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A modest proposal effectiveness of swifts satire
Satires in the book gulliver's travels
Satire in Gulliver's travels
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Gulliver’s Travels
Gulliver’s Travels has set a standard for satirical writing for a long time, and Swift’s imaginative ability and talent can explain a lot of the text’s continued popularity. People can approach Gulliver’s Travels like a children’s book, and not search for deeper meaning. They read the story as a fantasy, and seek only to be entertained. Gulliver’s Travels is valuable and enjoyable for its plot and surface elements alone, but a deeper level of meaning and significance can be achieved if we take note of the satirical elements in the novel. Although to gain a full appreciation of the satire, the reader needs to be somewhat familiar with the events of Swift’s time.
Taking the historical period in which Swift was writing into consideration, one of the major changes that was occurring was the shift to a more scientific, empirically-informed worldview (being advanced by the Royal Society of England and Francis Bacon). However, Swift and others were concerned that if this new scientific outlook could lead to disaster if it continued unchecked. Swift and other “nonconformists” argued that science without context could have widespread harmful consequences, and this position profoundly reveals itself in his satirical treatment of science and knowledge in Gulliver’s Travels. This paper will discuss Swift’s satirical treatment of these subjects in the novel.
Several critics have pointed out that evidence exists that suggests that Swift was not uniformly opposed to all science (Phiddian 52). Therefore, it would seem unfair to read Swift’s satirical approach to science in Gulliver’s Travels as a full rejection of the science of his day-it would be overly simplistic and reductive. Swift was not an anti-Luddite. In fact, Swift was a proponent of science in some ways, but he reacted strongly against what he perceived as its abuse or exploitation. The satirical treatment of science in Gulliver’s Travels is more complex than an all-or-nothing rejection of the scientific mindset that was becoming increasingly popular in Swift’s time.
Instead of objecting to the use of science in general, Swift seems to have had problems with a particular form of scientific research, and it is with this type of science/scientist that Swift is primarily concerned in Gulliver’s Travels. The type of science that Swift attacks is inapplicable science, or “pure...
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...ss of the scientific worldview that was becoming more widespread during his lifetime. Swift himself was not opposed to all scientific endeavors, but Gulliver’s Travels provided a platform for him to explore the potential negative effects/affects of the “new science,” engaging in the exaggeration and absurdity that are essential to satire. Although Swift’s characterization of the Laputan scientists is distorted, it does successfully call into question the ultimate goal of science. Should scientific research be pursued because society has achieved the technology to perform them? My opinion is that Swift, through Gulliver’s Travels, argued that it should not automatically and necessarily be pursued.
Works Cited
Fitzgerald, Robert P. “Science and Politics in Swift’s Voyage to Laputa.” Journal of English and Germanic Philology 87: 213-29.
Patey, Douglas Lane. “Swift’s Satire on ‘Science’ and the Structure of Gulliver’s Travels.” ELH 58.4: 809-39.
Phiddian, Robert. “A Hopeless Project: Gulliver inside the Language of Science in Book III.” Eighteenth Century Life 22.1: 50-62.
Swift, Jonathan. Gulliver's Travels. Ed. Greenberg, Robert A. 2nd ed. New York: Norton, 1970.
In his lengthy literary career, Jonathan Swift wrote many stories that used a broad range of voices that were used to make some compelling personal statements. For example, Swifts, A Modest Proposal, is often heralded as his best use of both sarcasm and irony. Yet taking into account the persona of Swift, as well as the period in which it was written, one can prove that through that same use of sarcasm and irony, this proposal is actually written to entertain the upper-class. Therefore the true irony in this story lies not in the analyzation of minute details in the story, but rather in the context of the story as it is written.
Swift, Jonathon. "Gulliver's Travels." The Norton Anthology of English Literature. Ed. Stephen Greenblatt. Vol. 1. New York: W.W. Norton, 2012. 2489-632. Print.
Kiernan, Colin. "Swift and Science." The Historical Journal. 14.4 (Dec., 1971): 720. Rpt. in The Historical Journal. , . Print.
Swift, Jonathan. “A Modest Proposal.” The Norton Anthology of English Literature. Gen. ed. Stephen Greenblatt. 9th ed. Vol. C. New York: Norton, 2012. 2633-39. Print.
Jonathan Swift is one of the best known satirists in the history of literature. When one reads his works, especially something like Gulliver’s Travels, it is easy for one to spot the misanthropic themes, which emerge within his characterization. Lamuel Gulliver is an excellent protagonist: a keen observer, and a good representative of his native England, but one who loses faith in mankind as his story progresses. He ends up in remote areas of the world all by accidents in his voyages. In each trip, he is shipwrecked and mysteriously arrives to lands never before seen by men. This forms an interesting rhythm in the novel: as Gulliver is given more and more responsibility, he tends to be less and less in control.
Swift consistently uses allegory throughout Gulliver’s Travels to induce an extreme sense of self-doubt in the reader. In Gulliver’s fourth voyage, Swift uses th...
Rodino, Richard H. "The Study of Gulliver's Travels, Past and Present." Critical Approaches to Teaching Swift. New York: AMS Press, 1992.
Swift, Jonathan. Gulliver’s Travels. The Norton Anthology of English Literature. Vol C. 9th ed. Ed. Stephen Greenblatt. New York: W. W. Norton, 2012. 2492-2633. Print.
What Swift has accomplished by making Gulliver the embodiment of common English values and beliefs and then having him visit far away lands that are really the mirrors of English society is an interesting satirical device. He forces the English reader to unknowingly judge English society, not according to some higher law or pristine observer, but through the lens of their own cherished values. This effectively turns English beliefs and values in on themselves as a test of their merit. Swift echoes this structure by first having Gulliver visit a land of little people, which causes one to observe them with scrutiny. Then Gulliver immediately travels to a land of giants which causes scrutiny of Gulliver, who is now the little one.
In the fourth voyage, Swift presents a case study for opposing states of nature, with the Yahoos representing the argument that man is governed by his passions, seeking his own advantage, pursuing pleasures and avoiding pain, and the Houyhnhnms representing the argument that man is governed by reason. If this is the case, then Swift’s misanthropy was such that he saw men as the foul and disgusting Yahoos, and made it plain that reform of the species was out of the question. A major fault with this theory is that it leaves no place for Gulliver. When attention is drawn to the figure of Gulliver himself, as distinct from his creator, Swift, he is taken to be the moral of the story. If you can't be a Houyhnhnm you don't need to be a Yahoo; just try to be like Gulliver. The trouble with this idea is that when taking a closer look at Gulliver, he isn't worth emulating. The final picture of him talking with the horses in the stable for four hours a day, unable to stand the company of his own family, makes him look foolish. Another theory is that Gulliver made a mistake in regarding the Houyhnhnms as models to be emulated: so far from being admirable creatures they are as repulsive as the Yahoos. The Yahoos might be ruled by their passions, but these have no human passions at all. On this view, Swift was not advocating, but attacking reason.
The Writings of Jonathan Swift; Authoritative Texts, Backgrounds, Criticism. edited by Robert A. Greenberg and William Bowman Piper. Norton Critical Editions. New York: Norton, 1973.
Jonathan Swift’s Gulliver’s Travels presents a narrator, Lemuel Gulliver, who recounts his various sea voyages to fantastical lands. During each voyage, Gulliver encounters different societies and customs to which Gulliver must adjust to. in order to be accepted into their society The entire novel serves as a commentary on how people everywhere have a tendency to abuse the power given to them.
In Gulliver’s Travel, a novel written by Jonathan Swift, there are many political themes and satirical descriptions of the English government. During Swift’s time, the early 1700s, the Tory government and the Whig government opposed each other. Hoping that they would appoint him to the Church of England, Swift joined the Tories, but he was not appointed to the position by the Queen. When Tory government was in trouble for treason with the French, the Whig government took over, and Swift left politics to publish Gulliver’s Travel to show the disagreements between the two parties and between the Protestant English and the Catholic French, who did not agree on religious values. Swift wrote Gulliver’s Travel also to show his idealized vision for the English society. In the novel, Swift criticizes the government as he narrates the adventures which Gulliver experiences at different islands with foreign and unique groups of people. In a way, Swift creates utopian societies at the Lillitupian Island and the Brobdingnag Island to exhibit the imperfection of government that existed in England. As Gulliver, Swift’s main character, interacts with these societies, he criticizes some of their customs and laws. He notices that these societies are not utopian from his perspective. Although there are many themes throughout Gulliver’s Travels, this paper will focus on part one and two examining the utopian societies Swift creates for Gulliver to experience through his interactions with the Lilliputians and Brobdingnagian people system of government.
Lemuel Gulliver recounts his findings over four of his most impactful voyages in Jonathan Swift’s Gulliver’s Travels. In Gulliver’s Travels, Gulliver gives his own candid account of all significant characters encountered and manages to fall into almost every influential person’s favor. Swift tactically shapes Gulliver’s encounters with characters from varying backgrounds to compare the behavior of the esteemed nobility with the behavior of commoners. Swift has Gulliver alter his demeanor based on his present surroundings to appeal to those around him and maintain his pride. By doing so, Swift intended to didactically explain his contempt for nobility, his misanthropy, and the dangers of pride.
One of the forms of political satire is embodied in the first culture that is met by Gulliver. The Lilliputians are the embodiment of England of the time period. The Lilliputians are small people who control Gulliver through means of threats. "...when in an instant I felt above a hundred arrows discharged into my left hand, which pricked my like so many needles; and besides they shot another flight into the air, as we do bombs in Europe" (Swift, 24). England was a small country that had Europe (represented by Gulliver) and many other parts of the world under their control. This example of comparing the political situation in Europe at the time to the story is further demonstrated by using Gulliver against the Blefescan nation, much like a European nation would use a political ally. Another way that Swift uses satire against the society of the time is through the medium of science. During the Reformation period, people were beginning to questions superstitions and theories by using science to explain things. The most famous of these explanations was when Halley discovered that a comet (later named for him) made a predictable orbit around the sun. During the voyage to Laputa, Gulliver commends the Laputians on their study of comets, even saying that ".