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Grendel's point of view in beowulf
Grendel's point of view in beowulf
The character traits of Grendel and Beowulf
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The point of view in which a story is written, when compared to a story about the same event in another point of view, can completely change the way the reader interprets it. Grendel is told from the perspective of Grendel. Beowulf is written in third person omniscient. From the point of view of Grendel he is made to seem to be a child. When you look at Beowulf, Grendel is described as a monster. As people read these stories, they either think of Grendel as this horrible monster or as this innocent little kid, depending on which perspective is being read.
Beowulf starts out talking about Herot and Grendel attacking the mead hall. Hrothgar and his people describe Grendel as this horrible and ugly monster that everyone is terrified of. Everybody
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thinks Grendel is trying to hurt them on purpose out of rage but they don’t stop and consider him and his feelings. “A powerful minster, living down in the darkness, growled in pain, impatient as day after day the music rang loud in that hall, the harp’s rejoicing call and the poet’s clear songs” (page 14 of Beowulf ). This sentence shows that Grendel was getting tired of the music but when he attacks they don’t care that they are bothering him, the just lash out and attack him. On page 16 of Beowulf Hrothgar describes Grendel as a demon. This shows how the people see Grendel has. They don’t care that he is being hurt and annoyed by their music. He is killing their people and they think it is for no reason. So they call him a demon. The author used this perspective to show how the people of Herot saw Grendel. By using the third person point of view it makes it seem like you are being told this story from a third party that is unbiased so it makes you think that they story must be true the way that it is being told. The author sets himself apart from everyone else but he still knows the thoughts of everyone. He does not just talk about one person’s thoughts, he goes in great detail and depth about everybody’s thoughts and opinions. By doing this the author enables the reader to understand the thoughts and feelings of all the characters, not just the main one. Unlike the perspective shown in Beowulf, Grendel is told in a first person perspective.
The story is told from Grendel’s point of view. From his perspective you can gather that he is not the horrible, violent monster that everybody makes him out to be. He is actually just as scared as the humans are. On page 30 of Grendel, Grendel states that it wasn’t because he threw that battle-ax that he turned on Hrothgar. He said that was mere midnight foolishness and he dismissed it. This shows that Grendel is not out there to harm them, he is an innocent being.
The author uses this perspective because it allows the reader to get inside of Grendel’s head. The reader can clearly see that Grendel is not out to hurt people, he is just as scared as they are. For the longest while he does not hurt them, he just watches and learns from them. The effect of using this perspective is it allows the reader to see the other side of the story and not just Beowulf’s story.
These two types of writing do not just pertain to stories, they also pertain to actual events in the world. For example the news, when an anchor is telling a story they distant there self from the event and tell it in third person where as an eye witness or victim would tell it in first person. News anchors do this to make it unbiased and give people the facts not their opinions. When a witness or victim tell their story, they try to explain how they felt and try to make us understand their
feelings.
Rudd cites various sections of the poem, describing Grendel as a “night-monster of the border lands” (Rudd 3), and the translation of the poem says that Grendel was, “...Conceived by a pair of those monsters born Of Cain, murderous creatures banished By God…” (Raffel 42). Rudd also gives evidence for Grendel being seen as demonic, and reasons that Grendel attacks the Danes out of “...not mere thirst for gore, as we might suspect… but rather… envy of the Danes’ happiness- and envy was a chief characteristic of the medieval devil.” (Ruud 5). He then ties this devilish persona to Grendel’s humanistic aspects, stating Grendel has a heathen soul, and therefore he must be human. Ruud also notes, however, that there are critics who question the validity of portraying Grendel as this three-sided figure, asking questions such as, “How can Grendel be a devil when he has a physical body? How can he be a man when he is so manifestly bestial?” (Ruud 7). Ruud believes that the original poet of Beowulf is doing this for effect rather than consistency, but a more reasonable explanation that encompasses all three characteristics is that Grendel represents the evil in
John Gardner’s Grendel brings a new perspective to the the way the story of Beowulf is told and interpreted. (Grendel’s ability to be influenced by the multiple sources around him changes his outlook on life. It also changes the reader’s ideas of who Grendel is as a character as he develops and changes in the book.) Grendel’s ability to be influenced with ease by multiple characters throughout the book shows his true adolescence and nature to follow others. These multiple characters such as the Dragon, the Shaper, and Wealtheow all are able to use their propaganda to instill into Grendel a new value or trait. Grendel’s adolescence therefore results in multiple sources of propaganda being so influential on him as a character. (is the reason why propaganda from many different sources influences him so heavily.)
as men. She has been sleeping down in her dark and dingy cave below the world
Our first character, Grendel, is an exceptionally diverse character. It is implied that in both book and poem, Grendel is a blood-thirsty monster. All Grendel does is go through meadhalls and kill the drunk, often asleep people. But when narrated through the eyes of Grendel, the true nature of this beast is discovered. The author of Grendel entails that Grendel is a depressed and misunderstood monster, restrained to the confinements of his own underwater cave. He is a lot like the monster in the book Frankenstein. Both Grendel and Frankenstein are born with no real purpose to life, going off of what they hear other people say and taking it as the truth. Both monsters, knowing that everyone detests them for being unattractive and different, retaliate by way of murder and mayhem. From the perspective of the people in the stories itself, Grendel is exactly how the narrator in the poem Beowulf makes him out to be. The people, or the thanes, of Hrothgar’s kingdom see Grendel as a demon from hell, representing all that’s evil in the world. He’s a supernatural creature and in this time period anything supernatural that wasn’t human was considered a spirit, a god, evil or, in Grendel...
One night, as Grendel was sleeping soundly in his home in the swamplands, he was suddenly awakened by the sound of music. The music angered Grendel because he had been up late the night before entertaining his monster friends and was in need of his beauty rest. So he headed out the front door and headed to see what the commotion is all about.
John Gardener’s Grendel is another version of the epic Beowulf, except in a differing perspective. This story is retold from the viewpoint of Grendel. Gardener wants us to empathize with Grendel through his own thoughts and emotions. The way one sees the monster in Beowulf is completely different than how one would think of him in Grendel. One is forced to view someone else’s opinion versus getting to form an opinion for oneself.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
{1} Grendel, it seems, actually didn’t have too much exposure to humans before the start of the poem. He “hunted the moors” (17), likely subsisting on animals he had killed. The reasons why he started killing humans aren’t entirely clear; he had “growled in pain, impatient / As day after day the music rang / Loud in that hall” (2-4). He could also come across as merely curious, as he was “wondering what the warriors would do in that hall” (31-32). This raises a noteworthy attribute of Grendel – though he is often animalistic, he frequently is described as thinking, wondering, or otherwise displaying a human-like nature. The humans think of him not as a raging beast, but as a calculating criminal. But how calculated were these crimes? Grendel doesn’t seem to have planned his war on Herot, especially not that first night. The statements “[Grendel’s] Thoughts were as quick as his greed of his claws” (35) and “delighted with his night’s slaughter” (40) give the
face, letting tears down my nose, grinding my fists into my elbow the corpse of
Grendel is alone; he can not know God’s love and be comforted. He is an outcast, and the sins of his forefather have fallen upon him. Evil can not stand God being glorified just as the praising of God by the Danes angered Grendel.
Beowulf and Grendel (Gunnarsson 2005) depicts a very different protagonist than the one in the epic (Heaney 2000). The Beowulf in the film learns how to have mercy as the movie progresses, while the epic Beowulf is very flat. This is due to the fact that the modern culture is very different from that of the epic. Our culture isn't content with such characters. We want our characters to have more lifelike characteristics such as emotions and a change of heart.
Grendel has been attacking the people of Heorot for a very long time. For twelve long years everyone has been in a panic and gossiping about the monster, Grendel. Over time the stories have bled into the land of the Geats. Beowulf hears this and feels that it is his duty to protect the Danes
Anger then yields itself to insecurity and low self-esteem. The moment Grendel realizes that there is someone just as strong as him, he tries to run away, ". . . Grendel's one thought was to run / From Beowulf, flee back to his marsh and hide there:" (437-438), but it is too late. Just like when the average bully meets his match, he runs in fear of not being able to win. Grendel does not have the audacity to stand up to Beowulf with all his might and therefore falls to Beowulf.
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.
The epic Beowulf is one of the earliest known works in the English vernacular. The protagonist, Beowulf, is a hero with superhuman powers who fears nothing and no one. The poem follows his journey through life and specifically his defeat of the three antagonists: Grendel, Grendel’s mother and the dragon, who brings about Beowulf’s downfall. The chosen passage details the horrors of Grendel’s attack on Heorot, the domain of Hrothgar, King of the Danes and comes before Beowulf is introduced.