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H. p. lovecraft and critical theory
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Great un-named beasts and creatures older than the universe that make skin crawl and give readers nightmares are only a few of the things encountered while reading H.P. Lovecraft’s great stories. H.P. Lovecraft was a man of many faces with many critics reporting his work, yet during his life he could never have fathomed the impact his writings have had on literature and culture. Although Lovecraft never experienced fame in his lifetime, he has become a critically acclaimed writer that has had a lasting impact that will continue to affect the world of cosmic horror for a long time to come.
Much of Lovecraft’s odd behavior and writing style could be explained by his background and life. HP Lovecraft was born on August 20, 1890 in Providence,
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However with the great span of his writings throughout many genres it is difficult to criticize all of it and most critics focus on later, more mature, works. For many, Lovecraft was a horror writer. Such as Fritz Leiber Jr. wrote in 1949 that “Lovecraft was the Copernicus of the horror story” with shifting the focus from the supernatural to space and creating a new form of horror (Bryfonski 267). Lovecraft was essentially taking the science fiction that people knew as well as the horror they knew and combined them to create a new form of genre. Leiber is correct in his thoughts that a new form of horror was being created in Lovecraft’s works. Lovecraft took the classic horror tropes and implanted them in new worlds making a classic genre into something fresh that is exciting and horrifying. Many critics agree that while Lovecraft might have weaknesses his stories still stand up amongst some of the best American authors. E.F. Bleiler says it best in his review when he writes “Lovecraft’s weakest moments tend to be those in which he describes a monster visually,” yet he later compares Lovecraft to Poe and Hawthorne, calling him one of the last Romance writers (Bryfonski 273). All writers have weaknesses, what matters is a writer's ability to make up for those weaknesses in other ways, which Lovecraft achieves. Critics realize that Lovecraft perhaps was not the most advanced or technical writer but what …show more content…
Perhaps the most noticeable one is that although Lovecraft did not create the genre of cosmic horror he did recreate it by viewing it as more scientific and removing the Victorian morals (Nevins). Cosmic horror was well underground and featured many of the same archetypes, yet what Lovecraft did was give it a new breath of life by making it more modern. Lovecraft had an interest in science and an obsession with horror, he mixed the two together in a way that had yet to be done, revolutionizing the genre and setting a precedent for cosmic horror yet to
One of H.P. Lovecraft’s many short stories, “The Outsider” has been praised since its publication as his most profound and meaningful. This story has been interpreted many different ways, varying from an autobiography of Lovecraft himself to several different philosophical analyses. One such interpretation, by Dirk Mosig compares the plot and settings of “The Outsider” to Lovecraft’s own doubtful views of religion and an afterlife. Mosig supports his interpretation with many facts from the story, I believe he pinpoints one very possible meaning of the story. His argument successfully uses the plot and details to convince the reader that his hypothesis is correct.
Throughout the history of literature there have been various authors who have taken their genre style and enhanced it. An author who was well known for this in the 1800s was the American writer Edgar Allan Poe. Poe is celebrated for his works like The Fall of the House of Usher and The Raven. In writing these poems and tales, he took the horror and romanticism genre and began to add more supernatural themes as well as emotional themes. This not only created a more interesting story, it also began to evolve into what is now known as the dark or gothic romanticism genre. Although the romanticism genre started in Europe, the American side of the genre was more focused on the hidden part of the individual exaggerate themes like the grave and death. Also, the more macabre aspects of American works would sometimes take a backseat to the beauty of the world around them. Poe did not
Most authors use 4 utilities to make a story entertaining. They use the setting, mood, tone, and the archetypes to keep the author entertained. Cinderella by Jacob and WilHelm Grimm and Dr. Jekyll and Mr. Hyde by Marsha Hatfield were both scary because they showed how the tone and mood affected the story, themselves, and the readers at the same time. The horror genre is spooky and unlike other genres, because they are written to scare audiences. In order to do that authors and directors have to change settings, establish tones and moods, and use archetypes that are darker than all other genres. Multiple authors make similar decisions to create archetypes, setting, mood, and tones that uphold the horror genre.
Many authors have different ways of building characters and how they look. It is up to the reader to build their perspective from the descriptions given by the author in order to understand books. Mary Shelley, the author of Frankenstein, sculpts the readers’ perspective of her monster through powerful diction and emotional syntax. After Dr. Frankenstein finally accomplishes his goal of re-animating a lifeless human, Shelley uses her strong word choice to fully express the extent of horror that Frankenstein had felt, describing his monster as a “demonical corpse to which I had so miserably given life.” (Shelley 45). Frankenstein’s horror is shared with the reader simply from a well descripted sentence. The detail Shelley put into Victor Frankenstein’s perspective is gradually shaping our own, as the reader’s, perspective. Furthermore, the diction being used adds a more definitive appearance to the monster. It helps us imagine what the monster looks like and additionally, how Frankenstein feels about his success.
In Lovecraft’s story The Very Old Folk the villagers had been going about their regular lives until they began to feel a vague and ill-defined uneasiness. Due to this sense of uneasiness the villagers requested that a conference be held about the horror brooding on the hills during the Terrible
Dark romantic literature has delved into the pits of man’s soul, through the use of psychology, to showcase a new take on the horror one can experience. It is this literature that touches all who reads it with a cold hand through exploiting a common fear shared by most. In Edgar Allen Poe’s “Fall of the House of Usher” Poe creates an ominous and eerie set of circumstances that incites pure fear into the narrator through his use of the Gothic Elements and Psychology to exploit the narrator’s fear of insanity to create the single effect of fear.
Edgar Allan Poe’s life was one of many sorrows and difficulties, filled with deaths of close family and many broken loves. Men disappointed him throughout the entirety of his life, and he saw women as angels that had come to redeem him from the depths of his depression and alcoholism. These occurrences, along with many others, especially those of his childhood, led Poe to become one of the greatest authors of his time. He is called “the father of horror and mystery”, as well as the father of science fiction (Wilson Par. 4).
Everyone is scared of something, whether it be heights, clowns, or fear itself. Some people loathe being scared, while others relish the experience. Those who enjoy horror tend to seek it out through many sources, including movies and books. There exists a certain kind of book that is designed to strike fear into its readers, to keep them up at night. These books are known as horror stories. Many great writers in history have found their muse in the horror genre, one of them being Edgar Allan Poe. In his short life, Poe wrote many poems and short stories which are recognized as being some of the greatest horror stories of all time. For example, “The Raven,” “The Tell-Tale Heart,” and “The Pit and the Pendulum”
Lovecraft, H.P.. “The Beast in the Cave.” The Transition of H.P. Lovecraft: The Road to
Through the use of imagery Lovecraft has manufactured a poem that creates a quite impressive feeling of fright when read. Obviously, as with any work of literature, the intensity with which one responds to “The Messenger” will differ between individuals. Not all will find the piece terribly horrendous, and it is safe to assume that some will not find it creepy by any stretch of the imagination. Regardless, no one can deny that H. P. Lovecraft forged “The Messenger” into a memorable poem, which relegates itself among some of his greatest works.
Lovecraft, Howard Phillip. "Facts Concerning the Late Arthur Jermyn and His Family." Dagon and Other Macabre Tales. Arkham House: Sauk City, WI. 1965. orig. pub. 1920. pp 73-83
...e the horror genre might not have become as popular as it is now. Poe thought that he was just writing to express his thoughts and feelings, but what he did not realize that his works would change American Literature forever.
Edgar Allan Poe has a unique writing style that uses several different elements of literary structure. He uses intrigue vocabulary, repetition, and imagery to better capture the reader’s attention and place them in the story. Edgar Allan Poe’s style is dark, and his is mysterious style of writing appeals to emotion and drama. What might be Poe’s greatest fictitious stories are gothic tend to have the same recurring theme of either death, lost love, or both. His choice of word draws the reader in to engage them to understand the author’s message more clearly. Authors who have a vague short lexicon tend to not engage the reader as much.
In any good horror story line you have to have certain aspects or traits to be categorized as a good horror story. What do the readers look for in a horror story you may ask. Well the primary ingredients for making a fearsome, shuddery, monstrous story are foreshadowing, fear, suspense, mystery/surprise and imagination of course. Without every single one of these elements, the reader would not be involved and wouldn 't even continue to finish reading the full story. Nathaniel Hawthorne, Phillip K. Dick and Edgar Allen Poe are only some of the great representations of who have constructed frightening yet delightful stories for us to read.
Many credit him as the architect of the modern short story and with his focus on the dark side of human nature, he is also known as the inventor of both the detective story and the horror genre