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French revolution causes and impact
French revolution causes and impact
Background of the french revolution
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The intention of this paper is to discuss the historical significance of Gustave Courbet’s painting, A Burial at Ornans. I plan to show through the following research that the painting and the artist both play a major role in the movement of the arts from favor of Romanticism to Realism at the end of the French Revolution.
A Burial at Ornans was showcased only several years following the French Revolution of 1848, which overthrew the monarchy of King Louis Philippe. In the aftermath of the Revolution came a short-lived stage of a progressive Second Republic that was terminated at the hands of Louis Napoleon Bonaparte in a coup d’état in 1951 and then followed by the establishment of the Second Empire in 1852 (Brooks, 2005).
Romanticism was
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The oil on canvas painting, originally titled Painting of Human Figures, the History of a Burial at Ornans, is quite massive in size. Measuring at approximately ten by twenty two feet, this grand scale defies the tradition that such was typically reserved for high status paintings of historic significance. Such vast size historic paintings were traditionally thought of in the highest regard by academies and competitions (Brooks, 2005). And yet the Burial presents itself in subject matter, not in grandeur, but in the ordinary humility of common villagers at the gravesite in Courbet’s home province. (Anon, 1999). The melancholy scene is given a frieze-like treatment and is completely painted with dark and muted tones of green, deep brown, and carbon gray- giving both the environment and the citizens in the painting a sense of concrete heaviness (Anon, 2006). There is nothing about the portrayal of the subjects at hand that reads as noble or heroic. The villagers themselves are clad in drab common attire rather than a more formal and traditional regional costume and their expressionless faces seem to reflect the downhearted hues that surround them (Brooks, 2005). At the bottom center of the painting lies an open burial pit with scattered bones around it’s perimeter clearly making the viewer aware that this funeral is being presented as an unceremoniously commonplace affair and perhaps even as a memento
Louis Le Nain (1593-1648) shifted his perspective of the manner in which peasants or common folk were represented. Unlike his peers, Le Nain decided to use a more realistic approach in his paintings. As our text states, “subjects that in Dutch paintings were opportunities for boisterous good humor, Le Nain treated with somber stillness” (Kleiner F.S. p. 609). Indeed Le Nain wanted the people he painted to represent the hardships of daily life and the dignity in which they carried it out. In the painting “Family of Country People” this technique is clearly on display.
Romanticism is a revolt against rationalism. The poets and authors of this time wrote about God, religion, and Beauty in nature. The romantics held a conviction that imagination and emotion are superior to reason. One such author is William Cullen Bryant, he wrote the poem Inscription for the Entrance to a Wood. This poem uses many literary devices, and has a strong message to portray to the reader.
Romanticism first came about in the 18th century and it was mostly used for art and literature. The actual word “romanticism” was created in Britain in the 1840s. People like Victor Hugo, William Wordsworth, and Percy Bysshe Shelley had big impacts on this style of art. Romanticism is an art in which people express their emotion. Whatever they believed is put into a picture, painting, poem, or book. Romanticism goes deep into a mind. It is very deep thinking and it’s expressing yourself through that deep thinking. Romanticism is the reaction to the Enlightenment and the enlightenment aka the “Age of Reason” took place during the 1700s to 1800s. The enlightenment emphasized being rational and using your mind; on the other hand, romanticism focuses on emotion and imagination. It says don’t just focus on rationality and reason.
“Romanticism, is an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and in most areas was at its peak in the approximate period from 1800 to 1850” (Wikipedia).
To start with, Romanticism was the first writing movement of the nineteenth century. It originated at the close of the eighteenth century in Europe, but was popular from the 1800s to 1850s. This movement was a revolt against the political and social standards of the Age of Enlightenment and a reaction to the reasoning of nature through science. Romanticism’s characteristics came from philosophical sources and, because it is a reaction against reasoning, it focuses on intuition, nature, and human emotions. The philosophical background of this movement came from an author named Jean-Jacques Rousseau who emphasized the individual and the power of inspiration. Romanticism later then broke off into another two movements called Parnassian and Realism.
Romanticism has been described as a “‘Protestantism in the arts and letters’, an ideological shift on the grand scale from conservative to liberal ideas”. (Keenan, 2005) It was a movement into the era of imagination and feelings instead of objective reasoning.
The formal analysis of The 3rd of May, 1808, Francisco Goya, 1814, oil on canvas. In the following written composition I will examine The 3rd of May, 1808 in a context which will allow me to identify formal elements that Goya manipulated to influence the viewers with a specific outlining message. This work was completed in 1814 using oil on canvas medium. This piece of art stands at approximately 266 by 345cm. This was common for historical paintings to be substantially grander in size. Goya’s goal in this specific painting is to depict the sorrow and heartache connected with the Peninsular war. In this specific work The 3rd of May 1808 he highlights the honor of the massacred Spanish rebellions opposed to the savage French troops. This formal analysis will examine the important technique used by Goya to organize societies depiction of the visual information. Within this work I will concentrate on these elements of color, texture, shape, lines, space, and the value to bring about my own opinion of Goya’s work. Using this strategy applied to The 3rd of May, 1808 work I hope to demonstrate a comprehension how to translate what I see into written words.
Similar to many of the van Gogh’s paintings completed close to the end of his life, Vincent van Gogh's Wheat Field with Crows is a representational painting depicting nature around him. This piece is showing the wheat fields surrounding the graveyard of the Church in Auvers-sur-Oise - the graveyard where both van Gogh and his brother, Theo, were buried. The artist shows his interpretation of the wheat field on a stormy day, with three paths converging in the center of the painting's foreground. The center path disappears into the distance with an “abrupt termination” on its way to the horizon, creating a true sense of depth, while the other two ...
Romanticism was an artistic and literary movement that began in the late 18th century Europe that stressed the individual’s expression of emotion and imagination, glorification of the past and nature, and departure from forms of classicism. The movement emerged as a reaction against the ideas
When many hear “Romanticism” they think of love, but Romanticism isn’t mainly about love. Yes, it may have some love, but it’s also about reasoning, nature, imaginations, and individualism. Like American Romanticism, that occurred from 1830 – 1865. It was actually caused by Washington Irving and James Fenimore Cooper. For Americans, “it was a time of excitement over human possibilities, and of individual ego. American writers didn’t know what “America” could possibly mean in terms of literature, which was American and not British. It questioned their identity and place in society, creatively” (Woodlief). It was characterized by an interest in nature, and the significance of the individual’s expression on emotion and imagination; good literature should have heart, not rules. Some of the most famous authors who wrote during American Romanticism were Nathaniel Hawthorne, Walt Whitman, Emily Dickinson, Henry David Thoreau, and Ralph Waldo Emerson. American Romanticism is important because it was the “historical period of literature in which modern readers most began to see their selves and their own conflicts and desires”. Romanticism was a literary revolution.
Georges Didi-Huberman is critical of the conventional approaches towards the study of art history. Didi-Huberman takes the view that art history is grounded in the primacy of knowledge, particularly in the vein of Kant, or what he calls a ‘spontaneous philosophy’. While art historians claim to be looking at images across the sweep of time, what they actually do might be described as a sort of forensics process, one in which they analyze, decode and deconstruct works of art in attempt to better understand the artist and purpose or expression. This paper will examine Didi-Huberman’s key claims in his book Confronting Images and apply his methodology to a still life painting by Juan Sánchez Cotán.
Romanticism was a reaction to the Enlightenment as a cultural movement, an aesthetic style, and an attitude of mind (210). Culturally, Romanticism freed people from the limitations and rules of the Enlightenment. The music of the Enlightenment was orderly and restrained, while the music of the Romantic period was emotional. As an aesthetic style, Romanticism was very imaginative while the art of the Enlightenment was realistic and ornate. The Romanticism as an attitude of mind was characterized by transcendental idealism, where experience was obtained through the gathering and processing of information. The idealism of the Enlightenment defined experience as something that was just gathered.
The Romantic period was an expressive and intellectual movement that originated in Europe towards the end of the 18th century and peaked in the 1800s-1850s. This movement was defined and given depth by an expulsion of all ideals set by the society of the particular time, in the sense that the Romantics sought something deeper, something greater than the simplistic and structured world that they lived in. They drew their inspiration from that around them. Their surroundings, especially nature and the very fabric of their minds, their imagination. This expulsion of the complexity of the simple human life their world had organised and maintained resulted in a unique revolution in history. Eradication of materialism, organisation and society and
O’Donnell, Sr., Joseph J.. “Art and the French Revolution”. The Eerie Digest, May 2013. Web. 5th May 2013.
... It was all about progress, political correctness and it was very controlling in the area of how people lived their lives concerning many matters. By embracing the ordinary and unknown of human existence, the romantics overthrew the limitations that were seen in the Enlightenment. Defining Romanticism is not easy as there was not a particular dominate set of beliefs nor were the styles in literature and art the same. It was a time to be yourself, to let out whatever type of personality that was within. The modern world has Romanticism to thank for much of the way we live today concerning ideas, values, love, dreams and beliefs. It’s worthwhile to mention that both era’s consisted of varieties of thought, much like it is today. We are better off today because of men like Isaac Newton during the Enlightenment and for the Romantics teaching us how to be free thinkers.