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Recommended: Analysis of hamlet
Hamlet's Behavior in Hamlet by William Shakespeare
Hamlet's behavior affects that of the other characters in the play in that his action drastically alters, not only their perception of Hamlet and his intentions, but also their actions and words in dealing with Hamlet. It is difficult to classify Hamlet as either sane or insane; however, it is certain that his mad behavior, whether feigned or authentic, serves only to heighten the confusion and eventual suspicion of the court, particularly Ophelia, Rosencrantz and Guilderstern, and Polonius and Claudius duo.
Hamlet's mental state is hard to decipher due to the complexity of the issue and the variety of ways his actions can be viewed. Edward Strachey believes that Hamlet is, "…A character made of many elements, ramifying themselves in many directions, some being healthy and some diseased" (Strachey 173). Strachey goes on to say that an attempt to classify Hamlet as either mad or sane is an, "…Over simplification of what is most complex" (Strachey 173).
At the beginning of Hamlet, Ophelia tells her father about the vows of love that Hamlet has expressed to her. Polonius immediately questions Hamlet's intentions and reminds Ophelia that making a rash decision could cost her; but Ophelia assures her father that, "…He hath importuned me with love In honorable fashion…And hath given countenance to his speech, my lord, With almost all the holy vows of heaven" (Shakespeare 17). However, after Hamlet visits Ophelia in a crazed state she immediately turns to her Father and reports Hamlet in a much darker light.
Lord Hamlet with his doublet all unbraced,No hat upon his head, his stocking fouled, Ungartered and down-gyved to his ankle, Pale as a shirt, his knees knoc...
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...t for revenge. If Hamlet is indeed truly mad then he alerts his foes to this information and they in turn become very circumspect of Hamlet and his plans. Hamlet's madness serves to call attention to himself and raise suspicions of his enemies.
Works cited
Coleridge, Samuel Traylor. "Notes on the Tragedies of
Shakespeare: The Character of Hamlet." Shakespearean Criticism. Ed, Thomas Middleton Raysor. Vol. 1. Cambridge, MA: Harvard University Press, 1930. 40.
Lennox, Charlotte. Shakespeare, the Critical Heritage.
Ed, Brian Vickers. New York: Routledge & Kegan Paul, 1976. 129.
Shakespeare, William. Hamlet. Norton Critical Edition.
Ed, Cyrus Hoy. New York: W. W. Norton & Company, Inc., 1992.
Strachey, Edward. A New Variorum Edition of Shakespeare:
Hamlet. Ed, Horace Howard Furness. Vol. IV. J.B. Lippincott Company, 1877. 173.
Throughout William Shakespeare’s play, Hamlet, Hamlet undergoes a transformation from sane to insane while fighting madness to avenge his father’s death. The material that Shakespeare appropriated in writing Hamlet is the story of a Danish prince whose uncle murders the prince’s father, marries his mother, and claims the throne. The prince pretends to be feeble-minded to throw his uncle off guard, then manages to kill his uncle in revenge. Shakespeare changed the emphasis of this story entirely, making Hamlet a philosophically minded prince who delays taking action because his knowledge of his uncle’s crime is so uncertain. To begin with, Hamlet portrays himself as sane.
In Shakespeare’s play Hamlet the main character Hamlet experiences many different and puzzling emotions. He toys with the idea of killing himself and then plays with the idea of murdering others. Many people ask themselves who or what is this man and what is going on inside his head. The most common question asked about him is whether or not he is sane or insane. Although the door seems to swing both ways many see him as a sane person with one thought on his mind, and that is revenge. The first point of his sanity is while speaking with Horatio in the beginning of the play, secondly is the fact of his wittiness with the other characters and finally, his soliloquy.
Throughout Shakespeare?s play, Hamlet, the main character, young Hamlet, is faced with the responsibility of attaining vengeance for his father?s murder. He decides to feign madness as part of his plan to gain the opportunity to kill Claudius. As the play progresses, his depiction of a madman becomes increasingly believable, and the characters around him react accordingly. However, through his inner thoughts and the apparent reasons for his actions, it is clear that he is not really mad and is simply an actor simulating insanity in order to fulfill his duty to his father.
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his persona of seeming insane to the other characters. Hamlet comes up with the idea to fake madness in the beginning of the play in order to confuse his enemies. However, for Hamlet to fulfill his duty of getting revenge, he must be totally sane. Hamlet’s intellectual brilliance make it seem too impossible for him to actually be mad, for to be insane means that one is irrational and without any sense. When one is irrational, one is not governed by or according to reason. So, Hamlet is only acting mad in order to plan his revenge on Claudius.
Shakespeare, William. “Hamlet.” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013.1709-1804. Print.
Shakespeare, William, Marilyn Eisenstat, and Ken Roy. Hamlet. 2nd ed. Toronto: Harcourt Canada, 2003. Print.
Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full understanding of what if going on around him. Most importantly, Hamlet does not think like that of a person who is mad. Hamlet decides to portray an act of insanity, as part of his plan to seek revenge for his fathers murder.
Shakespeare 's play "Hamlet" is about a complex protagonist, Hamlet, who faces adversity and is destined to murder the individual who killed his father. Hamlet is a character who although his actions and emotions may be one of an insane person, in the beginning of the book it is clear that Hamlet decides to fake madness in order for his plan to succeed in killing Claudius. Hamlet is sane because throughout the play he only acts crazy in front of certain people, to others he acts properly and displays proper prince like behavior who is able to cope with them without sounding crazy, and even after everything that has been going on in his life he is able to take revenge by killing his
Shakespeare, William. The Three-Text Hamlet. Eds. Paul Bertram and Bernice Kliman. New York: AMS Press, 1991.
Shakespeare, William. Hamlet. The Norton Anthology of World Literature. 2nd ed. Vol. C. Ed. Sarah Lawall. New York: Norton, 2005. Print.
Hamlet is without a doubt one of the most complex pieces to interpret for many different scholars and people. The question of the truth behind his madness has become a debate among anyone who lays eyes on the play. In fact, madness becomes a large role within the play that will cause many situations as well as effect them. I believe Hamlet unintentionally went mad attempting to act as a mad man.
Mack, Maynard. "The World of Hamlet." Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.
Bristol, Michael D. “The Customary and the Ethical: Understanding Hamlet’s Bad Habits.” Shakespeare Studies 40 (2012): 70–76. Web. 24 Apr. 2014.
Corum, Richard. Understanding Hamlet: A Student Casebook to Issues, Sources, and Historical Documents. Westport, CT: Greenwood, 1998. Print.
...World of Hamlet.” Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.