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Project On Aristotle Ideas about tragedy
Rise and fall of oedipus
Rise and fall of oedipus
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Tragedy. It is a word which can conjure many images for most people. From the innocence of a child who has lost her favorite blanket, to the heartbreak of losing a parent, to the desperation of a suicidal teen, every person on earth can relate to tragedy. The degree to which an audience can relate or even just sympathize with the tragic hero determines the quality of the tragedy. That said, in order to produce a tragedy, it is necessary to have a tragic hero. In his work, The Poetics, Aristotle sets forward characteristics that all tragic heroes should share. Included are hamartia, peripeteia, anagnorisis, and an over the top consequence. Hamartia, or the hero's tragic flaw, is “his error or transgression or (as some translators would have it) his flaw or weakness of character” (“Aristotle's” 858). Peripeteia, is the reversal of his fortune, or in other words, the tragic thing that happens to him. Anagnorisis is when the hero discovers that his own actions caused the reversal. Finally, Aristotle would say that the consequence for the hero's actions that resulted in a reversal of fate should be overly harsh. This paper seeks to compare and contrast Hamlet from William Shakespeare's play of the same name and Oedipus from Sophocles' Oedipus Rex at the points where they meet or do not meet these characteristics. Hamlet and Oedipus share similar a hamartia, and anagnorisis, and similarly do not suffer penalties that exceed their crimes. Meanwhile, they contrast in respect to their peripeteia.
Both Hamlet and Oedipus are morbidly and fatally impulsive. Each of them begin their tragic spiral with an unpremeditated murder. Hamlet's general impulsiveness plays a larger role in his story than does Oedipus'. They both hurrie...
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...about the twist in fate, while it was not Hamlet whose actions brought about the inciting incident in his story. Overall, Hamlet and Oedipus Rex are similar stories when it comes to setting, characters, and the situations they are in.
Works Cited
“Aristotle's Concept of Tragedy.” The Literature Collection. Ed. X.J. Kennedy and Dana Gioia. Pearson Education, Inc. 2013. 858. Web.
New American Standard Bible Updated Edition. La Habra: The Lockman Foundation, 1995. Print.
Shakespeare, William. “Hamlet, Prince of Denmark.” The Literature Collection. Ed. X.J. Kennedy and Dana Gioia. Pearson Education, Inc. 2013. 915-939. Web.
Sophocles, “Oedipus the King.” The Literature Collection. Ed. X.J. Kennedy and Dana Gioia. Pearson Education, Inc. 2013. 860-873. Web.
Struck, Peter T. “Oedipus as the Ideal Tragic Hero.” Greek and Roman Mythology. n.p. 2009. 11 May 2014.
Gioia, Dana, and X.J. Kennedy. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Compact Edition, Interactive Edition. 5th ed. New York: Pearson; Longman Publishing, 2007. 887-924. Print.
Although Oedipus claims a place as one of the greatest of the Greek tragic heroes, other tragic heroes abound in Greek mythology and literature. Another exceptional tragic hero is Achilles of Homer’s Iliad; like Oedipus, this greatest Achaean warrior exhibits both tragic flaws and true heroism. Similarities between the two do not end there, however. Both were great leaders, albeit in different contexts, and, more importantly, each clearly exhibited his tragic fla...
Segal, Charles. Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge. New York: Twayne Publishers, 1993.
Oedipus fits Aristotle's definition of the tragic flaw and protagonist almost flawlessly. Aristotle described the protagonist as "someone regarded as extraordinary rather than typical..."(1117). Oedipus freed Thebes from the Sphinx by solving her riddle-- something nobody else had been able to do. The priest in the first scene of Act I calls Oedipus "...our greatest power" (1121) and describes him as rated first among men.
Both Oedipus and Hamlet are tragic heroes because they contains all the characteristics needed to be considered one. Hamlet is a prince that had to see his mother get married again after his father unexpectedly died. A ghost appears around the castle and he claims that he is the king. He also tells Hamlet that he was murder which causes Hamlet to become skeptical. In order to confirm what the ghost says he conducts some investigations. It’s through a play, “The murder of Gonzago,” that Hamlet is able to confirm that what the ghost told him was completely true. After Hamlet discovers this he has to decide whether to bring an end to Claudius or let him be. One can consider this to be one of Hamlet’s biggest flaw. Hamlet shows his indecisive side. Hamlet can’t make a decision quickly which eventually leads him towards his defeat and also the suffering of people he is close to. “To be, or not to be” (Shakespeare 1750). A famous quote from Hamlet, but what does it mean? The quote comes directly from a Hamlet’s speech on whether it is better to be alive or dead. Hamlet goes on and on like a broken record discussing if death is the most appropriate thing
The tragedy’s both men experience throughout their stories is a result of their own tragic flaws.... ... middle of paper ... ... Hamlet meets his end with revenge, and Oedipus meets his downfall with curiosity.
There are many reasons why both of these characters are classified as tragic figures. First off Oedipus' fate was determined from birth, and no one knew Hamlet's fate. Oedipus's parents sent him off to be killed, and Hamlet's father was killed by his brother Claudius.
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
Two lovers took their own lives to avoid the consequences, and in contrast while a man gouged his eyes out to deal with his flaw. Although Romeo and Juliet and Oedipus the King were great tragedies, Oedipus the King contains more of the tragic figures described in Aristotle’s definition. First, the protagonist endured uncommon suffering. Second, the tragic hero recognized the consequences of their actions and took responsibility for them. Third and lastly, the audience experienced catharsis. Ignorance and impulsiveness can cause one to stumble and it can ultimately lead to their fate.
The two writers in tragedy showed what many writers couldn’t throughout the Greek tragedian era. Sophocles, who wrote “Oedipus Rex”, portrayed Jocasta as a caring mother who soon turned into a wife of her own son, while Shakespeare, who wrote “Hamlet”, used the same Greek tragedian tools and portrayed Gertrude as a naïve mother who made one decision that separated her son, Hamlet, from her. Gertrude was similar to Jocasta in that both were naïve but protective of their own sons. However Jocasta was more aware of the actions she took, even after the prophecy was told.
According to Aristotle there are five characteristics of a tragic hero: Flaw or error of judgment, (Peripeteia) a reversal of fortune, the enlightenment (anagnorisis) the discovery or recognition, (hubris) excessive pride, and the character’s fate. Oedipus finds the elders of Thebes praying to the gods for liberation of the plague. Oedipus “alone can help. The cause of the trouble is himself; the chances he has had in his life are precisely the source of the plague” (Diski 1). Oedipus is the cause and the solution to end the plague, but he is blind to the true. Hamlet, differently from Oedipus, is a “man of thought and action, a justice seeker and a criminal, a victim and a wrongdoer, a deeply reflective introvert and a man capable of acting on impulse” (McHugh 1). Hamlet’s free will, injected him with the desire to vengeance his father at any cause. Both Hamlet and Oedipus meet all of the characteristics of a tragic hero. In the beginning of both stories is introduced the first characteristic of a tragic hero, the flaw and error of judgment. In Hamlet, the ghost of his father tells him to revenge his death and In Oedipus; the oracle warns Oedipus about killing his father. Next, the reversal of fortune, in both tragedies leads to the death of their mothers. The anagnorisis of Hamlet was when he discovered how his father died and in Oedipus when the shepherd recognized Oedipus as the killer of Laius. The hubris overpowered both heroes, Hamlet for vengeance of his father’s death and Oedipus to revenge the death of Laius, which ironically was his real father, and he had killed him. Hamlet and Oedipus have the five characteristics of a tragic hero, the main characteristic that both share, is the error of judgment, however, their fate ...
The tragic hero is a person of greatness, and noble stature who usually contributes to their own downfall. Oedipus has greatness and noble stature; he’s sublime, in the way that he cares for his people. What leads to his own downfall is his own pride, which came out when he solved the riddle of the Sphinx and was praised by marrying the queen of Thebes, making him feel untouchable, “Here I am myself- you all know me, the world knows my fame: I am Oedipus. (7-9)” His almightiness caused him to feel obligation into saving his city, causing his rejection of reality, thus causing mistakes throughout the play. The prestige he has causes him to find the killer himself, because no other man other than himself can fix this problem causing a quarrel with Creon and Tiresias. Instead of helping, he ruins himself by cursing the killer, which is his own self saying,” I’ll rid us of this corruption. Whoever killed the king may decide to kill me too,” (157-158). Also he denies what Tiresias is telling him, which is the truth, but Oedipus insults him by calling his prophecies “riddles, murk and darkness. (500)” “Here I am myself- you all know me, the world knows my fame: I am Oedipus. (7-9)” .By being in denial he ignores why he left Polybus and ignores Jocasta’s warning that “if you love your own life, call off this search!” (164), but with the greatness he has, he feels that no knowledge can be kept away from him. “Steals against me… so hungry to overthrone me. (439)” out this situation of against his own friend thinking that Creon was pl...
...n Aristotle’s view of characters. Aristotle also suggests that a tragedy should have the power to provoke audience’s emotion of pity and fear. The suffering and behavior of each character in Hamlet possess that power. The author agrees with the Aristotelian analysis of Hamlet, the story of Hamlet was perfectly based on Aristotle’s tragedy theory. However, the author thinks that the tragedy doesn’t always have to end up in misery. A tragic story can also have some hidden happiness in the suffering, misery of tragic hero(s), in which way can audience realize that there is still hopeful when your life is tragic and encourage people to strive hard to create a better life.
Theater audiences and literary enthusiasts are not spared of Shakespeare’s astonishing ability to capture the human spirit in his play Hamlet. The story of the tormented prince who desires revenge but is unable to take action delves deep into the human mind than plays before it. While some uninformed readers may write off Hamlet’s behavior to poor writing, it is clear that the Oedipus complex is the true driving force of Hamlet’s actions when delaying his revenge.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.