, p. 2226). Marlow also admired Kurtz' resourcefulness and survival skills, especially his perseverence through jungle fever. "The wilderness had patted him on the head....it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favorite." (Longman, 2000, p. 2225).