Heart Of Darkness

For Heart of the Darkness, the theme throughout the article is light and darkness, which represented hope, happiness by contrary to hatred and desperate.

Novel is the culture of conflict. In Heart of Darkness, the conflict between greed, ambition of Kurtz and jealous, hatred of other employees of inner station, hypocritical imperialism and conscience of humanity in author’s sense, symbolizing darkness and light play the role of plot motif which carry the yarn forward. As the plot goes forward, conflict becomes more vivid.

“Light came out of this river since,…But darkness was here yesterday.”

F. Scott Fitzgerald also used Symbolism in May Day, where Mr. In stands for people on the stage and Mr. Out for people who are kicked out and, only

in the end of the story, we see their names.
Gordon continued his eager informant and said that Edith’s brother is Not like his gay sister , and
Edith's coming to-night--with a junior named Peter Himmel."
--Peter enters the hall.
Peter made his unfortunate attempt the point of his elbow had just faintly brushed it.
-Peter falls in love to Edith.
“Peter Himmel, escort to the lovely Edith, was unaccustomed to being
snubbed; having been snubbed, he was hurt and embarrassed, and ashamed of himself.” --Peter is dispirited.
"Peter said he loves Edith--and he merely wanted her to kiss him.”
--Peter rekindles.
“The red-fat man cut in, and looking up at Edith smiled radiantly.”
“The bouncer said to Peter that he's gotta get out.”
“’Yoho!’ cheered Dean. ‘Mister In.’"
He inserted his own sign in like manner.
"Mister Out!" he announced triumphantly. "Mr. In meet Mr. Out."
At the end of the story, its main clou is clarified:
"What floor, please?" said the elevator man.
"Any floor," said Mr. In.
"Top floor," said Mr. Out.
"This is the top floor," said the elevator man.
"Have another floor put on," said Mr. Out.
"Higher," said Mr. In
"Heaven," said Mr. Out.

In May Day, the main characters stand or “inextricably bogged down” in the storm, where other people outside are trying to get in and marginal people inside are drawn out.

It is the theme, or one of several clues of the story. It can also be considered as a good connection between scene conversions, giving reader space of imagination.

It’s also like a mirror of the whole American city during that historical stage of America: financial crisis get people out of their jobs, their homes, even their beliefs. It is a terrible Chaos, and people got into panic, maze and desperate.

At the same time storm of communism revolution was also engulfing American’s ideology or value, which was built on Capitalism, free market and democracy. At that time, however, its fundamental footing stone is doubtless severely threatened.

In Heart of Darkness, absolutely everything in the book is cloaked in darkness. Darkness, here, seems to work existentially instead of directing specifically.

“They were men enough to face the darkness.”

“It had ceased to be a blank space of delightful mystery—a white patch for a boy to dream gloriously over. It had become a place of darkness.”

And when describing the

station:
"Everything else in the station was in a muddle,—heads, things, buildings. Strings of dusty niggers with splay feet arrived and departed; a stream of manufactured goods, rubbishy cottons, beads, and brass-wire sent into the depths of darkness, and in return came a precious trickle of ivory.

As another symbol of the story, Fog is a sort of corollary to darkness. Fog not only conceals but also gives subreption: it allows you to begin making decisions with limited information but fails to determine the validity of that, which sometimes ends up being not correct. Marlow’s steamer is broken in the fog, implying that he has no idea about his destination and whether shoal or open water lies ahead.

“Here and there a military camp lost in a wilderness, like a needle in a bundle of hay—cold, fog, tempests, disease, exile, and death…”
“We will all be butchered in this fog.”
“'Eat 'im!' he said curtly, and, leaning his elbow on the rail, looked out into the fog in a dignified and profoundly pensive attitude.”

Heart of Darkness surrounds imperialism in march complicated.

In order to Marlow Station, commonly known as the river stands the scenes at last to go to the Station of the exterior the interior incurs punishment, cruelty, and near-slavery. At the very least, It offers the rough a picture of the colonial enterprise. The same will be done after Marlow even pretend to justify rhetoric Farming present. What are people to do who, in order to work with the Company to be called "trading," as Africans, a native of the behavior and well-disposed man the hand of the "plan of worship." Kurtz in the --other, however, shall confess that describes the strength of his treatment of injustement ivory of the barbarians by the force of your intended is not the trade is the "suppression" and "not letting": that does not rule by fear and violence to hide. honesty leads to his destruction and perverse things, to expose the panic-struck from behind him, according to their manner of European activity in Africa, to the

well.

But as to the Marlow or Kurtz Society, the Africans in this book are those only: Marlow to a governor to a piece of the array, and Kurtz's African mistress is one of the best a piece of statuary. Heart of Darkness participates in can be argued, as is much nonwhites the oppression of the left-hand Kurtz makes use of much more than the open, or it is pain remedy for men. For it is nothing but the backdrop of of Africanus, Marlow, which he can play out on the screen created by human and decided to be philosophical. Exoticism the contemplation of their existence and may be taken. This type of, dehumanization, it is more difficult the same force, than the colonies of racism or open. Hypocrite of the operations of the Heart of Darkness offers a powerful condemnation of the government, which also puts the issues surrounding race finally disorder.