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Tragic flaw in Hamlet
Role played by women in Hamlet
Criticism and analysis of hamlet
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“To the celestial, and my soul’s idol, the beautified Ophelia, Doubt thou the stars are fire; Doubt that the sun doth move; Doubt truth to be a liar; ‘O dear Ophelia, I am ill at these numbers; I have not art to reckon my groans: but that I love thee best, O most best, believe it.” These words, penned by Hamlet in William Shakespeare’s Hamlet, reflect many of the characteristics that influence Ophelia, the daughter of Polonius. From this quote and many others, we are able to gather that Ophelia is a beautiful, young, and loyal maiden in whom Hamlet seeks to please. As a supporting character to Hamlet, her presence provides many opportunities to transcend into the inner person of Hamlet. Later, she becomes tangled between the opposing forces of revenge and ensconcing ones sin. Ophelia becomes a major character in understanding not only Hamlet the person but also the meaning of Hamlet as a complete story. When all is said and done and the final word is read, Ophelia’s role is pivotal in dissecting the play because she provides a dynamic parallel to the stages of Hamlet’s behavior throughout the play and provides the audience with the an important moral of what the play is teaching.
Ophelia is an accelerated view from the beginning of who Hamlet is to the end of what he becomes. As the play begins we see two young, passionate lovers that, if circumstances would permit, would seek one another in courtship. This we know to be true of Ophelia, as when we are first introduced to Ophelia in Act I Scene III, she is cautioned from both her brother, Laertes, and her father, Polonius, to not fall for or give any more attention to Hamlet as she hitherto has been. This scene also provides the answer to why Ophelia is prevented from showi...
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...he pursuit of evil is not a solemn encounter. Within the wake of their ugly path, the innocent, the Ophelia’s of the world are often most deeply affected.
With careful study of Ophelia’s parallels to Hamlet and the woeful death of Ophelia, the audience is thrust with this tragedy’s message of the abounding affects of revenge and sin on far more than just an individual. By understanding her character we are able to pattern and compare her experiences with that of Hamlet’s start to finish: two lovers, challenged with conflicting desires of the heart, driven to madness, before losing their lives to the evils of revenge and sin. Ophelia’s purpose is much more than just a romantic love interest to the main character. She opens up not only Hamlet the man, but her character provides a likeness for understanding parallels and morals within the entire play of Hamlet.
“Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’s revenge in Shakespeare’s play Hamlet. Hamlet has fallen in love with Ophelia after the death of his father. Ophelia “sucked the honey of his music vows” and returned Hamlet’s affection. But when her father had challenged Hamlet’s true intentions, Ophelia could only say: “I do not know, my lord, what I should think.” Ophelia was used to relying on her father’s directions and she was also brought up to be obedient. This allowed her to only accept her father’s views that Hamlet’s attention towards her was only to take advantage of her and to obey her father’s orders not to permit Hamlet to see her again.
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
Living in an environment of deception and hostility, the reader can easily identify with Hamlet's anger. Most all compassionate audiences will be sympathetic to his plight. However, the origins of Hamlet's vehement actions toward his once beloved Ophelia can be debated from several different points of view. Whatever his reasoning may be, it is probably correct to assume that he regrets deeply every harsh world spoken toward Ophelia. He only realizes again what a beautiful and kind person she was- after her death.
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
William Shakespeare was a Stratford Grammar School boy, who was a member of the Church of England, similar to just about everyone else in Stratford. However, due to some events that occurred in the Shakespeare family home, there is some evidence that could prove that the family may have had some Roman Catholic connections. When William Shakespeare was 10 years old, legal issues and debt took a toll on his family’s life. Shakespeare’s father’s stopped attending alderman meetings which resulted in the removal of his name to become an alderman, and he was also forced to sell his beautiful home. The cause of this crisis is unknown, however the records can be used to throw together the idea that there were peculiar religious events going on (Fox). Due to these mishaps, William Shakespeare’s religion is a bit of a mystery. The play, Hamlet, was written by William Shakespeare during the Elizabethan era, which happened to be a time when religious conflicts were a big deal (Alsaif). The protagonist in the story, Hamlet, is a character who seems to make his choices through his religious beliefs. Hamlet is a very indecisive person, but his thoughts on religion tend to persuade him. In the play Hamlet, William Shakespeare uses the character of Hamlet to show the flaws in all religions. Hamlet does his best to follow the rules of Christianity, but he often questions the morality involved. Although Shakespeare belonged to the Church of England, he didn’t find any particular religion to be perfect.
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
Ophelia is conditioned to obey Polonius and Laertes’ commands, thinly veiled as guidance for her “own good.” She is never trusted to have a mind of her own, often having her intelligence openly insulted, causing her to be dependent on the men in her life. These men exercise authority over her, patronize, and degrade her, lowering her self-esteem to a non-existent level, and leaving her a...
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
In a critical essay, Judith Cook[1] noted that in many of Shakespeare’s plays major women characters ‘die because of direct association with the fate of a tragic hero’. This could be seen as Shakespeare trying to convey women’s fate being a ‘by-product’ of the fate of men- men are superior. On the other hand, Ophelia is crucial in understanding Hamlet as a character and gives an insight into different motifs of the play. Some may argue that Ophelia is one of the causes of Hamlet’s ‘madness’ and his recoil from love.
Ophelia trusts the advise given and her obedience is very evident in this matter as she avoids contact with Hamlet until she is told by her father, with the King and Queens approval, to meet up with him by 'accident' in the lobby. Deceit not being in her nature, believing that her father, the king and queen are right and true; that Hamlet is mad; and probably curious to know if Hamlet is "mad in love" with her the young, obedient, powerless Ophelia does her part to search out the truth. But tragically this one forced step outside of her true character begins her downfall. In a precarious predicament, loyalty to her father compelled Ophelia to lie to Hamlet when he asked about her father?s location at that moment saying he was at home instead of behind a tapestry right the...
To capture our sympathy, Ophelia goes through a transformation unlike any other character in Hamlet. She is abandoned by everyone she holds dear; her father Polonius, her brother Laertes, and Hamlet, her lover. And yet Ophelia becomes tangled in a web of madness when her loyalty is torn between Polonius and Hamlet. Most horrible of all is Ophelia's suicide-death. The emotion is evokes, coupled with the above points shows that Shakespeare's intentions was to make Ophelia, a minor character in terms of the number of lines assigned to her, into a memorable character evoking the most sympathy.
For a character that only appears in five of the 20 scenes in Hamlet, Ophelia has garnered a great deal of attention from analysts, critics, artists, actresses, fiction writers, psychologists, and adolescent girls alike. Readers are consistently struck by her character that seems relatively insignificant in the grand scheme of things. Ophelia is many times viewed as only important in relation to Hamlet and the effect she has on him. Ophelia is not just important in this respect, but also in respect to what she tells us about the society she came out of and the society we live in today. First analyzing Shakespeare and his precursors then concentrating on the modern day prominence of ...
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life