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Recommended: Cowardice in Hamlet
In the first section of the passage, Hamlet is filled with self-loathing. His feelings of worthlessness are made quite apparent as he questions himself with statements like “What is a man, if his chief good and market of his time be but to sleep and feed? A beast no more.” This metaphor clearly shows how unworthy Hamlet feels about the fact that he has been lying around doing nothing and his father remains unavenged. His use of unpleasant imagery like “bestial oblivion” and “fust” also contribute to his tone. Hamlet knows he has been thinking too much and acting too little. He questions his own courage when he says that his thoughts are “ but one part wisdom and ever three parts coward.” Hamlet understands that pondering on an action like he has been doing only leads to excuses to ignore the offense done to him, and it is his fear creating the excuses and leaving his honor soiled.
In the second section of the passage Hamlet is still angry at himself, especially when he views himself next to Fortinbras. He juxtaposes his own actions against Fortinbras’ in lines like “Why yet I live to say “This thing’s to do,” sith I have cause, and will, and strength, and means to do’t.” and “Witness this army of such mass and charge, led by a delicate and tender prince , whose spirit, with divine ambitioned puffed, makes mouths at the invisible event.” He continues to question his self worth as he sees the fact that Fortinbras is willing to spend 20,000 lives to gain honor in his “event,” while He himself has not been able to gather even enough courage take care of his “event” which is revenging his father. The comparison is clear Hamlet is a “coward” while Fortinbras is a brave “delicate and tender prince.”
In the third section Hamlet finds the answer to the self questioning that has occurred in the first to passages. He realizes he must take action immediately and quit delaying. He understands the fact that “Rightly to be great is not to stir without great argument, but greatly to find quarrel in a straw when honor’s at stake.” Hamlet has much greater reason then “a straw” to be angry and a vivid picture of his reason for rage is painted in the line “a father killed, a mother stained, excitements of my reason and my blood, let all sleep, while to my shame I see the imminent death of twenty thousand men.
The strategic early placing of the "To be or not to be, I there's the point" monologue gives it less weight than it has in Q2, as if it were the beginning of Hamlet's train of thought as opposed to the turning point we often think it is when we read a modern edition. Indeed, "the point" is more absolute than "the question." Hamlet does not fight with himself to solve a problem, but merely expresses what that problem is. To argue that this is oversimplification is to oversimplify: it is a revision. It is an Elizabethan argument, positing that a truly revengeful Hamlet would definitely shy away from suicide for hope of salvation, while the confused avenger Hamlet would probably shy away from suicide for fear of punishment. That in itself sheds light on the pop psychology of the day, and thus how we ought to read Hamlet's psychology in the context of its time.
Hamlet wishes to avenge the murder of his father and rectify this great injustice. The conflict between his desire to seek revenge and his own thoughts of incompetence is the cause of his initial unrest. "Haste me to know't , that I , with wings as swift / As meditation or thoughts of love , / may sweep to my revenge (1.5.29-31). Here Hamlet pleads to the Ghost of King Hamlet to reveal the name of his murderer.
Hamlet is a character that we love to read about and analyze. His character is so realistic, and he is so romantic and idealistic that it is hard not to like him. He is the typical young scholar facing the harsh reality of the real world. In this play, Hamlet has come to a time in his life where he has to see things as they really are. Hamlet is an initiation story. Mordecai Marcus states "some initiations take their protagonists across a threshold of maturity and understanding but leave them enmeshed in a struggle for certainty"(234). And this is what happens to Hamlet.
Throughout the Dramaturgic Analysis of Hamlet Prince of Denmark the indecisiveness of Hamlet is noted. He does not immediately seek vengeance but continually schemes, rants and raves (both in his rational and insane moments). Whether cowardice, caution, or simply indifference dominate his persona is unclear - what is clear is his distaste for his own behavior: "How stand I then, That have a father kill'd, a mother stain'd,...And let all sleep, while to my shame I see The imminent death of twenty thousand men... (sic)." (Shakespeare, 116).
Hamlet Compare and contrast between Hamlet and Laertes William Shakespeare’s “Hamlet” is known as the best tragedy play of all times. Each one of the characters has their own unique personality, but some of them are very alike. Hamlet, the main character, and Laertes, one of the other leading roles, are very much alike but at the same time slightly different. Their experiences collide and they both make some decisions, which change their lives forever. Hamlet and Laertes both display impulsive reactions when angered.
Something was definitely rotten in the state of Denmark. The king was dead of a murder most foul, a betrayal from his own brother, young Hamlet was thrown out of the frying pan, which was his father's passing, and into the fire of revenge. On would think that an act of revenge such as this, retribution from an enraged son over the unjust murder of his father, would come so quickly, wildly, and brutally, driven by anger and rage. This simply was not the case in William Shakespeare's Hamlet, Prince of Denmark. As the young prince Hamlet carefully thought out his plans for revenge over a rather large amount of time due to his own apparent weakness, inaction. "The smallest deed is greater than the grandest intention"(Stokes 90). Hamlet was full of grand ideas and intentions on how to kill the King, but he failed to act and to carry out the deed that was his revenge, the destruction of Claudius. Why did Hamlet choose and it was his choice, not to take revenge on Claudius quickly and decisively? Hamlet had his own reasons for inaction; the strategy that he felt best suited his revenge.
Each person goes through life questioning the whys and what ifs, but seldom do people act on those revengeful feelings unless they reach a point of action. Hamlet reaches such a point in life where wordplay no longer suffices, and he must act not out of necessity but out of filial duty and honor. In this soliloquy, Hamlet sheds his attachment for words and begins to act on his deeply held feelings of revenge/
Many people question the psychological condition of the character Hamlet in the sixteenth century play Hamlet written by William Shakespeare. One of the reasons that the mental health of hamlet is in question by many people is the result of hamlet's actions as well as his reactions to events that occur during the play. Some people argue that the character Hamlet is insane, while others may argue that his insanity can be justified by several means such as his need for justice of his father's murder. However, Hamlet's need for justice or revenge does not necessarily justify Hamlet's behavior in the play. In addition, Hamlet's behavior falls into several categories of insanity such as shizophrenia. Therefore, there are many ways in which it can be proven that hamlet may truly be insane.
William Shakespeare is seen to many as one of the great writers in history. More specifically, the characters in his plays are reviewed and criticized and have been so for nearly four centuries. The character that many have revered Shakespeare for is perhaps the greatest such character ever in literature, Hamlet from Shakespeare's Hamlet, Prince of Denmark. The commentary and response to this legend of literature is of wide array and opinion, though most, such as Pennington, believe him to be a truly magnificent character: "Hamlet is perhaps the cleverest hero ever written, the subject of the first European tragedy, a form of genius. A type Shakespeare despaired of writing thereafter, having perceived that the heroes of tragedies must be sublime idiots" (185). However, despite his clear gifts and aura, Hamlet was a doomed character from the beginning: Hamlet is dominated by an emotion that is inexpressible. It is thus a feeling he cannot understand, he cannot objectify it, and it therefore remains open to poison life and to obstruct action" (Eliot 25). Thus, Hamlet, while possessing the traits of no other men of his time, a true Renaissance man, was doomed from the beginning of the play partly by forces he could not control, and also partly by his own character. It leads to a slow but definite ending to one of literature's great characters, one that he could not control. In the end, Hamlet was out of place in his environment, he was simply not meant to be.
Why do people crave power, fortune, and lust when all it leads to is corruption, greed, and/or death? In the play of Hamlet by William Shakespeare, one character's greed for power and fortune leads to tragedy. First, Claudius murders King Hamlet and attempts to kill prince Hamlet inorder to keep the crown to rule Denmark. Secondly, Claudius sets up a plan that involves putting a poisonous pearl in the winner's victory cup that eventually Gertrude drinks. He also puts poision on the tip of the sword that eventually kills Laertes in the duel. Lastly, Claudius sends Rosencranz & Guildenstern to escort Hamlet to England to secretly be killed so that he can keep the crown. One may object that Polonius' death was not the fault of Claudius' greed because Hamlet killed Polonius. However, Hamlet was obsessed with killing Claudius because he wanted to seek revenge for his father. Claudius' Greed for power is to blame for all the tragedies in the play Hamlet.
In the play Hamlet by William Shakespeare, the main character, Hamlet, is often perceived by the other characters in the play as being mentally unbalanced because he acts in ways that drive them to think he is mad. Hamlet may very well be psychotic; however, there are times when he “feigns insanity” in order to unearth the truth surrounding his father's death. This plan seems to be going well until Hamlet's mental state slowly begins to deteriorate. What began as an act of insanity or antic disposition transitions from an act to a tragic reality. After studying Hamlet's actions, one will notice that as the play progresses, his feigned insanity becomes less and less intentional and devolves into true mental illness.
Hamlet’s watches Fortinbras’ army cross into Denmark, and he starts to understand that many men are going to lose their lives. Hamlet starts to feel shameful over the fact that he hasn't done anything about his father being killed or his mother “stained”. Hamlet says “How stand I, then, that have a father killed, a mother stained, excitements of my reason and my blood, and let all sleep, while, to my shame, I see the imminent death of twenty thousand men that, for a fantasy and trick of fame go to their graves like beds, fight for a plot whereon the numbers cannot try the cause, which is not tomb enough and continent to hide the slain? O, from this time forth my thoughts be bloody, or be nothing worth!”
De Paulo has a similar opinion to me. “Hamlet wants language to be an escape from subjectivity, but as he ostentatiously puns and quibbles, words seem to multiply on their own and cloud his mind.” Indicating that due to the fact of his clouded judgement, Hamlet is using this as an excuse to cover up the fact that he is indeed just a coward trying to avoid getting revenge on Claudius for poisoning and killing his father. As he repeatedly fails to complete the task at hand, his cowardly nature comes more and more into focus as the play continues. Even though manu scholar and critics feel that Hamlet is indeed the hero of the play, there are very clear moments where he is in fact a weak coward who doesn’t take revenge on his father’s murderer until the very end when he almost, accidentally kills
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.