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Characterisation in hamlet
Characterisation in hamlet
Characterisation in hamlet
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In William Shakespeare’s Hamlet, one often wonders what Hamlet’s tragic flaw is? Was it his anger, his passion, his own feigned madness taking control? Perhaps they played a part, but Prince Hamlet’s inability/hesitation to act, and his tendency towards rash actions are the tragic flaws that lead inevitably to his own demise. He is no Macbeth, Othello, or Oedipus for sure! Ironically, the combination of these two polar opposite traits, Hamlet's hesitation and sudden rash actions, lead to his downfall. As William James puts it “There is no more miserable human being than one in whom nothing is habitual but indecision”, and yet when Hamlet acts instead of thinking it bodes ill anyways! For Hamlet’s case there is nothing but misery.
His first step into the pit of no return comes in the form of a poltergeist in the image of his father, wherein Hamlet is told that his father’s murderer is none other than his brother Claudius, the new King of Denmark after the quick marriage to the widowed queen. In the case of other tragic heroes the news would have caused blood to boil and blood to spill, yet Hamlet takes this news and thinks it over, for it could be a “couple” with “hell” (1.5.93). Was the ghost one of good intentions or one of malice, for ghost could be of either heaven or hell? So hamlet had to know if this was a "spirit of health or goblin damned" (1.4.5). Hamlet doesn’t know for sure so he devises an idea to portray himself as mad to find out if the ghost was speaking the truth. This, of course, is another mistake.
In choosing to put himself into this state of mind, acting it may be, he is allowing himself to become part of Uncle Claudius’s “unweeded garden that grows to seed” that has “rotten in the state of Denmark” (1.2.135-1...
... middle of paper ...
...villain send
To heaven” (3.3.73-78).
He clearly wants Claudius to suffer in hell like he believes that his father is from what the ghost stated, “for a day confined to fast in fires, till the foul crimes done in my days in future” (1.5.11-12). If only he had had the courage to slay his uncle and take the chance that his soul would go to heaven, perhaps the bloodshed at the end of the play would have never happened.
So “what is it in Hamlet's extremely complex nature that must come to the surface” to make him a great tragic hero even though Hamlet does not overcome his indecisiveness or rashness (Jorgensen). He is openly flawed and maybe that’s why he did not carry the disdain most have for revenge tragedy protagonist, for he is truer than any other hero. Perhaps that is why it is so tragic that a man with just intentions is flawed by his own thoughts and actions.
In Shakespeare’s Hamlet, the title character is one of histories greatest examples of a tragic hero. Hamlet is born a prince and is seen throughout the play as a hero, but soon the reader begins to see a flaw emerge. Throughout the play, Hamlet exhibits indecision and procrastination. These two traits are his tragic flaws that lead to his death. Hamlet at many times during the play has a chance to avenge his fathers’ death and kill Claudius. At one point Hamlet gives a whole soliloquy debating on whether or not to kill his Uncle, “And ...
The main character, Hamlet, is a character that is not true to others, nor to himself. When the Ghost of his father tells him he was murdered by Claudius, Hamlet doubts the truth. He does not trust the ghost of his father, so has to find a way to prove it. Deciding on how to prove or disprove the Ghost, Hamlet predicts: “The play’s the thing / Wherein I’ll catch the conscience of the King” (2.2, 616-17). Because he distrusts the Ghost, Hamlet is not true to his father. However, when his plan proves to him that the Ghost’s words are true, Hamlet still does not act; he still cannot avenge his father’s murder. Hamlet decides not to kill Claudius, using the fact that he is praying as an excuse. Hamlet does not want Claudius’s soul to go to heaven, therefore he decides not to kill him, explaining: “A villain kills my father, and for that, I, his sole son, do the same villain send to heaven” (3.3, 76-78). However, after trying to pray, the King claims that his prayers were not heard: “My words fly up, my thoughts remain below. / Words without thoughts never to heaven go” (3.3, 97-8). Therefore, had Hamlet chosen to kill Claudius at that time, his soul would have gone to Hell. Hamlet uses God as an excuse for not acting. He is not true and is lying to himself, because he wants to kill Claudius, yet does not.
Hamlet. The son of a king. A man who could have had it all, but instead he chose the much more painful route of revenge and a life of bloodshed. The downfall of Hamlet is comparable to trying to hide a lie one has told. The deeper we try to cover the lie, the worse it gets and harder it becomes to do the right thing. The deeper the reader explores into Hamlets life, the messier and messier it becomes. With a mind full of suicidal thoughts and insanity with no effort to contain it can only lead one thing, and Hamlets downfall is the ultimate example. Pain, suffering, and extreme
Examining the character of King Claudius in Hamlet, one detects his respectable qualities; one of them being that he is an exemplary leader - which is accentuated during the coronation of his kingship. In his inaugural speech, Claudius illustrates his capability of being an efficient leader by addressing the three important events occurring in Denmark: the death of old king Hamlet, Claudius’s marriage to Queen Gertrude, and the developing threat of Norway. Claudius acknowledges that the death of old King Hamlet is of tremendous importance, by plunging into it first. Taking into consideration that the old King Hamlet was idolized by the citizens of Denmark and that his death was still recent in their minds, Claudius cleverly states his request – forget old King Hamlet and concentrate on me – in an innocuous way: “That we with wisest sorrow think on him [old King Hamlet]/ Together with remembrance of ourselves” (I. ii. 6-7). Clau...
In this scene, Claudius is alone, defenseless, kneeling at prayer, and unaware of Hamlet 's presence. Hamlet states that this is the perfect time, and he probably won’t get much of a better chance than that. With that in mind, he drew out his sword. But characteristically, he has second thoughts. He thought about it, and realized that he was probably kneeling in prayer to confess his sins. Hamlet 's Catholic beliefs state that if King Claudius was to die, but he confessed for his sins, he would be forgiven of all of his sins and would be granted access to go to heaven. Hamlet thinks about this and says, “A villain kills my father, and, for that, I, his sole son, do this same villain send to heaven” (III.III.77-79). Hamlet knows that the best time to kill him is after he has sinned. He says that he will finish the task, "When he is drunk asleep, or in his rage, / Or in th ' incestuous pleasure of his bed; / At gaming, a-swearing, or about some act / That has no relish of salvation in 't" (III.III. 88-92). This sets Hamlet in a crazed state of mind when leaving to go see his mother. In the conversion with her, Hamlet finds out that there is another man in the room, hiding behind the tapestry. Immediately he kills the man, only to find out that the man behind the tapestry was Polonius, the father of the women he
Essentially, it all comes back to consequences. If Hamlet takes his life to escape his troubles, he could end up with worse predicaments in the afterlife. However, killing Claudius could very easily end his own life as well. The true irony lies in the multiple deaths Hamlet will unintentionally cause, which includes his beloved Ophelia. This speech connects to many of the play’s themes: including suicide, love, truth, teen angst, the debate between thought and action, natural order, inevitability, and so forth. The soliloquy is crucial. Here it reveals the quality of Hamlet’s mind, his passionate nature struggling relentlessly to escape his misery. And although, there is much up for debate, the reader is reassured that Hamlet has not departed from Christianity. There can be no doubt of his conviction in heaven and hell.
King Hamlet’s “foul and most unnatural murder” (I.v.25) tops Claudius’ list of egregious sins, but most of his offenses are psychological rather than physical. Using his mastery of manipulation, Claudius, the “incestuous” and “adulterate beast” managed to win “to his shameful lust the will” of the virtuous queen, Gertrude (I.v.42-6). Gertrude could not be persuaded to switch husbands without a little verbal tricker...
At first, Hamlet sees the ghost of his dead father and vows to avenge his death. “Christianity forbids followers to seek out spirits for advice or communication” (Ja) Hamlet has his faith tested because he is unsure about what his father is telling him. If the truth is that Claudius is the one who murdered Hamlet’s father then Hamlet will need to commit murder himself in order to fulfill his promise to his father’s ghost. “Hamlet, after the shock of his discoveries, becomes virtually another person and re-evaluates the situation in accordance with his religious views. Perhaps the ghost is just an illusion or mental disorder making him imagine this tale, and the murder of his father is illusory because he is not able to accept this kind of marriage and he wants to justify his crimes.” (****) Hamlet wrestles with his feelings and decides he must arrange for Claudius to admit to the murder instead of murdering Claudius himself. He is aware of the moral dilemma he finds himself in, if he kills Claudius then he, Hamlet may go to hell. If he refuses to kill Claudius then his father may be sent to hell. Hamlet knows from his religious background that murd...
To begin with, many scholars have suggested that Hamlet’s motives directly correlate to Shakespeare’s own life and experiences. With such an intricate work of literature, it is easily assumed that "anything which will give us the key to the inner meaning of Hamlet will necessarily provide a clue to much of the deeper workings of Shakespeare’s mind" (Jones 25). While this may be true, one cannot necessarily assume that unlocking Hamlet’s motives and frame of mind will bring us closer to William Shakespeare, as a person and personality. Rather, it is safe to say that in exploring Hamlet’s intentions, one can find insight into the mentality of Shakespeare; the ideas which he molded into the character of Hamlet, in order to build the persona which he used to explore the subject of revenge. Like with many great works, a reader cannot always assume that the main character is modeled after the author who penned it. This is a biased way to look at literature, and often detracts from the piece as a whole. One should only take that the ideas portrayed in the work are those that stemmed from the writer’s mind, and therefore links the dramatist with the piece, as in Shakespeare’s Hamlet.
Hamlet’s character, and the characters of others, are the centers of gravity for the play by William Shakespeare, just as Oedipus and Jocasta are the cores of the Aristotelian tragedy Oedipus Rex. However, it is important for a character to be more than simply the subject of a play to make it a true tragedy. Aristotle’s tragic hero has several important qualities that lend relevance, power and emotion to the cathartic nature of tragedy. Firstly, the tragic character must be consistent, and must measure up to the audience in that they must reflect a picture of life, at least at the beginning. Hamlet measures up to this requirement. At the outset of the play, he is a student (like many of us) temporarily pulled away from school to deal with a loved one’s death. However, tragic characters, as real as they may be made, must also have a certain noble quality about them. This nobility must be of the spirit and be directed outwards to establish the consistency found in tragic heroes. Finally, the largest part of a tragic hero is, of course, the tragedy - as extensive as the hamartia of Oedipus in which he marries his own mother, or as reserved as that of Hamlet - simply being the sufferer of seemingly a million ills. Hamlet has less hamartia than Oedipus in his tragedy - but we can still consider him a tragic hero. Not only does he have the
Although he realizes that murdering King Hamlet in order to acquire the throne was wrong, Claudius ignores his conscience in favor of keeping his possessions and his power. After watching the play, which Hamlet composed in order to expose Claudius’s foul deed, Claudius can not contain his guilt. Seeing his own actions played out before him reminds Claudius of the magnitude of the sin, and his conscience is able to convey to him a clear distinction between right and wrong. As a result, Claudius spends his soliloquy lamenting his sin, grieving that his “offense is rank, it smells to heaven” (3.3:36). Claudius’s sin is weighing on him, knowing that it is foul and offensive to heaven.
Hamlet is a scholar, speaker, actor, and prince. For some reason, Hamlet is not able to avenge his father's death without considerable delay. There is one major flaw in Hamlet's character which causes him to postpone the murder of Claudius. I believe that this flaw is Hamlet's idealism. While his idealism is a good trait, in this case, Hamlet's environment and his...
To understand a play, you must first understand the fundamentals for the play: protagonist, antagonist, exposition, rising action, crisis, climax and resolution. I will examine Hamlet by William Shakespeare. This is a great example for the purpose of this paper it provides a clear and great examples.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.