Wealth. Social class. Diversity. Happiness. These are the social issues that are at play in the Wright State University’s Theatre production of the George Kaufman and Moss Hart 1937 comedy “You Can’t Take It With You.” The story focuses on the relationship of Alice Sycamore and Tony Kirby, lovers from American families that hold opposing values and standards. The Sycamores are a very close family, that all have their own unique personality that leads to goofy situations and accidents. The Kirbys are a small uptight, Wall Street family that believes in a life of consumption through working hard and fitting in with the social standard. This leads to the misunderstanding between the families, which is almost too much for the young couple to handle. This Pulitzer-Winning comedy uses the concepts of wealth, social class, and happiness as the driving force of the drama hidden within this comedy. The conflict between the families leads to the question of what makes a person wealthy: Is wealth based on what social class we’re in or our level of happiness? The two sides of this coin is presented to the audience through these two families. The Kirby’s represent high social class with lots of money and power, while the Sycamores are in a lower social …show more content…
Being set in one space would cause one to think that the world within the Sycamore household would feel crammed and claustrophobic, which is not the case. Deer uses the exiting and entering of characters through the stairs and different doorways to create an atmosphere of a larger space, allowing each character to have their spot to shine in each particular scene they’re in. Under Deer’s guidance, the set and costume design is spot on, pulling the audience into the 1930s, while the actors and actresses were able to bring out their characters onto the stage, with little to no noticeable
Tobias Wolff’s “The Rich Brother” is a story of two brothers, Donald and Pete. These brothers have very contrasting lifestyles; Pete is a successful businessman with a wife and kids. Donald, on the other hand, is an outcast. He’s unemployed and irresponsible. He lives his life as a vagabond. Despite these facts, the successful brother, Pete, still lacks the self-esteem he desperately craves. Therefore he tries to make his brother, Donald, feel foolish with every chance he gets.
In Tobias Wolff’s 1985 short story “The Rich Brother,” we are introduced to two brothers. According to Wolf, you cannot even tell that they are brothers because of their physical differences, but as the story goes into more detail we can tell that they are different in every aspect. One of the major differences is that one is wealthy and the other is always in need of financial assistance. The older brother, Pete, is a successful real estate agent while his younger brother, Donald, works as a painter whenever he can. The two brothers are very different in their belief about what is valuable. Pete is a man that has worked hard and values what he has acquired. His brother Donald, on the other hand, values sharing whatever he has. Even if giving everything he has leaves him with nothing.
George Saunders, a writer with a particular inclination in modern America, carefully depicts the newly-emerged working class of America and its poor living condition in his literary works. By blending fact with fiction, Saunders intentionally chooses to expose the working class’s hardship, which greatly caused by poverty and illiteracy, through a satirical approach to criticize realistic contemporary situations. In his short story “Sea Oak,” the narrator Thomas who works at a strip club and his elder aunt Bernie who works at Drugtown for minimum are the only two contributors to their impoverished family. Thus, this family of six, including two babies, is only capable to afford a ragged house at Sea Oak,
In "Bums in the Attic," a chapter from her novel The House on Mango Street, Sandra Cisneros discusses the differences between groups in which the upper class ignores anyone not belonging to the same leisure status. Those belonging to the lower classes however, has had to work to gain success and cannot forget the past in which he struggled. In chasing the American dream, the lower class realizes that the only way to gain true happiness from monetary success, one cannot forget his past and must therefore redefine the traditional attitude of the upper class.
The dawn of the 20th century was met with an unprecedented catastrophe: an international technological war. Such a horrible conflict perhaps threatened the roots of the American Dream! Yet, most do not realize how pivotal the following years were. Post war prosperity caused a fabulous age for America: the “roaring twenties”. But it also was an era where materialism took the nation by storm, rooting itself into daily life. Wealth became a measure of success and a facade for social status. This “Marxist materialism” threatened the traditional American Dream of self-reliance and individuality far even more than the war a decade before. As it morphed into materialistic visions (owning a beautiful house and car), victims of the change blindly chased the new aspiration; one such victim was Jay Gatsby in The Great Gatsby. As his self-earned luxury and riches clashed with love, crippling consequences and disasters occur. F. Scott Fitzgerald’s The Great Gatsby delves into an era of materialism, exploring how capitalism can become the face of social life and ultimately cloud the American Dream.
In ‘The Great Gatsby’ Fitzgerald criticises the increase of consumerism in the 1920s and the abandonment of the original American Dream , highlighting that the increased focus on wealth and the social class associated with it has negative effects on relationships and the poorest sections of society. The concept of wealth being used as a measure of success and worth is also explored by Plath in ‘The Bell Jar’. Similarly, she draws attention to the superficial nature of this material American Dream which has extended into the 1960s, but highlights that gender determines people’s worth in society as well as class.
Wolff, Tobias. “The Rich Brother.” Making Literature Matter. Ed. John Clifford and John Schilb. 2nd Ed. Boston: Bedford/St. Martin’s, 2003. 391 – 403.
The thought of having an immense sum of money or wealth bring certain people to believe that money can buy almost anything, even happiness, however in reality, it will only lead to lost and false hope. In the novel, The Great Gatsby, the author, F. Scott Fitzgerald writes a story about a man named Gatsby who is a victim of this so called 'false hope' and 'lost.' Throughout the novel, Fitzgerald clearly demonstrates and elaborates on the relationship between having money, wealth, and one's ethics or integrity by acknowledging the idea that the amount of money or wealth one has attained does affect the relationship between one's wealth and one's ethics whether or not in a pleasant manner. Although money and wealth may not be able to buy a person happiness, it surely can buy a person's mind and action given that a wealthy person has a great deal of power. Fitzgerald analyzes the notion that even though many people dream of being both rich and ethical, it is not possible, and therefore, being poor and ethical is much better than trying to be rich and ethical.
In the beginning of the play, Walter is foolish and quarrelsome, with his heart set on becoming affluent. As he grasps how hard work his father worked and how hard his family works, he reasons that living by his standards is more important than gaining wealth, and he stops feeling resentful towards them. This play highlights how many members of society focus more on making money than living by their ethical
The American standard of success has always been defined by the effort put into receiving this success. Some are lucky and have success come with ease, others have to put in a great deal of work and even then they still fall short of their desired position. Throughout, “The Great Gatsby”, F. Scott Fitzgerald scrutinizes the collapse of the American dream through Jay Gatsby. Through the eyes of Nick Carraway, the readers experience the rise and fall of Jay Gatsby’s successes. From the initial sequences of the novel it is apparent that wealthiness is the point of which you are judged in the time period the book takes place.
Those who are rich are happier and feel superior. Those who have less money get discouraged and unhappy. In ways as the game continues, players emotions mirror real life. Those in the upper class have a lot of money and an easier time full of joy. Those in the middle class will own a little property but they won't ever earn enough to move up in social status. Those in poverty sink lower and lower into debt and struggle to stay afloat.
Society today is split in many different ways: the smart and the dumb, the pretty and the ugly, the popular and the awkward, and of course the rich and the poor. This key difference has led to many areas of conflict among the population. The rich and the poor often have different views on issues, and have different problems within their lives. Moral decay and materialism are two issues prevalent among the wealthy, while things such as socio-economic class conflict and the American dream may be more important to those without money. Ethics and responsibilities are an area of thought for both classes, with noblesse oblige leaning more towards the wealthy. The world in the Roaring Twenties, shown in The Great Gatsby by F. Scott Fitzgerald, and the world today all hinge on the same ideas and issues, the most basic of which is the difference between the poor and the rich.
Every character in the novel has moments of feeling happy and endures a moment where they believe that they are about to achieve their dreams. Naturally everyone dreams of being a better person, having better things and in 1920’s America, the scheme of get rich quick. However each character had their dreams crushed in the novel mainly because of social and economical situations and their dream of happiness becomes a ‘dead dream’ leading them back to their ‘shallow lives’ or no life at all.
From dreams deferred to identity affirmed Lorraine Hansberry’s, “A Raisin in the Sun,” presents readers with many differing themes. The most prevalent and reoccurring theme is the effect money plays on society’s views of manhood and happiness. Readers are shown multiple characters with a diverse view on manhood. From Walter Lee with his matching societal views that a man should be able to provide whatever his family needs or wants to Lena whose views are a biased compilation of her late husband’s behavior and her own ideals, that a man should maintain his honor and protect his children’s dreams.
Within the text The Great Gatsby, Fitzgerald analyzes the importance of wealth within the early twentieth century in America, which allows the reader to understand the perspectives of different social status. Moreover, he proves the importance of wealth through presenting characters that are influenced by social status. Concurrently, Fitzgerald identifies how a person’s social status shapes one’s personality and motives.