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Guilt in The Scarlet Letter
What is guilt? We all have guilt about something. Maybe forgetting
something, lied about something, or even did something that shouldn't of been
done. In The Scarlet Letter by Nathaniel Hawthorne we saw guilt fester in the
minds and outward appearance of the main characters, Hester Prynne, Arthur
Dimmesdale and Roger Chillingworth.
When you hear the word guilt what do you think it means? Guilt means
remorseful awareness of having done something wrong or of having failed to do
something required or expected. Does that sound about right? Guilt is
something everyone has. Its this mental manifestation that lets us know when we
did something wrong but no one knows it yet. Guilt is very powerful. Some
people after awhile give in to this guilt and confess what they did.
In The Scarlet Letter, Hester Prynne and Arthur Dimmesdale commit a
great sin. Because of this great sin, it causes them immense guilt and sadness
though out the rest of the book. One of the main character's that is affected
the most is Arthur Dimmesdale. Dimmesdale handles it in a different way though,
to him its more of a "concealed sin." A example of this is, "It may be that
they are kept silent by the very constitution of their nature. Or - can we not
suppose it - guilty as they may be, retaining, nevertheless, a zeal for God's
glory and man's welfare, they shrink from displaying themselves black and filthy
in the view of men; because, thenceforward, no good can be achieved by them; no
evil or the past be redeemed by better service." Dimmesdale also has another
reason for his concealing, he wants to remain silent so that he can continue to
do God's work as a minister.
Hester Prynne handles her guilt in another way. Instead of worrying
about it day after day and letting to fester, she makes it outward. At the
beginning of the book she wears the most awesome clothes and shows the world
she's not guilty for what she has done. An example of this is, "And never had
Hester Prynne appeared more lady-like, in the antique interpretation of the term,
Finally in 1991, the federal government initiated a ‘Better Cities Program’ which aimed to make Australian cities sustainable and more liveable. It encoura...
Throughout The Scarlet Letter, Nathaniel Hawthorne attempted to expose the varying ways in which different people deal with lingering guilt from sins they have perpetrated. The contrasting characters of Hester Prynne and Arthur Dimmesdale ideally exemplified the differences in thought and behavior people have for guilt. Although they were both guilty of committing the same crime, these two individuals differed in that one punished themselves with physical and mental torture and the other chose to continue on with their life, devoting it to those less fortunate than they.
Guilt, shame, and penitence are just a few of the emotions that are often associated with a great act of sin. Mr. Arthur Dimmesdale, a highly respected minister of a 17th century Puritan community, is true example of this as he was somehow affected by all of these emotions after committing adultery. Due to the seven years of torturous internal struggle that finally resulted in his untimely death, Mr. Dimmesdale is the character who suffered the most throughout Nathaniel Hawthorne’s The Scarlet Letter. Mr. Dimmesdale’s ever present guilt and boundless penance cause him an ongoing mental struggle of remorse and his conscience as well as deep physical pain from deprivation and self inflicted wounds. The external influence of the members of his society
Fairy tales are usually associated with elegant dresses, fancy shoes, and a happily ever after for the protagonists, presenting the tale itself as if it is too good to be true, because it is. In reality people cannot have a fairy tale ending because the majority of the population has difficulty paying bills, providing for their families, and, in many cases, relationships fail. Edgar Allen Poe’s “Annabel Lee” shows readers exactly that: All Fairy Tales must be brought to an end and there is nothing that can stop this.
A fairytale is a fictional fantasy fable that passes through generations of children as source of interest to them. Though used for the intent of entertainment, fairytales often indirectly advocate a moral or message to readers (whom are usually children), in hopes that they will grow up to apply these ethics and lead a righteous life. This criteria, however, often originates from the occurrence of a magical transformation; it is this paranormality that introduces the characters of the story to a side of life far from what they have grown to know and learn to adapt to the dramatic amend in their life. This is evident in the characters in world-renowned tales such as The Little Mermaid, Aladdin and Beauty and the Beast.
Richard C. Nelson, the author, is a professor in the School of Landscape Architecture and Planning and the Planning Degree program at the University of Arizona. He has made substantial contributions in real estate analysis and urban growth trends. Nelson also created the term ‘megapolitan’ which he predicts the United States will have over twenty by 2040. These megapolitans are the result of the reverse sprawl and creating major economic centers, which will make America globally competitive. Nelson’s background ties in to many of his ideas in the book, with the main points focusing on demographic changes, housing trends, more space for future jobs and the benefits of reshaping metropolitan America. Changing demographics support the notion that more people are choosing an urban lifestyle over sprawl, which means a higher preference of
Humans are social creatures‒they form groups, communities, and societies that have varying degrees of requirements for a person to be accepted. For many, the question of whether to conform to society 's unspoken rules and garner acceptance or to reject them and be alienated is to be thoroughly examined and contemplated over. A facet of this question is answered in Nathaniel Hawthorne’s historical novel, The Scarlet Letter, as the characterization of Reverend Arthur Dimmesdale reveals that forcibly molding oneself or another to fit the rigid expectations that society implements rescinds the rights of an individual to an identity and a life.
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
Fairy tales are one of the longest lasting forms of literature. Though now they bring to mind classic movies engendered by Disney, many of these stories were first passed on in an oral manner, meant to convey a message, moral, or lesson. Alison Lurie’s “What Fairy Tales Tell Us” covers a broad range of classic tales, discussing how under the guise of an entertaining story comes life lessons we would all do well to follow. To begin this paper, some of the tales Lurie examines in her article will be looked at and critically examined beyond what she discusses. This will then move the text towards its remaining sections, which will take Lurie’s ideas and have them applied to folk and fairy tales that have not yet been contemplated; for the purpose
Revenge is the act of retaliating in order to get even with someone for the wrongs they have done. In the novel “The Scarlet Letter,” the author, Nathaniel Hawthorne, uses Roger Chillingworth to reap revenge on Arthur Dimmesdale for his affair with his wife, Hester Prynne. Chillingworth becomes so devoted to revenge that is all his life revolves around. Chillingworth then devotes the rest of his life to taking revenge on Dimmesdale.
Nathaniel Hawthorne created themes in The Scarlet Letter just as significant as the obvious ideas pertaining to sin and Puritan society. Roger Chillingworth is a character through which one of these themes resonates, and a character that is often underplayed in analysis. His weakness and path of destruction of himself and others are summed up in one of Chillingworth's last sentences in the novel, to Arthur Dimmesdale: "Hadst thou sought the whole earth over... there were no place so secret, no high place nor lowly place, where thou couldst have escaped me, save on this very scaffold!" (171).
In the opening theoretical argument on “publics” the author quotes the words of Jan Kiely that publics “exist by virtue of being addressed.” (p. 7)
In Nathaniel Hawthorne’s The Scarlet Letter, there are many moral and social themes develped throughout the novel. Each theme is very important to the overall effect of the novel. In essence, The Scarlet Letter is a story of sin, punishment and the importance of truth. One theme which plays a big role in The Scarlet Letter is that of sin and its effects. Throughout the novel there were many sins committed by various characters. The effects of these sins are different in each character and every character was punished in a unique way. Two characters were perfect examples of this theme in the novel. Hester Prynne and The Reverend Dimmesdale best demonstrated the theme of the effects of sin.
Fairy tales have been part of our lives ever since we were young children. We all either grew up watching Disney renditions of fairy tales, or we had storybooks filled with vivid pictures of a tale. Fairy tales are so important in our culture that it would be difficult to find someone who has not heard of Sleeping Beauty, Little Red Riding Hood, or other fairy tale protagonists. Interestingly enough, fairy tales have been a very integral part of Western culture since the time they were written. Fairy tale writers, such as Charles Perrault and the Grimm Brothers, revolutionized culture in the 17th and 18th centuries with their writings. Not only did these writers write these tales for entertainment, but they also accomplished to influence the
the end of the novel as both the women in his life have other men at