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Alice Munro's boys and girls
Alice Munro's boys and girls
Araby by James Joyce's Analysis
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Growing Up in Araby by James Joyce and Boys and Girls by Alice Munro
In the stories “Araby” by James Joyce, and “Boys and Girls” by Alice Munro, there is a common theme of growing up. In both of these stories the characters came to a realization of who they were and what they wanted to be. They both are of the age when reality strikes and priorities take on meaning. The characters in both stories evolve through rites of passage but the way in which these revolutions occur differ with each character.
These stories can be seen as different from each other in many ways. The young boy lives in a house in a suburban area without a mother or a father, but with guardians. He has a group of friends nearby he hangs out with. Though, he has no siblings. His revelation lets him realize the finer things in life, like women. He finds his friends are boring and no longer wants to play. Also, he obsesses over the young girl across the street in an unhealthy way. It almost seems as if he could grow to be a psychopath. He follows behind her on the way to school, waits for her before school, and watches her from his door.
The young girl on the other hand, lives in the outskirts of town, if not pure country. She does not play with anybody but a younger brother she has. She worships her father and neglects her mother. She also has no respect for her mother, although later in the story, she goes on about all the hard work she does. Unlike the boy, the young girl is kept occupied with lots of...
The mother and daughter have a very distant relationship because her mother is ill and not capable to be there, the mother wishes she could be but is physically unable. “I only remember my mother walking one time. She walked me to kindergarten." (Fein). The daughter’s point of view of her mother changes by having a child herself. In the short story the son has a mother that is willing to be helpful and there for him, but he does not take the time to care and listen to his mother, and the mother begins to get fed up with how Alfred behaves. "Be quiet don't speak to me, you've disgraced me again and again."(Callaghan). Another difference is the maturity level the son is a teenager that left school and is a trouble maker. The daughter is an adult who is reflecting back on her childhood by the feeling of being cheated in life, but sees in the end her mother was the one who was truly being cheated. “I may never understand why some of us are cheated in life. I only know, from this perspective, that I am not the one who was.” (Fein). The differences in the essay and short story show how the children do not realize how much their mothers care and love
In the short stories, “Paul’s Case” by Willa Carter and “Araby” by James Joyce, both the protagonists are infatuated with the idea of escaping the conventional routines in their daily lives. Their main goal is to obtain a more romantic, extravagant, glamourized life. For Paul, his dream of a glamorized life lies in distant New York. For the unnamed protagonist in “Araby”, he hopes to find his in Araby with the neighbor girl who he barely knows. They believe that by achieving this escape, they’ll find the pleasure and satisfaction they’ve been hoping for. Both the protagonists dream to find a romance in a world hostile to romance by escaping the reality that they live in.
Stories about youth and the transition from that stage of life into adulthood form a very solidly populated segment of literature. In three such stories, John Updike’s “A & P,” Richard Wright’s “The Man Who Was Almost a Man,” and James Joyce’s “Araby”, young men face their transitions into adulthood. Each of these boys faces a different element of youth that requires a fundamental shift in their attitudes. Sammy, in “A&P”, must make a moral decision about his associations with adult institutions that mistreat others. Dave, in “The Man Who Was Almost a Man,” struggles with the idea that what defines a man is physical power. The narrator of “Araby,” struggles with the mistaken belief that the world can be easily categorized and kept within only one limited framework of thought. Each of these stories gives us a surprise ending, a view of ourselves as young people, and a confirmation that the fears of youth are but the foundation of our adulthood.
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
In the short stories "The Story of an Hour," by Chopin and "A Rose for
is a study on this character. The story is of a young boy and girl who
Hunter, Cheryl. "The Coming Of Age Archetype In James Joyce's "Araby.." Eureka Studies In Teaching Short Fiction 7.2 (2007): 102-104. Literary Reference Center Plus. Web. 16 Mar. 2014.
Nonetheless, this really is a tale of compelling love between the boy and his father. The actions of the boy throughout the story indicate that he really does love his father and seems very torn between his mother expectations and his father’s light heartedness. Many adults and children know this family circumstance so well that one can easily see the characters’ identities without the author even giving the boy and his father a name. Even without other surrounding verification of their lives, the plot, characters, and narrative have meshed together quite well.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
In “Araby”, author James Joyce presents a male adolescent who becomes infatuated with an idealized version of a schoolgirl, and explores the consequences which result from the disillusionment of his dreams. While living with his uncle and aunt, the main character acts a joyous presence in an otherwise depressing neighborhood. In Katherine Mansfield’s, The Garden Party, Mansfield’s depicts a young woman, Laura Sherridan, as she struggles through confusion, enlightenment, and the complication of class distinctions on her path to adulthood. Both James Joyce and Katherine Mansfield expertly use the literary elements of characterization to illustrate the journey of self-discovery while both main characters recognize that reality is not what they previously conceptualized it as.
The short story “Araby” by James Joyce is told by what seems to be the first person point of view of a boy who lives just north of Dublin. As events unfold the boy struggles with dreams versus reality. From the descriptions of his street and neighbors who live close by, the reader gets an image of what the boy’s life is like. His love interest also plays an important role in his quest from boyhood to manhood. The final trip to the bazaar is what pushes him over the edge into a foreshadowed realization. The reader gets the impression that the narrator is the boy looking back on his epiphany as a matured man. The narrator of “Araby” looses his innocence because of the place he lives, his love interest, and his trip to the bazaar.
The visual and emblematic details established throughout the story are highly concentrated, with Araby culminating, largely, in the epiphany of the young unnamed narrator. To Joyce, an epiphany occurs at the instant when the essence of a character is revealed, when all the forces that endure and influence his life converge, and when we can, in that moment, comprehend and appreciate him. As follows, Araby is a story of an epiphany that is centered on a principal deception or failure, a fundamental imperfection that results in an ultimate realization of life, spirit, and disillusionment. The significance is exposed in the boy’s intellectual and emotional journey from first love to first dejection,
a struggle between love and family tradition and ways. In the two stories a young girl
In many stories of the modern era love is a driving theme or idea of a story. In ofter times the plot follow a similar path. At first there is a distance between the two loves. Then there must be a quest for the man to gain the feelings for the girl of his dreams and then the story ends with a happily ever after ending. In James Joyce's “Araby” it seems that the plot falls susceptible to the average love plot. It starts off with a boy, the narrator, that falls in love with his friends sister. He begins to have small talk with the girl and soon thinks that if he makes the trip to the Araby Bazaar and brings the girl something back that he will receive her love. However, the boy has an epiphany that his quest will not get the girl to love him and he goes home in shame. There is also a similar message in Katherine Mansfield's, “A Dill Pickle.” Here a couple meets at a coffee shop after a long time apart. The man thinks that he can win the woman's heart over but yet at the end of the story she walks out of the restaurant. These two authors use love as a tool to drive their plot but at the end of the story turn it into a lesson that love is not what it is made out to be.
In many cultures, childhood is considered a carefree time, with none of the worries and constraints of the “real world.” In “Araby,” Joyce presents a story in which the central themes are frustration, the longing for adventure and escape, and the awakening and confusing passion experienced by a boy on the brink of adulthood. The author uses a single narrator, a somber setting, and symbolism, in a minimalist style, to remind the reader of the struggles and disappointments we all face, even during a time that is supposed to be carefree.