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Modern slavery essay report
Slavery from 1500 to 1800
Slavery from 1500 to 1800
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Harriet Powers was born as a slave in 1837 in the state of Georgia. Powers was the creator of two specific quilts which are the most famous and well preserved examples of Southern American quilting tradition still in existence. Powers used the traditional African appliqué technique coupled with the European record keeping and biblical reference traditions. Using these techniques, Powers was able to capture historical legends and Biblical stories in her quilts. Harriet Powers’ quilts were first seen at a crafts fair by an artist, a Southern white woman named Jennie Smith. Ms. Smith, who kept a diary and upon first meeting Harriet, recalls -- "I found the owner, a negro woman, who lived in the country on a little farm whereon she and her husband made a respectable living. She is about sixty five years old, of a clear ginger cake color, and is a very clean and interesting woman who loves to talk of her 'old miss' and life 'befo de wah.' " At first Harriet Powers was unwilling to sell her quilts to Ms. Smith. Yet when she and her family came into financial difficulty she agreed to sell them. Ms Smith writes -- " Last year I sent her word that I would buy it if she still wanted to dispose of it. She arrived one afternoon in front of my door in an ox-cart with the precious burden in her lap encased in a clean flour sack, which was still enveloped in a crocus sack. She offered it for ten dollars, but I told her I only had five to give. After going out consulting with her husband she returned and said 'Owin to de hardness of de times, my ole man lows I'd better tech hit.' Not being a new woman she obeyed. After giving me a full description of each scene with great earnestness, she departed but has been back several times to visit the darling offspring of her brain.
“America's Quilting History: African American Quilting: A Long Rich Heritage”. Womenfolk. Web. 7 March 2011.
Slavery is a term that can create a whirlwind of emotions for everyone. During the hardships faced by the African Americans, hundreds of accounts were documented. Harriet Jacobs, Charles Ball and Kate Drumgoold each shared their perspectives of being caught up in the world of slavery. There were reoccurring themes throughout the books as well as varying angles that each author either left out or never experienced. Taking two women’s views as well as a man’s, we can begin to delve deeper into what their everyday lives would have been like. Charles Ball’s Fifty Years in Chains and Harriet Jacobs Incidents in the Life of a Slave Girl were both published in the early 1860’s while Kate Drumgoold’s A Slave Girl’s Story came almost forty years later
Patience Wright, formerly known as Patience Lovell, was born in 1725, in Long Island New Jersey to a “well-to-do-Quaker family” (MacLean, 1). At that time in America, women were not allowed to own property or make any kind of salary; it was custom for women to carry out their duties to marry and raising a family. Fortunately for Wright, the Quakers “believed women should have rights and education equal to men’s”, and being raised in a Quaker family gave her the independent and outgoing personality she is becomes known for later in her life. At the age of four, Wright’s family moved to Bordentown, New Jersey (Magliaro, 1). As a child Patience always had a special interest in art. Her sister and she would use wet dough to sculpt figurines and use grains or plant extracts to make paint (MacLean, 1).
Tobin, Jacqueline L. and Dobard, Raymond G. - Hidden in Plain View – A Secret Story of Quilts and the Underground Railroad, pp.22 -23, 130-143, 176 – 183.
Analyzing the narrative of Harriet Jacobs in the context of the writings of W.E.B. Du bois serves to demonstrate how slavery prompted the weary and self-denigrating attitudes of Negro Americans during the subsequent Reconstruction period. However, it is important to note that Harriet Jacobs does not embody the concept of double-consciousness because slavery effectively stripped away her sexuality and femininity, therefore reducing her to one identity--that of a
Harriet Hanson Robinson, a “Lowell Girl,” Describes her labor in a textile mill, 1831 pg.239
Mary Elizabeth Bowser was born in 1839 on the Van Lew plantation, in Richmond, Virginia. Mary Elizabeth was born into slavery, and was forced to work as soon as she could. When Mary was very young, there was a big slave selling from the Van Lew plantation, her family members were traded away to other masters so no one knows for sure who her mom and dad really were. From around the age of three Mary was forced to work on the plantation, in the fields or even doing laundry.(Mary Elizabeth Bowser) John Van Lew believed that if the slaves wanted to get to have a place to sleep and food to eat then they should be required to work at the earliest age possible. Most of the slaves couldn’t start really working till around age three, so the plantation had a slave or two that would watch the “under age” kids that couldn’t work yet. Therefore the “under age” slaves moms could work and not be held back by their children.
Each of these letters provides details about the lives of middle-class married African American women living in the Upper South in the early twentieth century. By looking at these documents along with the finding aids that explain the collections they are a part of one could get a good sense of what life was like for a fictional woman of similar circumstances.
Slaves are aware of their positions in society and have the choice to comply with their masters’ demands in order to gain a greater benefit to themselves often in the form of physical protection from abuse. Within the plantation hierarchy, the house slave was considered higher up than field slaves due to their close proximity to the master (Hall 566). The house slave’s position in the plantation microcosm evoked not only favor from the master, but jealousy from the field slaves. The fair-skinned, house slave woman and her master’s control over her mental psyche is a defining factor of her identity in relation to the other slaves on the plantation. Linda Brent in Harriet Jacobs’ Incidents in the Life of a Slave Girl is an excellent model of the mental bondage endured by light-skinned house slave women because she makes a conscious choice to continue her mental bondage in order to gain physical freedoms. Although many house slaves, like Linda, were granted physical freedoms, they experienced an unfathomable level of mental bondage that defined their character and prompted them to pick their own place in society.
The quilts were pieced together by Mama, Grandma Dee, and Big Dee symbolizing a long line of relatives. The quilts made from scraps of dresses worn by Grandma Dee, Grandpa Jarrell’s Paisley shirts, and Great Grandpa Ezra’s Civil War uniform represented the family heritage and values, and had been promised to Mama to Maggie when she married. However, Dee does not understand the love put into the making of the quilts, neither does she understand the significance of the quilts as part of her family heritage. It is evident she does not understand the significance of the quilt, having been offered one when went away to college declaring them “as old-fashioned” and “out of style”. She does not care about the value of the quilts to her family, rather she sees it as a work of art, valuable as an African heritage but not as a family heirloom. She wants the quilts because they are handmade, not stitched with around the borders. She tells Mama, “Maggie can’t appreciate these quilts!... She’d probably be backward enough to put them to everyday use… But, they’re priceless!.. Maggie would put them on her the bed and in five years they’d be in rags. Less than that!” (317). The quilt signifies the family pride and history, which is important to Mama. She makes the decision to give the quilt to Maggie who will appreciate it more than Dee, to whom she says, “God knows I been saving ‘em for long enough with
This piece of literature occurs between the 1820’s and 1840’s in the antebellum years preceding the Civil War, primarily in the Southern states, but it also takes place in New York City and Boston for a little while and Harriet even recounts of some time she spent in England as well. During this time period slavery was a major institution in the Southern states and segregation was prominent everywhere in the Northern states....
Zora Neale Hurston’s short story "Sweat" takes place in the 1920s in a small African American community in southern Florida. The story takes a look at a woman dominated by her husband, a common issue for many wives in the south during this time. Delia Jones, the protagonist in the story, is a hard-working woman who has bought her own home and supported her husband for fifteen years by taking in the laundry of white folks from the next town over. Delia’s husband Sykes does not value her or the work she does to support the both of them. Sykes has abused his wife for fifteen years and takes no shame in parading around his fat mistress for all to see. Sykes wants to get rid of Delia and take everything she’s ever worked for. Delia, though scared of Sykes, has been pushed far enough. At the end of the story Sykes gets exactly what he deserves when his nasty plan for Delia backfires on himself, ironically becoming the victim of his own terrible prank. Hurston’s short story “Sweat,” depends significantly on her brilliant use of four literary elements: tone/style, character development, Point of view, and symbolism to reveal the themes of empowerment, faith, and justice.
In Harriet Jacobs Incidents in the Life of a Slave Girl, the author subjects the reader to a dystopian slave narrative based on a true story of a woman’s struggle for self-identity, self-preservation and freedom. This non-fictional personal account chronicles the journey of Harriet Jacobs (1813-1897) life of servitude and degradation in the state of North Carolina to the shackle-free promise land of liberty in the North. The reoccurring theme throughout that I strive to exploit is how the women’s sphere, known as the Cult of True Womanhood (Domesticity), is a corrupt concept that is full of white bias and privilege that has been compromised by the harsh oppression of slavery’s racial barrier. Women and the female race are falling for man’s
Wilson, Harriet E. "From Our Nig; or, Sketches from the Life of a Free Black, in a Two-Story
There was an older lady and her dog who lived on a farm, her name was Mamzelle. On that farm, there were negroes who planted and tended to her crops, the fowls, a few cows and a couple of mules. Mamzelle was looking through her gallery when her neighbor Odile and her four children came in. Odile’s mother was sick and her husband was in Texas. She had no one to watch them, Mamzelle was almost like her last chance. The kids all had something different that they liked