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The father son relationship in hamlet
The father son relationship in hamlet
The father son relationship in hamlet
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In Act 1 Scene 5 of Shakespeare’s Hamlet, the ghost of King Hamlet can be portrayed as either, a harsh, mean, and demanding father or a caring, nice, and understanding dad. This depends on how you manipulate the lighting, actions, which includes speech, and other special effects.
By manipulating the lighting on the ghost of King Hamlet, he can be presented as either a demanding and harsh father or a caring and understanding dad. To present the ghost as a demanding and harsh father you could use a bright red light shining on him. Using a red light would portray him as evil because the color red is associated with such things as fire and hell, both which have negative connotations. For example, at the beginning of the scene a single red light can shine down on the ghost from behind casting a dark shadow onto Hamlet. When the ghost says, “Revenge his foul and most unnatural murder.'; The single light from behind could move to directly over the ghost casting a shadow onto his face to make him look even more menacing. Also, lights all over the stage would begin at a low red glow and slowly rise to a bright red engulfing the whole stage when the ghost finishes off the quote saying, “murder';. If you manipulate the light in another way the ghost can be presented as a caring father. By using a white or a blue light would portray him as good because the colors of white and blue are connected with things such as heaven and angels, both of which have good connotations. For example, when showing the ghost, a white light could be coming at him from all angles, following wherever he goes. When the ghost of King Hamlet says, “Taint not thy mind…aught.'; A white light could be coming from under the stage shining up onto the ghost, and also from all other angles. This would cause the ghost to shine brightly from the light bouncing off his armor. Saying this quote while having white light surround him would further portray him as caring. This is because he is telling Hamlet not to harm, or even think of harming his mother.
Not only does lighting show how the ghost of King Hamlet can be portrayed in two different ways, but it can also be displayed by his actions and speech.
Hamlet is extremely proud of Old King and respects him.“He was a great human being. He was perfect in everything. I’ll never see the likes of him again” (I.ii.185-188). Hamlet loves his father and gives the greatest praise at the funeral. Grief driven by love tempts Hamlet to think his father’s goodness, and more, the loss of such a favorable figure. Hamlet believes that the ghost that is said to look like the dead king is indeed his father.”He waxes desperate with imagination”(I.ii.92). The Prince, who is deep in sadness and does not think sufficiently, is convinced that the spirit is the Old Hamlet, he is the only person that can physically communicate with the ghost. Hamlet for the second time talks to the apparition in his mother’s chamber, where Gertrude does not see any. What Horatio and other witnesses encounter at the gate at night proves the possibility of the existence of the ghost, Hamlet later in the play is considered to be truly mad on the account of his unusual ability to see and talk to the spirit, which is obviously conjured up by his mind. Rising actions in both the book and the play are implied at the beginning of the stories: Amir’s memory of 1975 and Old Hamlet’s death. The journey of redemption or revenge takes actions of concealing their true emotions and implementing devised
Hamlet grants himself the opportunity to momentarily direct himself, yet it remains unknown as to whether he directs a representation of truth or a falsity. He exemplifies madness so well, as the sight of "a damned ghost" (77) insanely induces his imagination and comfortably transforms his identity to one of lunacy. This role he acquires is one he portrays so explicitly well as an actor that he easily utilizes it as the foundation for his players. He instructs the players:
Throughout the play Hamlet is in constant conflict with himself. An appearance of a ghost claiming to be his father, “I am thy father’s spirit”(I.v.14) aggravates his grief, nearly causing him to commit suicide and leaving him deeply disgusted and angered. Upon speaking with his ghost-father, Hamlet learns that his uncle-stepfather killed Hamlet the King. “The serpent that did sting thy father’s life Now wears his crown”(I.v.45-46) Hamlet is beside himself and becomes obsessed with plotting and planning revenge for the death of his father.
As well as his impressive set design, Zeffirelli also uses lighting as a tool to successfully create an effective portrayal of the play. During Hamlet’s to be or not to be speech, Hamlet frequently stops and takes pauses as a way to reflect on what he has just said. At first, Hamlet remains relatively calm but as his speech progresses, and he walks around the mortuary visiting different tombs, including his father’s, his anger level elevates. Zeffirelli uses an effective lighting technique that bathes this scene with darkness but a golden glowing light casts on the side of Hamlet’s face, bringing out the contrast between light and dark, and life and death. The way Hamlet’s...
The Mel Gibson version of Act I, scene 5 gives the most accurate representation of the ghost’s purpose to use Hamlet as a result the actors’ movements and manners of speaking. In this film clip, the ghost is calm and sure of himself, speaking softly, as ghosts do, yet with conviction of his own authority. He is also mobile in the scene, moving ever closer to a Hamlet who appears to be paralyzed with fear. This motion establishes an unequal power dynamic between the father and son, making it clear that the late King Hamlet is in control of the situation. Although the ghost still tells Hamlet to “taint not [his] mind, nor let [his] soul contrive against [his] mother aught,” the line is delivered as an ominous warning rather than fatherly advice.
Hamlet may have been in such a depressed, emotionally unstable state that he completely convinced himself he talked to his deceased father who tells him to kill his uncle. Maybe this ghost could be Hamlet's subconscious thought of his feeling towards his uncle and he’s in such a state of distress that he pins these subconscious thoughts on a ghost. I believe the devil Hamlet is talking about is his deep hatred towards his uncle and his uncles relationship with his mother. It is his subconscious which is trying to persuade him to sin, and I think he needs to avoid this altogether. When Hamlet says, “To assume a pleasing shape; yea, and, perhaps/ Out of my weakness and my melancholy,” (II.II.558-559). Hamlet’s own self has planted his sins on his Dad, whom he loves very much, so Hamlet can justify his future actions with his
All throughout the play Hamlet mourns the loss of his father, especially since his father is appearing to him as a ghostly figure telling him to avenge his death, and throughout the play it sets the stage and shows us how he is plotting to get back at the assassinator. Such an instance where the ghost appears to Hamlet is when Hamlet and his mother are in her bedchamber where the ghost will make his last appearance. Hamlet tells his mother to look where the ghost appears but she cannot see it because he is the only one who that has the ability to see him.
Horatio, knowing that the ghost is Hamlet’s father, request that Hamlet stays on guard with the men to attempt to determine the ghost’s intent. This appearance of the ghost is much different from the first appearance. Although all the men can see the ghost, Hamlet is the only one who can communicate with it. He...
Ghosts are often characters that are a representation of revenge tragedy, especially in Shakespearean plays, such as Macbeth. In William Shakespeare’s Hamlet, the ghost is very significant because it influences Hamlet negatively, which ultimately results in his tragedy. The ghost causes Hamlet to get revenge, realize his tragic flaw, and leads to his madness.
The aspect of Hamlet that I find interesting is the appearance of the ghost that Hamlet suspects may be the ghost of his father. Hamlet does not know if the ghost is actually of his father or if it is a demon taking on his father's appearance. How will he know what decision to make if he does not know what the ghost actually is? Also, now I'm wondering if Hamlet makes the wrong decision, will his decision lead to his death? This is the second play of Shakespeare's that I have read that has the appearance of ghosts. Macbeth also had apparitions appear in it. Shakespeare seems to have a method of placing ghosts into his writings, and in Macbeth these ghosts led to the downfall of Macbeth. -Keisha McWhorter
Hamlet and his ghostly father also have some extreme differences. An obvious one is that of the living and the dead. This difference, I feel, was done with great purpose. The ghost makes the absolute best foil because of the fact that he, who was murdered, came back from the dead to reveal his killer. This seems to be more believable and more prideful than if say, Horatio tells Hamlet "I know who killed your father, [CS] I think you should go after him and kill for your father's honor." [Nice idea] Another big difference between them is trust.
In the play Hamlet by William Shakespeare, Hamlet the king of Denmark is murdered by his brother, Claudius, and as a ghost tells his son, Hamlet the prince of Denmark, to avenge him by killing his brother. The price Hamlet does agree to his late father’s wishes, and undertakes the responsibility of killing his uncle, Claudius. However even after swearing to his late father, and former king that he would avenge him; Hamlet for the bulk of the play takes almost no action against Claudius. Prince Hamlet in nature is a man of thought throughout the entirety of the play; even while playing mad that is obvious, and although this does seem to keep him alive, it is that same trait that also keeps him from fulfilling his father’s wish for vengeance
The only lighting provided throughout the scene is either on Hamlet’s face, from the trap door, or coming from stairway, while darkness consumes most of the area. The light represents the living world and living people in the world, and the darkness displays death and emptiness. Most of the props are bones shoved into the wall but the most important prop in the room is the sarcophagus. The Sarcophagus is beautiful and neatly carved, indicated wealth and power. Hamlet continues to lurk on the Sarcophagus and rather wants to look at the neatly decorated tomb instead of the row of skeletons shoved into the wall.
In traditional and modern, ghost reflects death and fear, and it never change. In Hamlet, the ghost is a symbol of Hamlet’s father who is killed by Claudius. Its propose is to demand Hamlet to avenge its death. Although the ghost only appears three times in front of Hamlet, it is a specify role to develop the whole story and plot. Through Hamlet, the ghost is the motive to make Hamlet kill Claudius, and the ghost plays a critical role to influence Hamlet.
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.